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You can’t afford to live casually, haphazardly. No matter your age, you were born into a plethora of expectations of what it means to be a woman. How easily we assume impoverished views of womanhood as we hoist beauty and desirability above the more enduring traits of self-possession and dignity. We tend to live as divided and distracted selves, allowing our bodies and minds to drift to opposite poles while swapping our pursuit of God for tamer, lesser loves. This collection of essays is more than a call to modesty or chastity. It is a thoughtful provocation to speak well, read often, make choices that reflect the character of God, and even to establish a theology of play or leisure. Being intentional with your choices, cultivating your intellect, and taking seriously your voice determines not only what kind of person you are, but also what kind of woman you will be. “[Unseduced and Unshaken] raises the bar for young Christian women...It’s a call for all Christian women to examine their personal faith presuppositions, deliberately choose a life of Biblical ‘dignity,’ and to not be frightened to allow ‘theology to inform our choices.’” Just Between Us, Summer 2013 issue
Enjoy these SAMPLE pages from Unseduced and Unshaken- Our lives press on at a breakneck pace. So much so that it becomes difficult to even react well-never mind proactively seeking out responsible, conscious choices. Unseduced and Unshaken is that rare resource with a collective eye on the past and a keen grasp of where we need to go. Written for this next generation of Christian women-who are now making so many critical life-choices-these words deal truthfully on today's shaky ground of personal responsibility. Understanding life with a God-centered point-of-view includes thinking carefully about what we women do with our education, our spiritual existence, our leisure, and the importance we place on our intellect, and our bodies. Our choices are physical, emotional, intellectual, and spiritual. We must think wisely about them. We must remain unseduced and unshaken.
Traditionally in the West, children were expected to “know their place,” but what does this comprise in a contemporary, globalized world? Does it mean to continue to accept subordination to those larger and more powerful? Does it mean to espouse unthinkingly a notion of national identity? Or is it about gaining an awareness of the ways in which identity is derived from a sense of place? Where individuals are situated matters as much if not more than it ever has. In children’s literature, the physical places and psychological spaces inhabited by children and young adults are also key elements in the developing identity formation of characters and, through engagement, of readers too. The contributors to this collection map a broad range of historical and present-day workings of this process: exploring indigeneity and place, tracing the intertwining of place and identity in diasporic literature, analyzing the relationship of the child to the natural world, and studying the role of fantastic spaces in children’s construction of the self. They address fresh topics and texts, ranging from the indigenization of the Gothic by Canadian mixed-blood Anishinabe writer Drew Hayden Taylor to the lesser-known children’s books of George Mackay Brown, to eco-feminist analysis of contemporary verse novels. The essays on more canonical texts, such as Peter Pan and the Harry Potter series, provide new angles from which to revision them. Readers of this collection will gain understanding of the complex interactions of place, space, and identity in children’s literature. Essays in this book will appeal to those interested in Children’s Literature, Aboriginal Studies, Environmentalism and literature, and Fantasy literature.
Women everywhere are looking for purpose and significance in a world that exudes pressure to conform at every turn. In Brave Women, Bold Moves, Cathie Ostapchuk explores the question, “Where did bravery ever get you?” by digging deep into the stories of brave women living in Biblical times along with stunning snippets from women in today’s culture and her own real life experiences. This is a rallying cry to all women, in any season, to choose courage over conformity.
Fables of the Self traces ideas of imagined selfhood through the lyric poetry of classical Greece and Rome, the modernist poetry of France, and modern and contemporary English and American lyrics. Rosanna Warren's work emerges from the tradition of British and American poet-critics such as William Empson, Donald Davie, and Randall Jarrell. Her readings of Sappho, Virgil, Baudelaire, Melville, Rimbaud, Mark Strand, and Louise Glück, among others, combine Helen Vendler's passionate attention to detail and something of Harold Bloom's panoramic view. Warren opposes both the literalizing, autobiographical approach to self in so-called confessional poetry and the other extreme of avant-garde erasures of self. Framing her critical studies between a memoir of childhood and a concluding journal entry, Warren has composed an occult autobiography, showing the imagination as a transfiguring and potentially moral force.
Set in 1915 during World War I, this story chronicles the events of four orphaned sisters and their perseverance, determination and struggle to survive.
Reproduction of the original: The Loyalists of America and their Times by Egerton Ryerson