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Unsold Television Pilots is a detailed compilation of all the unsold television series concepts that, from 1955 through 1988, reached the development stage at the networks--but didn't sell. Pilots are listed by year and title and include production credits, plot synopsis and when applicable, air dates. The Introduction explains what a pilot is, and how the television marketplace works now and has worked in the past. An exhaustive index (actors, writers, directors, producers and pilots) and separate lists of pilots that are based on movies, pilots that are continuations of cancelled series, and pilots that are spin-offs of characters from other series are also included.
This reference work, the most complete guide to aired and unaired television pilot films ever published (or made available in any way), contains 5,190 alphabetically arranged programs, each with storyline information, performer and character cast listings, producers, air dates (where applicable), genre, and network or cable association. Also included are the unaired versions of pilots that became a series (like 90 Bristol Court, Hazel, The Middle and Perfect Strangers) and the updates of aired series that were never telecast (e.g., The Robinsons: Lost in Space, the 1997 version of Hawaii Five-0, the 2011 Wonder Woman and the 2001 Electra Woman and Dyna Girl).
Covering the years 1945-2018, this alphabetical listing provides details about 2,923 unaired television series pilots, including those that never went into production, and those that became series but with a different cast, such as The Green Hornet, The Middle and Superman. Rarities include proposed shows starring Bela Lugosi, Doris Day, Humphrey Bogart, Barbara Stanwyck, Orson Welles, Claudette Colbert and Mae West, along with such casting curiosities as Mona Freeman, not Gale Storm, as Margie in My Little Margie, and John Larkin as Perry Mason long before Raymond Burr played the role.
For everyone who has ever laughed at the television industry's knack for dreaming up wacky ideas, here is the ultimate TV reference guide. It's all here--from Groucho Marx playing billionaire J. Paul Greedy to Norman Lear's "McGurk", in which actors dressed in dog suits barked one-liners at each other. Includes over 300 annotated listings and a complete index of actors, writiers, directors, producers, and pilots.
THE BEST TV SHOWS THAT NEVER WERE"The Best Bathroom Reading EVER," - San Francisco Chronicle"A must-browse for media freaks." -USA Today"Irresistible and enthralling." -Hartford Courant"Full of fool's gold and genuine TV treasures." -The New York Post This lively and entertaining book looks at the three hundred best and worst TV series ideas-known in the industry as "pilots"-that never made it to primetime from 1955-1990. From the adventures of a Samurai D.A. to the antics of an invisible alien baby, Lee Goldberg reveals the most astonishing, funny, and bizarre shows that never were. "You'll slap your head in disbelief-try not to hurt yourself-at the idea of John Denver as a singing FBI agent. You'll wonder whether Joe Penny as a samurai district attorney would have been funnier-unintentionally-that John Belushi's 'Saturday Night Live.' For tube-historians, this is a must see." - People MagazineThis book was previously published as "Unsold TV Pilots: The Greatest Shows You Never Saw" and "Unsold TV Pilots: The Almost Complete Guide To Everything You Never Saw on TV"
In 1955, Gene Deitch embarked on a daily comic strip for United Features Syndicate that he hoped would become his life's work. One of the most unusual strips of the decade, Terr'ble Thompson was about a very odd little boy who had his "Werld Hedd Quarters" in a tree house and was regarded far and wide as "the bravest, fiercest, most-best hero of all-time." Terr'ble Thompson collects the entirety of Deitch's short-lived inspiration for Tom Terrific, and a new generation will discover what could have been one of the great comic strips of all-time had it continued. The strip is drawn in a simple, modernist style that served as an antidote to the ubiquitous Disney look that had spread into all facets of popular culture. Terr'ble Thompson was a visual and verbal feast of fun that blended time and space, with Terr'ble going on adventures with great historic figures like Columbus, George Washington, and Davy Crockett. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Arial; color: #424242}
Before establishing himself as the "master of disaster" with the 1970s films The Poseidon Adventure and The Towering Inferno, Irwin Allen created four of television's most exciting and enduring science-fiction series: Voyage to the Bottom of the Sea, Lost in Space, The Time Tunnel and Land of the Giants. These 1960s series were full of Allen's favorite tricks, techniques and characteristic touches, and influenced other productions from the original Star Trek forward. Every science-fiction show owes something to Allen, yet none has equaled his series' pace, excitement, or originality. This detailed examination and documentation of the premise and origin of the four shows offers an objective evaluation of every episode--and demonstrates that when Irwin Allen's television episodes were good, they were great, and when they were bad, they were still terrific fun.
Vampire Henry Sturges returns in the highly anticipated sequel to Abraham Lincoln: Vampire Hunter-a sweeping, alternate history of twentieth-century America by New York Times bestselling author Seth Grahame-Smith. THE LAST AMERICAN VAMPIRE In Reconstruction-era America, vampire Henry Sturges is searching for renewed purpose in the wake of his friend Abraham Lincoln's shocking death. Henry's will be an expansive journey that first sends him to England for an unexpected encounter with Jack the Ripper, then to New York City for the birth of a new American century, the dawn of the electric era of Tesla and Edison, and the blazing disaster of the 1937 Hindenburg crash. Along the way, Henry goes on the road in a Kerouac-influenced trip as Seth Grahame-Smith ingeniously weaves vampire history through Russia's October Revolution, the First and Second World Wars, and the JFK assassination. Expansive in scope and serious in execution, THE LAST AMERICAN VAMPIRE is sure to appeal to the passionate readers who made Abraham Lincoln: Vampire Hunter a runaway success.
Provides advice for aspiring screenwriters on how to write scripts for television and motion pictures, including what topics are popular, how to rework scenes, and how to sell screenplays in Hollywood.
Growing up in Disneyland" is part biography about Ron's father, Broadway, movie, and TV star, Don DeFore, and his own autobiography. Don DeFore earned a star on Hollywood Boulevard's Walk of Fame and was a household name in the 1950s and 60s. He co-starred in numerous feature films with many Hollywood legends, TV shows, and live theater. He is best known for "The Adventures of Ozzie and Harriet" in which he played the next-door-neighbor, "Thorny," and his co-starring role as "Mr. B" in the 1960s TV series, "Hazel." The book includes much of Don's unpublished autobiography, "Hollywood-DeFore 'n After.