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Love is a madman, Working his wild schemes, Dancing crazy, tearing off clothes, Drinking poison, and quietly choosing annihilation. The book "Unveiling the veiled" is poetry about the mystical union with the beloved. These inspiring renderings, burning emotions, feelings and thoughts unveils thousands of veils to expose the hidden mysteries and experience the ecstasy and beauty of divine love. Each poem in this book urges us to put aside our fears and take the risk of discovering our core self.
Through intimate testimonies from Black women victim/survivors, commentaries from acclaimed African-American scholars and community leaders, impacting archival footage, spirited music, dance, and performance poetry, NO! unveils the reality of rape, other forms of sexual violence, and healing in African-American communities. Winner of both a juried award and an audience choice award at the 2006 San Diego Women Film Festival, NO! explores how the collective silence about acts of rape and other forms of sexual assault adversely affects African-Americans, while simultaneously encouraging dialogue to bring about healing and reconciliation between all men and women.
Applying all seven keys introduced in Book 1 of The Unveiling: The Book of Sevens, we now open The Seven Visions revealing seven facets of a comprehensive revelation. The goal is to bring understanding to the Book of Revelation that is readable, devotional, and applicable. The intent is to bring hope and light on this perplexing and rarely taught book. The Revelation is not intended to be an indecipherable enigma, it is not meant to puzzle and bewilder but to disclose God’s plan, purpose, and provision to His bond servants. Therefore, to that end, the purpose is to bring the authors comments on each facet of The Revelation to the reader with these goals in mind. The Book of Revelation is unveiled as a seven faceted jewel. The seven visions of the Book of Revelation open to God’s bond servants the insight and encouragement needed to persevere until He comes. It reveals the fulfillment of old testament prophecy with Israel’s Great Day of the Lord in 70 AD while in these same visions reveals the cataclysmic end of this age. These two tracks of judgment bring to a conclusion the “former days” and introduce “these last days” as prophetically revealed throughout Scripture. “Blessed is he who reads and those who hear the words of the prophecy, and heed the things which are written in it; for the time is near.” (Revelation 1:3)
"Unveiling Maya: Translation and Hidden Insights of Daksinamurti Stotram" is an exploration of this collection of verses within Advaita Vedanta philosophy. Attributed to the sage Adi Shankaracharya, Daksinamurti Stotram is celebrated for its intricate verses that delve into the essence of non-duality, emphasizing the oneness of the individual soul (Atman) with the universal consciousness (Brahman). Through this concise text, readers gain access to the original Sanskrit text and its nuanced meanings, providing a gateway to a deeper understanding of the wisdom embedded within the symbolism, metaphors, and philosophical depth that underlie each verse. Whether you are a spiritual seeker, a student of Sanskrit, or simply curious about the profound wisdom of Advaita Vedanta, "Unveiling Maya" provides an enlightening journey towards self-discovery.
The Maoist guerrilla group Shining Path launched its violent campaign against the government in Peru’s Ayacucho region in 1980. When the military and counterinsurgency police forces were dispatched to oppose the insurrection, the violence quickly escalated. The peasant community of Sarhua was at the epicenter of the conflict, and this small village is the focus of Unveiling Secrets of War in the Peruvian Andes. There, nearly a decade after the event, Olga M. González follows the tangled thread of a public secret: the disappearance of Narciso Huicho, the man blamed for plunging Sarhua into a conflict that would sunder the community for years. Drawing on extensive fieldwork and a novel use of a cycle of paintings, González examines the relationship between secrecy and memory. Her attention to the gaps and silences within both the Sarhuinos’ oral histories and the paintings reveals the pervasive reality of secrecy for people who have endured episodes of intense violence. González conveys how public secrets turn the process of unmasking into a complex mode of truth telling. Ultimately, public secrecy is an intricate way of “remembering to forget” that establishes a normative truth that makes life livable in the aftermath of a civil war.
In ancient Greece, the spoken word connoted power, whether in the free speech accorded to citizens or in the voice of the poet, whose song was thought to know no earthly bounds. But how did silence fit into the mental framework of a society that valued speech so highly? Here Silvia Montiglio provides the first comprehensive investigation into silence as a distinctive and meaningful phenomenon in archaic and classical Greece. Arguing that the notion of silence is not a universal given but is rather situated in a complex network of associations and values, Montiglio seeks to establish general principles for understanding silence through analyses of cultural practices, including religion, literature, and law. Unlike the silence of a Christian before an ineffable God, which signifies the uselessness of words, silence in Greek religion paradoxically expresses the power of logos--for example, during prayer and sacrifice, it serves as a shield against words that could offend the gods. Montiglio goes on to explore silence in the world of the epic hero, where words are equated with action and their absence signals paralysis or tension in power relationships. Her other examples include oratory, a practice in which citizens must balance their words with silence in very complex ways in order to show that they do not abuse their right to speak. Inquiries into lyric poetry, drama, medical writings, and historiography round out this unprecedented study, revealing silence as a force in its own right.
Children of violence need to be heard. Unable or unwilling to verbalize their suffering, abused children are often immobilized by fear, rage, guilt, and pain. In the second edition of Breaking the Silence: Art Therapy with Children from Violent Homes , Cathy Malchiodi demonstrates the unique power of art therapy as a tool for intervening with children from violent backgrounds. In this new edition, she describes the intervention process from intake to termination, noting the complex issues involved at various levels of evaluation and interpretation. Bringing her years of experience in working at battered women's shelters to bear on the subject, Ms. Malchiodi brings the language of art therapy to life--a language of art that gives children a voice and those who work with them, a way of listening. The emphasis here is on the short-term setting where time is at a premium and circumstances are unpredictable. It is within this setting that mental health practitioners often experience frustration and a sense of helplessness in their work with the youngest victims of abusive families. Since the first edition of this book was published, research has led to some new ideas related to sexual abuse. The author analyzes several issues concerning the treatment of sexually abused children and art expressions of sexually abused children. In addition, Ms. Malchiodi launches a discussion about the ethical issues in the use of children's art as a whole. Featured throughout the book are 95 drawings by abused children. These drawings are at once poignant and hopeful, clearly representing the extraordinary suffering that abused children experience at, at the same time, showing that they can be reached. Because the practice of art therapy methods has been integrated into many disciplines, the final chapter covers development of art therapy programs for children. The author shares information on art supplied, space, and storage ideas. For art therapists, social workers, and other practitioners who work with children in crisis, this book presents a practical methodology for intervention that fosters the compassion and insight necessary to reveal what words cannot.
When Chenille Bowing was just four years old, her father, Arthur, a chief judge in Denver, Colorado, was believed to have killed his identical twin brother, Austin, in a hunting accident. From that day forward, Arthur wasn't the same man. He treated his wife and children with indifference; he became rude, arrogant, and overbearing. It would be years before the family discovered the real truth. The situation becomes more dire years later when Chenille announces that she and her longtime boyfriend, Matt Rustin, are expecting a child. Arthur despises Matt and refuses to accept the relationship. When the baby is born, Arthur executes the unbelievable. He tells Chenille her baby died at birth and whisks her off to Austria to complete her physician training. Arthur deceives Matt by faking Chenille's death and leaving Matt to raise the child alone. Nine years later, Chenille, a successful neurosurgeon in France, mourns the loss of Matt and her baby each day. But fate intervenes when Chenille meets Ernesto Pallante, who has ties with Cosa Nostra. These men use their worldwide associations to unveil the misdeeds the family has endured. They use their power to deliver their own brand of justice.
The medieval bestiary was a contribution to didactic religious literature, addressing concerns central to all walks of Christian and secular life. These essays analyze the bestiary from both literary and art historical perspectives, exploring issues including kinship, romance, sex, death, and the afterlife.