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Mark Yakich is an original... In the unabashedly unwieldy title and in each poem, there are no borders drawn between the commonplace and the metaphysical. There are journeys, crossings, and departures—all evocative of the loneliness, alienation, and desire for identity with another (person or place), which, formalized, makes this work recognizable as art of a very high order.” —James Galvin, Guggenheim Foundation and National Endowment of the Arts Fellow
A second collection from a poet of “sheer joy and dizzy command” (The New York Times) Upon its publication in 2012, Alien vs. Predator, the debut collection by Michael Robbins, became one of the hottest and most celebrated works of poetry in the country, winning acclaim for its startling freshness and originality, and leading critics to say that it was the most likely book in years to open up poetry to a new readership. Robbins’s poems are strange, wonderful, wild, and irrationally exuberant, mashing up high and low culture with “a sky-blue originality of utterance” (The New York Times). The thirty-six new poems in The Second Sex carry over the music, attitude, hilarity, and vulgarity of Alien vs. Predator, while also working deeper autobiographical and political veins.
A new collection from a poet of "wily verve" whose work is "filled with more satire and jeopardy than anything going today" (Terrance Hayes) Mark Yakich's fifth collection of poetry is a dynamic and discerning journey of devotion and temptation in pursuit of the divine. Not trifling in ambiguity but diving headlong into it, Spiritual Exercises wrestles with popular gods as much as with personal ghosts. From autism to eroticism, from benediction to excommunication, and from grief to gratitude, this collection lays bare a full spectrum of emotional life, showing us how grace can be as playful as it is sincere.
A new collection from a Whiting award and National Poetry Series winner. Thomas Lux has called Roger Fanning "an American original...[whose] poems are so pure, so piercing, so simple, so distilled that reading him is like taking a drunk-with-language dive into a moonlit lake on a night you believe you will live forever!" Fanning writes surprising and evocative poems that are filled with humor and ingenuity; Mary Karr says he "tunes us in to those minuscule instants of revelation that can keep life from being a long zombie convention." This new collection of poems, Fanning's first in more than ten years, in part chronicles a period of time when he suffered a break with reality, and continues his investigations into the drudgeries, the disappointments, and the joy of our daily lives.
“O is so full of music and passion for life . . . Zeina Hashem Beck’s poems unfold the abundance of our world.” —Ilya Kaminsky, author of Deaf Republic From a "brilliant, absolutely essential voice" whose "poems feel like whole worlds" (Naomi Shihab Nye), a poetry collection considering the body physical, the body politic, and the body sacred Zeina Hashem Beck writes at the intersection of the divine and the profane, where she crafts elegant, candid poems that simultaneously exude a boundless curiosity and a deep knowingness. Formally electrifying—from lyrics and triptychs to ghazals and Zeina's own duets, in which English and Arabic echo and contradict each other—O explores the limits of language, notions of home and exile, and stirring visions of motherhood, memory, and faith.
A powerful, timely, dazzling new collection of poems from Terrance Hayes, the National Book Award–winning author of Lighthead—to be published simultaneously with his latest work of literary criticism, Watch Your Language The three sections of Terrance Hayes’ seventh collection explore how we see ourselves and our world, mapping the strange and lyrical grammar of thinking and feeling. In “Watch Your Mouth,” a tree frog sings to overcome its fear of birds; in “Watch Your Step: The Kafka Virus,” a talking cat tells jokes in the Jim Crow South; in “Watch Your Head,“ green beans bling in the mouth of Lil Wayne, and Bob Ross paints your portrait. On the one hand, these fabulous fables, American sonnets, quarantine quatrains, and ekphrastic do-it-yourself sestinas animate what Toni Morrison called “the writerly imagination of a black author who is at some level always conscious of representing one’s own race.” On the other hand, these urgent, personal poems contemplate fatherhood, history, and longing with remarkable openness and humanity. So To Speak is the mature, restless work of one of contemporary poetry’s leading voices.
An artful, compelling new collection from “a special poet in every sense” (Poetry) The poems in Debora Greger’s new book journey from Florida to England to Venice, finding in the byways and accidents of travel the ghostly presences that mark the poet’s passage from youth half-forgotten to the edge of old age: the younger self that, like some heroine in Henry James, she catches glimpses of and barely recognizes; the long-dead poets unable to sleep, with things still on their mind. The elegies threaded through this mature, startling book recognize life moving toward the shadows—these are poems of old responsibilities and new virtues, looking back as a way of looking forward.
A new collection that captures the austere serenity of the Southwest American desert. Award-winning, Paris-based poet Alice Notley's adventurous new book is inspired by the life of Marie, a woman who resided in the dump outside Notley's hometown in the Southwestern desert of America. In this poetical fantasy, Marie becomes the ultimate artist/poet, composing a codex-calligraphy, writings, paintings, collage-from materials left at the dump. She is a "culture of one." The story is told in long-lined, clear-edged poems deliberately stacked so the reader can keep plunging headlong into the events of the book. Culture of One offers further proof of how Notley "has freed herself from any single notion of what poetry should be so that she can go ahead and write what poetry can be" (The Boston Review).
From National Book Award finalist Amber McBride, a mystical, transcendent poetry collection about Black womanhood in the American South In Thick with Trouble, award-winning poet Amber McBride interrogates if being “trouble”—difficult, unruly, fearsome, defiant—is ultimately a weakness or an incomparable source of strength. Steeped in the Hoodoo spiritual tradition and organized via reimagined tarot cards, this collection becomes a chorus of unapologetic women who laugh, cry, mesmerize, and bring outsiders to their knees. Summoning the supernatural to examine death, rebirth, and life outside the male gaze, Amber McBride has crafted a haunting, spellbinding, and strikingly original collection of poems that reckon with the force and complexity of Black womanhood.
Winner of the John Burroughs Medal for Lifetime Achievement in Nature Poetry An award-winning poet who “writes transporting poems of discovery, contemplation, and gratitude” (Booklist) Pattiann Rogers has won acclaim as one of the most original voices in contemporary American poetry. The poems in her new collection, Holy Heathen Rhapsody, embrace and embody the forces of the Earth and the creative power of its lifeforms in all the wildness of their varieties. Love in these poems is a force infused with the same creative power and intensity, the purest manifestation of the will-to-be. This vision and its making contend that even a shadow or a floating seed, a frond of green or a midnight spider, even a mongrel dog, wind over water, the human voice, the human witness, peace and weapons, all—every aspect and feature encountered—are fully endowed players in the dynamic music of the Earth.