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Unspoiled Endings offers a historical, literary, and theological reading that explains how and why Revelation relates to the life of faith. It serves as a corrective to understandings of Revelation shaped more by the Left Behind series than by the book itself, and as an invitation to those who would otherwise never think to read or study the book.
Problem Plays' has been an awkward category for those Shakespeare plays that don't fit the conventional groupings. Expanding from the traditional three plays to six, the book argues that they share dramatic structures designed intentionally by Shakespeare to disturb his audience by frustrating their expectations.
A Companion to Werner Herzog showcases over two dozen original scholarly essays examining nearly five decades of filmmaking by one of the most acclaimed and innovative figures in world cinema. First collection in twenty years dedicated to examining Herzog’s expansive career Features essays by international scholars and Herzog specialists Addresses a broad spectrum of the director’s films, from his earliest works such as Signs of Life and Fata Morgana to such recent films as The Bad Lieutenant and Encounters at the End of the World Offers creative, innovative approaches guided by film history, art history, and philosophy Includes a comprehensive filmography that also features a list of the director’s acting appearances and opera productions Explores the director’s engagement with music and the arts, his self-stylization as a global filmmaker, his Bavarian origins, and even his love-hate relationship with the actor Klaus Kinski
In the late Romantic age, demands for political change converged with thinking about the end of the world. This book examines writings by Lord Byron, Mary Shelley and their circle that imagined the end, from poems by Byron that pictured fallen empires, sinking islands, and dying stars to the making and unmaking of populations in Frankenstein and The Last Man. These works intersected with and enclosed reflections upon brewing political changes. By imagining political dynasties, slavery, parliament, and English law reaching an end, writers challenged liberal visions of the political future that viewed the basis of governance as permanently settled. The prospect of volcanic eruptions and biblical deluges, meanwhile, pointed towards new political worlds, forged in the ruins of this one. These visions of coming to an end acquire added resonance in our own time, as political and planetary end-times converge once again.
Four fairy tales. One broken spell. And a secret that threatens everyone. After his farm fails and his cow goes dry, Jack is certain the Happy Ending will intervene. He isn't prepared for how lost he feels when it doesn't. Heartbroken, he determines to save his family himself. Hepsibah resents being cast by the Happy Ending as the villain in the cursed princess story. Ignoring tradition, the aged fairy tries to give a true gift to the babe rather than a curse. She doesn't know that nothing she does will turn out as expected. Ella dreams of one night of happiness, away from the harsh reality of her life. She's crushed when the evening doesn't go as planned. After the ball ends, Ella's dreary existence becomes even more difficult for her to bear. Adalia can't decide what she wants lately. She worries about her family and the threat to her kingdom. She hates not knowing whether the midnight dances are the answer to her problem or the cause of it. Hepsibah is terrified her magic is out of control. Jack races to warn about a secret that has been hidden for millennia. Ella flees, hoping it's not too late to escape. And Adalia fights against the spell that holds her hostage. All of them are about to discover just how dangerous their world can be.
The most comprehensive―and only author-authorized―Wendell Berry reader, "America's greatest philosopher on sustainable life and living" (Chicago Tribune). In a time when our relationship to the natural world is ruled by the violence and greed of unbridled consumerism, Wendell Berry speaks out in these prescient essays, drawn from his fifty-year campaign on behalf of American lands and communities. The writings gathered in The World-Ending Fire are the unique product of a life spent farming the fields of rural Kentucky with mules and horses, and of the rich, intimate knowledge of the land cultivated by this work. These are essays written in defiance of the false call to progress and in defense of local landscapes, essays that celebrate our cultural heritage, our history, and our home. With grace and conviction, Wendell Berry shows that we simply cannot afford to succumb to the mass-produced madness that drives our global economy―the natural world will not allow it. Yet he also shares with us a vision of consolation and of hope. We may be locked in an uneven struggle, but we can and must begin to treat our land, our neighbors, and ourselves with respect and care. As Berry urges, we must abandon arrogance and stand in awe.