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Winner of the Edge Hill Short Story Prize A New York Times Notable Book of the Year An NPR Best Book of the Year The award-winning author of The Past once again "crystallizes the atmosphere of ordinary life in prose somehow miraculous and natural" (Washington Post), in a collection of stories that elevate the mundane into the exceptional. The author of six critically acclaimed novels, Tessa Hadley has proven herself to be the champion of revealing the hidden depths in the deceptively simple. In these short stories it’s the ordinary things that turn out to be most extraordinary: the history of a length of fabric or a forgotten jacket. Two sisters quarrel over an inheritance and a new baby; a child awake in the night explores the familiar rooms of her home, made strange by the darkness; a housekeeper caring for a helpless old man uncovers secrets from his past. The first steps into a turning point and a new life are made so easily and carelessly: each of these stories illuminate crucial moments of transition, often imperceptible to the protagonists. A girl accepts a lift in a car with some older boys; a young woman reads the diaries she discovers while housesitting. Small acts have large consequences, some that can reverberate across decades; private fantasies can affect other people, for better and worse. The real things that happen to people, the accidents that befall them, are every bit as mysterious as their longings and their dreams. Bad Dreams and Other Stories demonstrates yet again that Tessa Hadley "puts on paper a consciousness so visceral, so fully realized, it heightens and expands your own. She is a true master" (Lily King, author of Euphoria).
There is a grand piano delivered to the wrong Sea Point address. There is Toby the dog whose casual disappearance leads to the discovery of a world as unlikely as a helpful man. There are Isabelle and Hester, both travelling on the same train, but moving in opposite directions. There are the school girls who smoke through Die Stem during a Republic Day Celebration. There is Adeela longing for OK Bazaars, Boxing Day, and groenboontjie bredie; Lilly who knows too little of her mothers past and Elizabeth who is desperate to shed hers. Who can say why Eleanor married the man she did, or why she took the long sea journey south? Who can say where Sues been, or who the vark lilies are for? Who believes it when told, Its for your own good? Whether drawn from the distance of history or located in contemporary Cape Town, these eight stories create a tender and luminous account of just how extraordinary the everyday life of women can be.
"The English-language debut of "one of the most original and entertaining voices in contemporary Mexican literature (Revista Gatopardo): a collection of ironic and madcap stories about the comedy and brutality of life in Mexico." -- page [4] of cover.
Household gizmos with a mind of their own.Constant cold calls from unknown numbers.And the creeping suspicion that none of this is real.Reality, and Other Stories is a gathering of deliciously chilling entertainments - stories to be read as the evenings draw in and the days are haunted by all the ghastly schlock, uncanny technologies and absurd horrors of modern life.
The first collection of Fonseca's short stories to appear in English, ranging across his oeuvre, exploring the sights and sounds of Rio de Janeiro. Fonseca's Rio is a city at war, where vast disparities, in wealth, social standing and prestige are untenable. Rich and poor live in an uneasy equilibrium, where only overwhelming force can maintain order and violence and deception are the essential tools of survival. From the tale of the businessman who rans over pedestrians to let off steam to a serial killer being pushed to kill more by his lover, this collection is a true gem.
A French teacher who collects fiancés; a fortune-teller who fails to predict the heartbreak of her own daughter; an aging cowboy seduced by a city girl . . . these are some of the unforgettable people who live in these pages. In Vanishing and Other Stories, secrets are both kept and unearthed, and lives are shaped by missing lovers, parents, and children. With wisdom and dexterity, moments of dark humor, and a remark- able economy of words, Deborah Willis captures an incredible array of characters that linger in the imagination and prove that nothing is ever truly forgotten.
Fiction. California Interest. Short Stories. With settings that range from the Cuban Missile Crisis and Soviet-era Perestroika to present-day San Francisco, LIKE WATER AND OTHER STORIES, the first English-language collection from Leningrad-born author Olga Zilberbourg, looks at family and childrearing in ways both unsettling and tender, and characters who grapple with complicated legacies--of state, parentage, displacement, and identity. LIKE WATER is a unique portrayal of motherhood, of immigration and adaptation, and an inside account of life in the Soviet Union and its dissolution. Zilberbourg's stories investigate how motherhood reshapes the sense of self--and in ways that are often bewildering--against an uncharted landscape of American culture. In "Dandelion," a child turns into a novel and is shipped off to an agent in New York. In "Doctor Sveta," a young Soviet woman finds herself on a ship bound for Cuba at the onset of the Cuban Missile Crisis. In "Companionship," a young boy decides to return to his mother's uterus. Anthony Marra calls LIKE WATER "A book of succinct abundance, dazzling in its particulars, expansive in its scope," and of these stories, Karen E. Bender says, they "cast a clear, illuminating light on topics ranging from motherhood, the workplace, birth, death, ambition, and immigration, all explored through exquisitely wrought characters in Russia and the United States. Olga Zilberbourg is a writer to read right now."
Twelve stories by science fiction master Stanisław Lem, nine of them never before published in English. Of these twelve short stories by science fiction master Stanisław Lem, only three have previously appeared in English, making this the first "new" book of fiction by Lem since the late 1980s. The stories display the full range of Lem's intense curiosity about scientific ideas as well as his sardonic approach to human nature, presenting as multifarious a collection of mad scientists as any reader could wish for. Many of these stories feature artificial intelligences or artificial life forms, long a Lem preoccupation; some feature quite insane theories of cosmology or evolution. All are thought provoking and scathingly funny. Written from 1956 to 1993, the stories are arranged in chronological order. In the title story, "The Truth," a scientist in an insane asylum theorizes that the sun is alive; "The Journal" appears to be an account by an omnipotent being describing the creation of infinite universes--until, in a classic Lem twist, it turns out to be no such thing; in "An Enigma," beings debate whether offspring can be created without advanced degrees and design templates. Other stories feature a computer that can predict the future by 137 seconds, matter-destroying spores, a hunt in which the prey is a robot, and an electronic brain eager to go on the lam. These stories are peak Lem, exploring ideas and themes that resonate throughout his writing.
With humor, wisdom and tenderness, Ann Packer offers ten short stories about women and men--wives and husbands, sisters and brothers, daughters, sons, mothers, fathers, friends, and lovers--who discover that life's greatest surprises may be found in that which is most familiar. In the title story, on the anniversary of their father's suicide a young woman discovers that her brother may have found a "reason for living" in the love of a good woman. In "Nerves," a young man realizes that the wife he is separated from no longer loves him but that it is his own life he misses, not her. The narrator of "My Mother's Yellow Dress" is a gay man remembering his deceased mother and their vital and troubling intimacy. In "Babies"--which was included in the prestigious O. Henry anthology series --a single woman in her mid-thirties finds that everyone, including her best friend at work, is pregnant, and that their joy can only be observed, not shared. In these and six other stories, Ann Packer exhibits an unerring eye for the small ways in which people reveal themselves and for the moments in which lives may be transformed.