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This book is a spinning of my first book, The Masks behind the Mask, and also a book of the next stage of taking your mask off. In the first book, I was letting you know that we all carry a mask where you may have not been comfortable with your imperfections of who you are behind your mask. In this book I am here to help you unpack the things we carry and hold on to that can end up destroying your relationships (with friends, associates, family or partner). We are going to take time to rebuild the person that you have hidden from the world because you were not comfortable in your own skin. We are going to get uncomfortable to get comfortable with ourselves regardless to what others think about who you are. This is the time to learn who you are and what makes you happy
This book motivates you to look inside your mask and know that it is okay to cry, be sad, be mad, and love who you are thorough it all. We wear many masks to cover the flaws or imperfections we have, but there is always a mask that we still hide behind. There is always another face that we hide behind so others don’t see it. Just know that it is okay to love all of you—including the imperfections we try to hide from. This is to inspire you to embrace the real you and to be strong through all things with poetry.
Have you ever felt the urge to voice out your feelings but never really could do do, because of fear? Well here is an opportunity where you get inspired to voice them out. 'Cause every voice has a right to be heard I'm pretty sure everyone in this entire world is insecure about something or the other or there's something that constantly scares them and you would definitely connect because that's reality. It can be insecurities and/or fear of anything. Like life, love, parents, body, features, sexuality, inferiority complex, mindset or what will society think, will my people be okay with it? and etc. Well, I guess it high timeto ponder upon what matters to you and anyone else, 'cause at the end of the day, when you hit bed, you aren't supposed to close your eyes, regretting you wished you voiced it out.
BOOKER PRIZE WINNER • NATIONAL BESTSELLER • A novel that follows a middle-aged man as he contends with a past he never much thought about—until his closest childhood friends return with a vengeance: one of them from the grave, another maddeningly present. A novel so compelling that it begs to be read in a single setting, The Sense of an Ending has the psychological and emotional depth and sophistication of Henry James at his best, and is a stunning achievement in Julian Barnes's oeuvre. Tony Webster thought he left his past behind as he built a life for himself, and his career has provided him with a secure retirement and an amicable relationship with his ex-wife and daughter, who now has a family of her own. But when he is presented with a mysterious legacy, he is forced to revise his estimation of his own nature and place in the world.
Who are you behind the mask? Many Christian women today are wearing masks. From an early age, we are taught that to be valuable we need to do more, to be more. To feel worthy, we learn to hide behind the masks of our accomplishments, physical appearance, intelligence, education, relationships-even our work in the church. But those masks separate us from God, from other people, and from our true selves. Thankfully, there is hope. We can remove our masks and trust Christ to see us as we really are . . . but it takes humility. To examine our hearts, motives, and past experiences requires honesty and confession. But beyond the masquerade, Christ can heal and transform our lives, freeing us from bondage. If you're ready to live authentically, lay aside your mask and enter the place of freedom God calls you to-a place where you can be the woman God created you to be. Includes discussion questions at the end of each chapter for small groups!
Volume 1: The History and Practice of Indigenous Plant Knowledge Volume 2: The Place and Meaning of Plants in Indigenous Cultures and Worldviews Nancy Turner has studied Indigenous peoples' knowledge of plants and environments in northwestern North America for over forty years. In Ancient Pathways, Ancestral Knowledge, she integrates her research into a two-volume ethnobotanical tour-de-force. Drawing on information shared by Indigenous botanical experts and collaborators, the ethnographic and historical record, and from linguistics, palaeobotany, archaeology, phytogeography, and other fields, Turner weaves together a complex understanding of the traditions of use and management of plant resources in this vast region. She follows Indigenous inhabitants over time and through space, showing how they actively participated in their environments, managed and cultivated valued plant resources, and maintained key habitats that supported their dynamic cultures for thousands of years, as well as how knowledge was passed on from generation to generation and from one community to another. To understand the values and perspectives that have guided Indigenous ethnobotanical knowledge and practices, Turner looks beyond the details of individual plant species and their uses to determine the overall patterns and processes of their development, application, and adaptation. Volume 1 presents a historical overview of ethnobotanical knowledge in the region before and after European contact. The ways in which Indigenous peoples used and interacted with plants - for nutrition, technologies, and medicine - are examined. Drawing connections between similarities across languages, Turner compares the names of over 250 plant species in more than fifty Indigenous languages and dialects to demonstrate the prominence of certain plants in various cultures and the sharing of goods and ideas between peoples. She also examines the effects that introduced species and colonialism had on the region's Indigenous peoples and their ecologies. Volume 2 provides a sweeping account of how Indigenous organizational systems developed to facilitate the harvesting, use, and cultivation of plants, to establish economic connections across linguistic and cultural borders, and to preserve and manage resources and habitats. Turner describes the worldviews and philosophies that emerged from the interactions between peoples and plants, and how these understandings are expressed through cultures’ stories and narratives. Finally, she explores the ways in which botanical and ecological knowledge can be and are being maintained as living, adaptive systems that promote healthy cultures, environments, and indigenous plant populations. Ancient Pathways, Ancestral Knowledge both challenges and contributes to existing knowledge of Indigenous peoples' land stewardship while preserving information that might otherwise have been lost. Providing new and captivating insights into the anthropogenic systems of northwestern North America, it will stand as an authoritative reference work and contribute to a fuller understanding of the interactions between cultures and ecological systems.
'A dreamy, romantic, irresistible treat' Lindsey Kelk 'Emotional, enthralling and exquisitely written' Cathy Bramley ___________ Philippa Taylor (Pepper to her friends) has big dreams. When she closes her eyes, she can picture exactly who she ought to be. The problem is, it's about as far away from her real life in a small coastal town in Suffolk as she can imagine. So when her elderly friend Josephine persuades Pepper to accompany her on a trip to Europe, she jumps at the chance to change her routine. And when Pepper bumps (literally) into the handsome Finn in Lisbon, it seems as though she might have finally found what she's been looking for. But Pepper know all too well things are rarely as they seem. Her own quiet life hides a dark secret from the past. And even though she and Finn may have been destined to find each other, Pepper suspects life may have other plans as to how the story should end. A romantic and sweeping story about friendship, love and realising that sometimes it's about the journey, not the destination.