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A summary of untouchable poetry would entail a discussion of the several topics and ideas that are typical of this genre. Identity and Marginalization: Untouchable poetry addresses the difficult issues of how identities are formed in response to marginalization and prejudice based on caste. The poets consistently depict social exclusion experiences and the struggles they faced to maintain their humanity and dignity. Social Injustice and Oppression: Untouchable poets, in fact, raise powerful and audible voices in opposition to the atrocities and social injustices that continue to be meted out to them, including caste violence and untouchability, in addition to being denied access to desirable jobs and education in society at large. Their poetry is a powerful cry for social fairness and reform. Untouchable poets typically use this technique to attack the dominant cultural norms and traditions that uphold caste-based inequalities and discriminatory practices. Additionally, he will present counterculture and alternative discourses that highlight the perspective and voice of the underprivileged. Since untouchable poetry offers voice to a community that has been marginalized and silenced due to opposition from the ruling class and established structures, it is generally seen as their resistance literature.
The book contains 60 selected poems which are written in the line of protest-poetry, dares to expose the social inequalities and social injustice in an artistic way.
This Small Volume Is A Modest Attempt, Through The Medium Of Translation, To Introduce One Who Is Acknowledged To Be One Of The Major Workers In Our National Renaissance. This Selection Consist Of Twenty-Six Representative Poems Of Nazrul And They Are Translated Competently By Basudha Chakravarty.
Poems deal with the Jewish Holocaust, ikons, nature, dreams, and religion.
Public debates on the benefits and dangers of mass literacy prompted nineteenth-century British authors to write about illiteracy. Since the early twentieth century writers outside Europe have paid increasing attention to the subject as a measure both of cultural dependence and independence. So far literary studies has taken little notice of this. The Non-Literate Other: Readings of Illiteracy in Twentieth-Century Novels in English offers explanations for this lack of interest in illiteracy amongst scholars of literature, and attempts to remedy this neglect by posing the question of how writers use their literacy to write about a condition radically unlike their own. Answers to this question are given in the analysis of nineteen works featuring illiterates yet never before studied for doing so. The book explores the scriptlessness of Neanderthals in William Golding, of barbarians in Angela Carter, David Malouf, and J.M. Coetzee, of African natives in Joseph Conrad and Chinua Achebe, of Maoris in Patricia Grace and Chippewas in Louise Erdrich, of fugitive or former slaves and their descendants in Richard Wright, Toni Morrison, and Ernest Gaines, of Untouchables in Mulk Raj Anand and Salman Rushdie, and of migrants in Maxine Hong Kingston, Joy Kogawa, and Amy Tan. In so doing it conveys a clear sense of the complexity and variability of the phenomenon of non-literacy as well as its fictional resourcefulness.
The poems in Still Possible pay homage to the invisible passage of time - the deep, private current that wends through our lives as a steadfast companion, sculpting our interior worlds as inexorably and exquisitely as its visible manifestations. Whyte turns his eye, and his pen, to the possibilities and harvests this shaping reveals: the shyness and vulnerability of love, the illusion of imperfection, and the new invitations that beckon along the way. The poems reflect an abiding faith in time's wisdom: a journey turned away from in youth waits patiently for later maturity; an early experience ripens in secret to reveal, decades later, a full understanding. Under Whyte's poet-philosopher gaze, a rain-soaked day in an Irish farmhouse becomes a meditation on the essence of a truly good day: a settled contentment, alert and open to whatever may call. Plus, sheep, Seamus Heaney and a dog. Powerful language rests on a foundationof what isn't said, a silence underpinning the eloquence of articulation. In this way, Still Possible hovers above the numinous and the unknowable - what we pray for, what we pass on, what mystery awaits and, in the end, what it might mean to be happy.
This collection of poems honors the Everyday: a mother's birthday, a grandparent's passing, a broken heart, the students she advocates for and supports in their own artistic quests.