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Scientific illustration is a discipline that proves a desire to learn about the world and record the unknown or recently discovered. I am of the opinion that art and science should always be brought closer together. I applaud those who find efficient ways to construct work that requires the self-education of several disciplines and skills. This book does indeed attempt to combine art and science... but in the worst way ever. I have taken a scientific achievement and turned it into post-modern art. Which was then turned into a pointless coffee table book. There are 100 illustrations in this book which are filled with absolute fluff. These are the rantings of a drunk man talking to his internet friends. You will get nothing out of this except a few giggles and, possibly, satisfaction that you bought a pointless icebreaker for parties.
Widely regarded as the father of science fiction, H. G. Wells was also a prolific author of history, politics and social commentary, whose works from an early date were renowned for their outspoken socialist views. This eBook presents Wells’ collected works, with numerous illustrations, rare novels and tales, informative introductions and the usual Delphi bonus material. Parts Edition is available for this title. (Version 8) Please note: due to US copyright restrictions, some later novels and non-fiction texts are not included. However, when they enter the public domain, they will be added as a free upgrade. Contents: The Novels The Time Machine (1895) The Wonderful Visit (1895) The Island of Doctor Moreau (1896) The Wheels of Chance (1896) The Invisible Man (1897) The War of the Worlds (1898) When the Sleeper Wakes (1899) Love and Mr. Lewisham (1899) The First Men in the Moon (1901) The Sea Lady (1902) The Food of the Gods and How It Came to Earth (1904) Kipps (1905) A Modern Utopia (1905) In the Days of the Comet (1906) The War in the Air (1908) Tono-Bungay (1909) Ann Veronica (1909) The History of Mr. Polly (1910) The Sleeper Awakes (1910) The New Machiavelli (1911) Marriage (1912) The Passionate Friends (1913) The Wife of Sir Isaac Harman (1914) The World Set Free (1914) Bealby (1915) Boon (1915) The Research Magnificent (1915) Mr. Britling Sees It Through (1916) The Soul of a Bishop (1917) Joan and Peter (1918) The Undying Fire (1919) The Secret Places of the Heart (1922) Men Like Gods (1923) The Dream (1924) Christina Alberta’s Father (1925) The World of William Clissold (1916) Meanwhile (1927) Mr. Blettsworthy on Rampole Island (1928) The Bulpington of Blup (1932) Star Begotten (1937) The Camford Visitation (1937) The Brothers (1938) The Holy Terror (1939) Babes in the Darkling Wood (1939) All Aboard for Ararat (1940) You Can’t Be Too Careful (1942) The Short Story Collections Early Short Stories Select Conversations with an Uncle (1895) The Stolen Bacillus and Other Incidents (1895) The Plattner Story and Others (1897) Tales of Space and Time (1899) Twelve Stories and a Dream (1903) The Country of the Blind and Other Stories (1911) The Door in the Wall and Other Stories (1911) Uncollected Short Stories The Short Stories List of Short Stories in Chronological Order List of Short Stories in Alphabetical Order The Non-Fiction Text-Book of Biology (1893) Certain Personal Matters (1897) Anticipations of the Reactions of Mechanical and Scientific Progress upon Human Life and Thought (1901) The Discovery of the Future (1902) Mankind in the Making (1903) Preface to ‘Underground Man’ (1905) by Gabriel Tarde The Things that Live on Mars (1905) The Future in America (1906) This Misery of Boots (1907) Socialism and the Family (1908) New Worlds for Old (1908) First and Last Things (1908) Floor Games (1911) Little Wars (1913) The War that Will End War (1914) An Englishman Looks at the World (1914) Scientific War (1915) What is Coming? (1916) The Elements of Reconstruction (1916) Introduction to ‘Nocturne’ (1917) by Frank Swinnerton God the Invisible King (1917) War and the Future (1917) In the Fourth Year (1918) The Importance of Being a Woman (1918) The Idea of a League of Nations (1919) The Outline of History (1920) Russia in the Shadows (1920) The New Teaching of History (1921) The Salvaging of Civilization (1921) Introduction to ‘The Pivot of Civilization’ (1922) by Margaret Sanger A Short History of the World (1922) Washington and the Hope of Peace (1922) The Gifts of the New Sciences (1924) The Story of a Great Schoolmaster (1924) A Year of Prophesying (1925) Mr. Belloc Objects to “The Outline of History” (1926) Marxism vs. Liberalism (1934) The Anatomy of Frustration (1936) The Future of the Jews (1938) World of Tomorrow (1939) The Fate of Homo Sapiens (1939) The Common Sense of War and Peace (1940) The Criticism Mr. H. G. Wells and the Giants (1905) by G. K. Chesterton H. G. Wells on the Rest of Us (1909) by George Bernard Shaw H. G. Wells (1909) by Arnold Bennett H. G. Wells (1915) by J. D. Beresford Wells and the World State (1922) by G. K. Chesterton Mr. Bennett and Mrs. Brown (1924) by Virginia Woolf An Extract from ‘Joseph Conrad: A Personal Remembrance’ (1924) by Ford Madox Ford H. G. Wells: Dreaming for the World (1926) by Stuart Pratt Sherman Mr. Belloc Still Objects to Mr. Wells’s “Outline of History” (1926) by Hilaire Belloc
Over the past fifty years transformations of great moment have taken place in South Africa. Apartheid and the subsequent transition to a democratic, non-racial society in particular have exercised a profound effect on the practice of literature. This study traces the development of literature under apartheid, then seeks to identify the ways in which writers and theatre practitioners are now facing the challenges of a new social order. The main focus is on the work of black writers, prime among them Matsemela Manaka, Mtutuzeli Matshoba and Richard Rive, who, as politically committed members of the oppressed majority, bore witness to the "black experience" through their writing. Despite the draconian censorship system they were able to address the social problems caused by racial discrimination in all areas of life, particularly through forced removals, the migrant labour system, and the creation of the homelands. Their writing may be read both as a comprehensive record of everyday life under apartheid and as an alternative cultural history of South Africa. Particular attention is paid to theatre as a barometer of social change in South Africa. The concluding chapters consider how in the current period of transition writers and arts institutions have set about reassessing their priorities, redefining their function and seeking new aesthetic directions in taking up the challenge of imagining a new society.
The goal of this unique manual is to arm criminal investigators with tools and weapons that are suitable and effective against art theft and forgery. The author, with over 25 years' experience in the art theft investigation field, presents comprehensive techniques, tips, and ideas to help dimish the level of frustration experienced by criminal investigators required to handle the growing number and magnitude of art crimes. The structure of the manual is simple and direct. The first part guides the reader in the use of the text and introduces the art world environment. The second part discusses the investigator's interaction with the victim, including interviewing, crime scene investigation, and identifying and developing suspects. Part three deals with offenders and covers such topics as art theft methods, forgery techniques, methods of distribution, and investigative countermeasures. The final section presents a comprehensive review of solutions and recoveries, including chapters on legal weapons, insurance and rewards, the use of experts, universal and variable contact group classifications, object bulletins, art criminal photo albums, informant development, undercover methods, unidentified victims, and recovery and seizure of stolen or fake art. In addition, the book is complemented by an extensive glossary and bibliographic resources. This exceptionally unique manual is intended to function at an intensely practical level and is intended for both study and immediate reference.
In the pages of the Bible, we come to know God through Jesus Christ. Thus the importance of the Bible for our spiritual formation cannot be overstated. If we are honest, though, the Bible is not always easy to understand. For example, the places named in the Bible can seem strange, and the number of people mentioned is virtually countless. This comprehensive dictionary intends to help people read the Bible with increased understanding and confidence. It contains articles on major topics as well as places and people, even if they just appear in a single verse in the Bible. Its articles cover theological topics, biblical words, biblical imagery, and historical topics. This A to Z dictionary includes more than •1,700 full-color pages •400 color illustrations, maps, and photos •5,000 articles by leading evangelical scholars The Baker Illustrated Bible Dictionary is an informative, colorful, and easy-to-understand resource that will be an indispensable reference for your own personal study or in preparation for teaching.
Joseph Dalton Hooker (1817–1911) was an internationally renowned botanist, a close friend and early supporter of Charles Darwin, and one of the first—and most successful—British men of science to become a full-time professional. He was also, Jim Endersby argues, the perfect embodiment of Victorian science. A vivid picture of the complex interrelationships of scientific work and scientific ideas, Imperial Nature gracefully uses one individual’s career to illustrate the changing world of science in the Victorian era. By analyzing Hooker’s career, Endersby offers vivid insights into the everyday activities of nineteenth-century naturalists, considering matters as diverse as botanical illustration and microscopy, classification, and specimen transportation and storage, to reveal what they actually did, how they earned a living, and what drove their scientific theories. What emerges is a rare glimpse of Victorian scientific practices in action. By focusing on science’s material practices and one of its foremost practitioners, Endersby ably links concerns about empire, professionalism, and philosophical practices to the forging of a nineteenth-century scientific identity.
Local/Global: Women Artists in the Nineteenth Century is the first book to investigate women artists working in disparate parts of the world. This major new book offers a dazzling array of compelling essays on art, architecture and design by leading writers: Joan Kerr on art in Australia by residents, migrants and visitors; Ka Bo Tsang on the imperial court in China; Gayatri Sinha on south Asian artists; Mary Roberts on harem portraiture of the Ottoman empire; Griselda Pollock on Parisian studios; Lynne Walker on women patron-builders in Britain; S?shy;ghle Bhreathnach-Lynch and Julie Anne Stevens on Irish women artists; Ruth Phillips on souvenir art by native and settler women; Janet Berlo on North American textiles; Kristina Huneault on white settler identity in Canada; Charmaine Nelson on neo-classical sculpture in North America; and Stacie Widdifield on Mexico. This pioneering collection addresses issues at the heart of feminist and post-colonial studies: the nature of difference, discrepant modernities and cross-cultural encounters. Written in a lively and accessible style, this lavishly illustrated volume offers fresh perspectives on women, art and identity. It is essential reading for anyone interested in the history of women artists and the art of the nineteenth century.