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From celebrated Hollywood starlets to the covers of Cosmo, our society seems obsessed with beauty. Actress and Main Floor host Nancy Stafford (best known for her starring role as Michelle Thomas on Matlock) digs below our culture's fixation on outward appearance to show you that true beauty is more than skin-deep. "Every woman has beauty," says Stafford, "but not everyone sees it. I want you to see it." In Beauty by the Book she bares her heart to readers, laying out the Scriptures, promises, and truths women need to know to find their true value. Her liberating reflections will help you see yourself as God sees you -- worthy, lovable, and beautiful.“Mirror, Mirror, on the W all…” What do you see when you look in the mirror? Do you see a unique individual created in the image of Beauty itself—one chosen, Cherished, and valued in the eyes of God? If not, you may be looking in the wrong mirror—one distorted by emotional wounds, lies from your past, or the unrealistic standards of our culture. “Everyone has beauty and worth,” says Nancy Stafford, “but not everyone sees it. I want you to see it.” Nancy shares her own poignant story and holds up the true mirror of God’s Word—inviting you to see yourself as God sees you, to absorb His truth, and to know beyond a shadow of a doubt that the King is enthralled by your beauty!
Ever since she was young, she had disguised herself as a man, and at the age of ten, she was repudiated by the heavens and earth. At the age of fourteen, she was bestowed with the name of a king, and was given the name of the king. Accept his fate? Accept your fate! Why not? You all regard yourself as the fiend of a country who lost. You all agreed to the words of heaven's will and were defeated by you all! The people of the world viewed him as a bloodthirsty demon, and thus, he had conformed to the will of the world and slaughtered him for the people of the world to see! So what if he was a monster? In this world of extreme flames, it was called the Burning Fire Cave. She grew up in the Burning Fire Cave, and after going through countless hardships, she created a peerless martial art called the Raging Flames Soul. The coldest place in the world was called the Valley of Ice. He grew up in the Valley of Ice, and after experiencing countless hardships, he created a peerless martial art called the Breaking Ice Soul. Wishing? This King never makes a wish! Only those who are incompetent will have a wish. Everything This King asks for, will be given to you! For example ... It commanded the whole world to be in chaos, to prostrate themselves within the Six Paths. He was the complete opposite of her, yet so similar! Ice and fire mutually restrained each other. Were those two fated to fall in love and kill each other as well? He had come from the nine heavens to descend into the mortal world. He was originally an unintentional person without desire or desire, and that person named Cang Qu had overturned the very essence of his life. Before I met you, I was unreal, but now, you are my unreal self! Bloody saffron, the love of this life, how could she let him? He was a man of martial arts, a man of great stature. He was the world's greatest tyrant ... Join Collection
Few tales of artistic triumph can rival the story of Zeuxis. As first reported by Cicero and Pliny, the painter Zeuxis set out to portray Helen of Troy, but when he realized that a single model could not match Helen’s beauty, he combined the best features of five different models. A primer on mimesis in art making, the Zeuxis myth also illustrates ambivalence about the ability to rely on nature as a model for ideal form. In Too Beautiful to Picture, Elizabeth C. Mansfield engages the visual arts, literature, and performance to examine the desire to make the ideal visible. She finds in the Zeuxis myth evidence of a cultural primal scene that manifests itself in gendered terms. Mansfield considers the many depictions of the legend during the Renaissance and questions its absence during the eighteenth century. Offering interpretations of Angelica Kauffman’s paintings, Mary Shelley’s Frankenstein, and Picasso’s Les Demoiselles d’Avignon, Mansfield also considers Orlan’s carnal art as a profound retelling of the myth. Throughout, Mansfield asserts that the Zeuxis legend encodes an unconscious record of the West’s reliance on mimetic representation as a vehicle for metaphysical solace. Elizabeth C. Mansfield is associate professor of art history at the University of the South.
Darkness and Fear Have you ever waken up at night and thought that you saw something moving just a split second before your eyes focused? Have you ever wondered why so many people are afraid of the dark? Are you afraid of what you can't see? Darkness tends to do that. Fear can be a powerful thing, causing us to either cringe in submission or to flee in flight. What if the darkness took the shape of something that we didn't fear. Causes Would we have the wisdom to see what it truly was? Or would we just blindly follow it down the path of... Destruction The end result of following darkness is death. By following something that usually hides in the shadows, we in turn become soiled and lost. What would you do if you were the Leotiens?