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A true crime story with a fascinating psychic twist, it began oneght when club owner Mickey McCann, the go-go girl who lived with him, and McCann's elderly mother, were found shot to death in McCann's home. One month later Claudia Elaine Yasko confessed to the most explosive murder case in the history of Columbus, Ohio. After three years of research, Keyes (The Minds of Billy Milligan, Flowers for Algernon) provides the answers.
A play about the imagined fault line between black and white lives by Claudia Rankine, the author of Citizen The White Card stages a conversation that is both informed and derailed by the black/white American drama. The scenes in this one-act play, for all the characters’ disagreements, stalemates, and seeming impasses, explore what happens if one is willing to stay in the room when it is painful to bear the pressure to listen and the obligation to respond. —from the introduction by Claudia Rankine Claudia Rankine’s first published play, The White Card, poses the essential question: Can American society progress if whiteness remains invisible? Composed of two scenes, the play opens with a dinner party thrown by Virginia and Charles, an influential Manhattan couple, for the up-and-coming artist Charlotte. Their conversation about art and representations of race spirals toward the devastation of Virginia and Charles’s intentions. One year later, the second scene brings Charlotte and Charles into the artist’s studio, and their confrontation raises both the stakes and the questions of what—and who—is actually on display. Rankine’s The White Card is a moving and revelatory distillation of racial divisions as experienced in the white spaces of the living room, the art gallery, the theater, and the imagination itself.
A mentally retarded adult has a brain operation that turns him into a genius.
Teaching notes which analyze the elements of the novel, quizzes, fun activities, and suggestions for writing and discussion. A story summary, author biography, complete with answer key for the novel Flowers for Algernon by Daniel Keyes.
For the first time in one place, Roger M. Sobin has compiled a list of nominees and award winners of virtually every mystery award ever presented. He has also included many of the “best of” lists by more than fifty of the most important contributors to the genre.; Mr. Sobin spent more than two decades gathering the data and lists in this volume, much of that time he used to recheck the accuracy of the material he had collected. Several of the “best of” lists appear here for the first time in book form. Several others have been unavailable for a number of years.; Of special note, are Anthony Boucher’s “Best Picks for the Year.” Boucher, one of the major mystery reviewers of all time, reviewed for The San Francisco Chronicle, Ellery Queen Mystery Magazine, and The New York Times. From these resources Mr. Sobin created “Boucher’s Best” and “Important Lists to Consider,” lists that provide insight into important writing in the field from 1942 through Boucher’s death in 1968.? This is a great resource for all mystery readers and collectors.; ; Winner of the 2008 Macavity Awards for Best Mystery Nonfiction.
Now in Paperback The Road to Science Fiction is a six-volume anthology that covers the development of this genre from its earliest prototypes to the current day. Created originally to provide anthologies for use in classrooms in the late 1970s, these volumes became mass-market sellers. Between an ancient Roman's trip to the moon and the fantastic tales of H.G. Wells lies a journey through time and space and an awesome evolution in scientific thinking. From Gilgamesh's search for immortality to Edgar Allan Poe's balloon trip in the year 2848 these and other key works are gathered together for the first time in one anthology, complete with revealing commentary on the authors, their eras, and the role each played in establishing what we today recognize as science fiction. Volume 4 From Here to Forever covers the period from 1950-1992, illustrating how science fiction can be as concerned with language and character as much as traditional fiction and anything in the mainstream. Includes stories by Jorge Luis Borges, Richard Matheson, C. M. Kornbluth, Jack Vance, and Pamela Zoline.
A collection of true crime stories from the Ohio city, with photos included. In Historic Columbus Crimes, a father-daughter research team looks back at sixteen tales of murder, mystery, and mayhem culled from city history, both the distant and the more recent past. There’s the rock star slain by a troubled fan; the drag queen slashed to death by a would-be ninja; the writer who died acting out the plot of his next book; the minister’s wife incinerated in the parsonage furnace; and a couple of serial killers who outdid the Son of Sam. Also covered are a gunfight at Broad and High, grave-robbing medical students, and the bloodiest day in FBI history. Includes photos and illustrations
In the last decade, serial murder has become a source of major concern for law enforcement agencies, while the serial killer has attracted widespread interest as a villain in popular culture. There is no doubt, however, that popular fears and stereotypes have vastly exaggerated the actual scale of multiple homicide activity. In assessing the concern and the interest, Jenkins has produced an innovative synthesis of approaches to social problem construction. It includes an historical and social-scientific estimate of the objective scale of serial murder; a rhetorical analysis of the construction of the phenomenon in public debate; and a cultural studies-oriented analysis of the portrayal of serial murder in contemporary literature, film, and the mass media. Using Murder suggests that a problem of this sort can only be understood in the context of its political and rhetorical dimension; that fears of crime and violence are valuable for particular constituencies and interest groups, which put them to their own uses. In part, these agendas are bureaucratic, in the sense that exaggerated concern about the offense generates support for criminal justice agencies. But other forces are at work in the culture at large, where serial murder has become an invaluable rhetorical weapon in public debates over issues like gender, race, and sexual orientation. Serial murder is worthy of study not so much for its intrinsic significance, but rather for what it suggests about the concerns, needs, and fears of the society that has come to portray it as an “ultimate evil.” Using Murder is a highly original study of a powerful contemporary mythology by a criminologist and historian versed in the constructionist literature on the origins of “moral panics.”