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An interdisciplinary study of how conspiracy theories and stories persist and resonate among different Americans
This poetic novel, by the acclaimed author of John Dollar and Properties of Thirst, describes America at the brink of the Atomic Age. In the years between the two world wars, the future held more promise than peril, but there was evidence of things unseen that would transfigure our unquestioned trust in a safe future. Fos has returned to Tennessee from the trenches of France. Intrigued with electricity, bioluminescence, and especially x-rays, he believes in science and the future of technology. On a trip to the Outer Banks to study the Perseid meteor shower, he falls in love with Opal, whose father is a glassblower who can spin color out of light. Fos brings his new wife back to Knoxville where he runs a photography studio with his former Army buddy Flash. A witty rogue and a staunch disbeliever in Prohibition, Flash brings tragedy to the couple when his appetite for pleasure runs up against both the law and the Ku Klux Klan. Fos and Opal are forced to move to Opal’s mother’s farm on the Clinch River, and soon they have a son, Lightfoot. But when the New Deal claims their farm for the TVA, Fos seeks work at the Oak Ridge Laboratory—Site X in the government’s race to build the bomb. And it is there, when Opal falls ill with radiation poisoning, that Fos’s great faith in science deserts him. Their lives have traveled with touching inevitability from their innocence and fascination with "things that glow" to the new world of manmade suns. Hypnotic and powerful, Evidence of Things Unseen constructs a heartbreaking arc through twentieth-century American life and belief.
"Gracefully written and moving ... Things Seen and Unseen starts with Nora Gallagher entering the labyrinth of her life ... and ultimately it leads to the center of her being."--The Boston Globe It started with an occasional Sunday, a "tourist's" visit to a local church. Eventually Nora Gallagher entered into a yearlong journey to discover her faith and a relationship with God, using the Christian calendar as her compass. Whether writing about her brother's battle against cancer, talking to homeless men about the World Series, or questioning the afterlife ("One world at a time"), Gallagher draws us into a world of journeys and mysteries, yet grounded in a gritty reality. She braids together the symbols of the Christian calendar, the events of a year in one church, and her own spiritual journey, each strand combed out with harrowing intimacy. Thought provoking and profoundly perceptive, Things Seen and Unseen is a remarkable demonstration that "the road to the sacred is paved with the ordinary." "Like Kathleen Norris in Amazing Grace, Gallagher is renewing the language of ultimate concerns."--San Francisco Chronicle "The deep serenity that suffuses Gallagher's work, the lyrical cadences in which she writes, do not blunt the sharp edges of what she discovered in her quest for meaning."--Los Angeles Times
What difference should doctrine make on our day-to-day Christian life? This book summarizes Christianity in 5 core truths—the Trinity, the Son of God, the Spirit, the church, and heaven and hell—to show how theology is intended to bring people closer to God. Drawing from writers throughout church history—particularly St. Augustine, Richard Baxter, and C. S. Lewis—this book summarizes the building blocks of “pure Christianity” and how they shape minds, hearts, and actions, so readers can know simply and concisely what it means to live for God.
Introduction: Things unseenFirst loves -- Twice married -- Dilemmas of disclosure -- Intimate ethics -- Hope -- Conclusion: Evidence and substance.
This is not an examination of the quality or quantity of your faith. It is an examination of the existence of your faith. There are only two responses to this examination of self. Yes, I am in the faith or no, I am not in the faith. If the answer is yes, then you got there by seeking the Lord. You did not pray for faith, you sought God and faith came. If the answer is no, you will not get in the faith by praying for faith. You will only get in the faith by seeking God. We will never get more faith by seeking more faith. When I began this Bible study, my goal was simple. I was in the faith but I really felt I needed more faith. What I really needed was to learn more about the faith I had. I learned that faith has the capacity to be in one accord with God. If we seek God and His ways, we will find that we have all the faith we need. The purpose of seeking God is so that we will know what we can be in accord with. The chapters in this book are based on the great faith chapter in the Bible, Hebrews 11.
In The Unseen Realm, Dr. Michael Heiser examines the ancient context of Scripture, explaining how its supernatural worldview can help us grow in our understanding of God. He illuminates intriguing and amazing passages of the Bible that have been hiding in plain sight. You'll find yourself engaged in an enthusiastic pursuit of the truth, resulting in a new appreciation for God's Word. Why wasn't Eve surprised when the serpent spoke to her? How did descendants of the Nephilim survive the flood? Why did Jacob fuse Yahweh and his Angel together in his prayer? Who are the assembly of divine beings that God presides over? In what way do those beings participate in God's decisions? Why do Peter and Jude promote belief in imprisoned spirits? Why does Paul describe evil spirits in terms of geographical rulership? Who are the "glorious ones" that even angels dare not rebuke? After reading this book, you may never read your Bible the same way again. Endorsements "There is a world referred to in the Scripture that is quite unseen, but also quite present and active. Michael Heiser's The Unseen Realm seeks to unmask this world. Heiser shows how important it is to understand this world and appreciate how its contribution helps to make sense of Scripture. The book is clear and well done, treating many ideas and themes that often go unseen themselves. With this book, such themes will no longer be neglected, so read it and discover a new realm for reflection about what Scripture teaches." --Darrell L. Bock, Executive Director for Cultural Engagement, Senior Research Professor of New Testament Studies, Howard G. Hendricks Center for Christian Leadership and Cultural Engagement "'How was it possible that I had never seen that before?' Dr. Heiser's survey of the complex reality of the supernatural world as the Scriptures portray it covers a subject that is strangely sidestepped. No one is going to agree with everything in his book, but the subject deserves careful study, and so does this book." --John Goldingay, David Allan Hubbard Professor of Old Testament, School of Theology, Fuller Theological Seminary "This is a 'big' book in the best sense of the term. It is big in its scope and in its depth of analysis. Michael Heiser is a scholar who knows Scripture intimately in its ancient cultural context. All--scholars, clergy, and laypeople--who read this profound and accessible book will grow in their understanding of both the Old and New Testaments, particularly as their eyes are opened to the Bible's 'unseen world.'" --Tremper Longman III, Robert H. Gundry Professor of Biblical Studies, Westmont College
This long-awaited work explores the place of kokugaku (rendered here as "nativism") during Japan's Tokugawa period. Kokugaku, the sense of a distinct and sacred Japanese identity, appeared in the eighteenth century in reaction to the pervasive influence of Chinese culture on Japan. Against this influence, nativists sought a Japanese sense of difference grounded in folk tradition, agricultural values, and ancient Japanese religion. H. D. Harootunian treats nativism as a discourse and shows how it functioned ideologically in Tokugawa Japan.
When Adi leaves his village in Indonesia to take up an art scholarship in Australia, he arrives in the bewildering Sydney art world, determined to succeed. Following his first solo exhibition at a chic art gallery, Adi dares to reveal his true feelings for his spirited friend, Lisa, and a passionate relationship unfolds. But will their differing expectations of one another drive them apart? This is a deeply felt love story between people -- of different nations, cultures and religions -and the unseen impact of local and global events on individual lives. Reviews: "Lawrence’s flair for evocative, communicative writing and her skill with narrative are everywhere in evidence, even as her story ranges widely in time and place. It deals with the most intimate personal experiences and the largest questions of cultural identity and political and religious conflict." – Nicholas Jose, Novelist and Editor of Macquarie PEN Anthology of Australian Literature. "In telling the story of [Adi’s] journey from Indonesia to Australia and back, and his maturation as an artist, the novel offers a compelling portrait of the rich cultural and political ties between these two countries as well as an acknowledgement of the silences and gaps that haunt their relationship."– Dr Shameem Black, Australian National University, author of Fiction Across Borders "In the wake of a tragedy, a young Indonesian man discovers renewal in art and struggles to find love in an unfamiliar land in this debut novel. When Adi is only 8 years old, his mother, Suriani, suddenly dies, a loss the Indonesian boy finds emotionally hobbling. He is filled with “burning rage,” and in response to his chronic misbehavior, his father, Totot, sends him to live with his aunts. Eventually, Adi takes art and English classes from Pak Harto, a teacher who is impressed by the student’s “naïve and driving curiosity” and storehouse of natural talent. Pak arranges for Adi to move to Sydney, Australia, for three years, where he can earn a degree in art—the school waives its tuition fee and a charitable foundation pays for the young man’s living expenses. Adi is mesmerized by Sydney and, in particular, by Lisa, a nude model who poses for one of his art classes, a “young woman with pale mask-like skin, green eyes and full deep-red lips.” Lisa is taken with him as well, but Adi is hesitant to pursue her, held back by the cultural chasm that separates them and by his poverty, a condition he believes makes him an ineligible bachelor. Lawrence sensitively portrays Adi’s wonderment at his new life—both his art and his vision of the globe expand in response to a world of novel possibilities: “Something was changing inside him, and he sensed the sink holes that were opening up, and through which everything he felt or discovered was flowing right on into his art making.” The author poignantly depicts Adi’s burgeoning identity crisis—he feels neither Australian nor even fully Indonesian and wrestles to find himself within an existence made rootless by the premature death of his mother. Lawrence avoids any didactic moralizing—in the place of some sententious lesson, she crafts a beautiful, complex love story. At the heart of her tale is a moving paean to the power of art to recast one’s view of the world, to generate a “new sensibility, a new way of seeing.” A touching story that intelligently explores the potential for art and romance to bridge a cultural divide." -- Kirkus Reviews "Details of both Sydney and Java are delightfully described through an artist’s viewpoint (“freckled patterns of blue-grey green in the roadside bush, the sun-split muddy yellows and subtle hints of red and pink”). This story of love and art impresses in its portrayal of the characters’ hard-won success at bridging their cultural differences." -- Publishers' Weekly Author: Annee lives in Australia and has an interest in exploring cross-cultural connection and the way identity shape-shifts in an unfamiliar place and culture. She has close friendship and family ties in Indonesia and was the recipient of an Asialink Arts’ inaugural Tulis Australian-Indonesian Writing Exchange in 2018. As a result, she had a six-week residency at Kommunitas Salihara in Jakarta and was invited to the Ubud Writers and Readers Festival. Prior to becoming a tutor in literary and cultural studies at Western Sydney University in 2014, Annee worked as a writer, editor and community development worker in the areas of women’s health, human rights and social justice. Two of her publications include: I Always Wanted To Be A Tap Dancer: Women With Disabilities and (with Nola Colefax on her memoir) Signs of Change: My Autobiography and History of Australian Theatre of the Deaf 1973–1983. In 1981 she was founding editor of Healthright: A Journal of Women’s Health, Family Planning and Sexuality. Annee has published articles in New Writing, Griffith Review, Hecate and Cultural Studies Review. The Colour of Things Unseen is her debut novel.