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This book is a work of fiction. Names, characters, places, and incidents are the product of the author’s imagination or are used fictitiously. Any resemblance to actual events, locals, or persons, living or dead, is coincidental.
Gonorrhea. Bed bugs. Weeds. Salamanders. People. All are evolving, some surprisingly rapidly, in response to our chemical age. In Unnatural Selection, Emily Monosson shows how our drugs, pesticides, and pollution are exerting intense selection pressure on all manner of species. And we humans might not like the result. Monosson reveals that the very code of life is more fluid than once imagined. When our powerful chemicals put the pressure on to evolve or die, beneficial traits can sweep rapidly through a population. Species with explosive population growth--the bugs, bacteria, and weeds--tend to thrive, while bigger, slower-to-reproduce creatures, like ourselves, are more likely to succumb. Unnatural Selection is eye-opening and more than a little disquieting. But it also suggests how we might lessen our impact: manage pests without creating super bugs; protect individuals from disease without inviting epidemics; and benefit from technology without threatening the health of our children.
This book contains 350 short stories from 50 classic, prize-winning and noteworthy authors. Wisely chosen by the literary critic August Nemo for the book series 7 Best Short Stories, this omnibus contains the stories of the following writers: - H.P. Lovecraft, - Edgar Allan Poe, - Arthur Conan Doyle, - Katherine Mansfield, - Jack London, - Guy de Maupassant, - Virginia Woolf, F. - Scott Fitzgerald, - Edith Wharton, - Stephen Crane, - Susan Glaspell, - Kate Chopin, - Laura E. Richards, - Alice Dunbar-Nelson, - Louisa May Alcott, - Hans Christian Andersen, - Charles Dickens, - Nathaniel Hawthorne, - Henry James, - Mark Twain, - Charlotte Perkins, - Elizabeth Gaskell, - Herman Melville, - James Joyce, - Leo Tolstoy, - Nikolai Gogol, - Anton Chekhov, - Fyodor Dostoevsky, - Maxim Gorky, - Leonid Andreyev, - Ivan Turgenev, - Joseph Conrad, - Aleksander Pushkin, - Robert Louis Stevenson, - Robert E. Howard, - G. K. Chesterton, - Edgar Wallace, - Arthur Machen, - Ambrose Bierce, - Talbot Mundy, - Abraham Merritt, - Zane Grey, - Edgar Rice Burroughs, - Oscar Wilde, - Rudyard Kipling, - E.T.A. Hoffman, - Bram Stoker, - H.G. Wells, - Franz Kafta - Washington Irving.
Three Supernatural Short Stories In the Body Snatcher, the Bottle Imp and the Merry Men, Robert Louis Stevenson takes his characters into an alternate reality where supernatural occurs. In the new reality, corpses seem to have a life of their own, bottles have the ability of fulfill any human desire but with a cost and magic islands are the ultimate source for wealth. Xist Publishing is a digital-first publisher. Xist Publishing creates books for the touchscreen generation and is dedicated to helping everyone develop a lifetime love of reading, no matter what form it takes
'Instantly the spirit of hell awoke in me and raged...I was suddenly struck through the heart by a cold thrill of terror.' Stevenson's short novel, published in 1886, became an instant classic. It was a Gothic horror that originated in a feverish nightmare, whose hallucinatory setting in the murky back streets of London gripped a nation mesmerized by crime and violence. The respectable doctor's mysterious relationship with his disreputable associate is finally revealed in one of the most original and thrilling endings in English literature. In addition to Jekyll and Hyde, this edition also includes a number of short stories and essays written by Stevenson in the 1880s, minor masterpieces of fiction and comment: 'The Body Snatcher', 'Markheim', and 'Olalla' feature grave-robbing, a sinister double, and degeneracy, while 'A Chapter on Dreams' and 'A Gossip on Romance' discuss artistic creation and the 'romance' form. Appendixes provide extracts from contemporary writings on personality disorder, which set Stevenson's tale in its full historical context. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
When it first appeared in 1986, James McClendon's Ethics laid claim to two compelling theological ideas: first, that a highly distinctive theological perspective characterizes the inheritors of the sixteenth century's radical reformation. At the heart of this perspective is what McClendon calls the baptist vision, a way of understanding the gospel that emphasizes the church's distinction from the world, and its continuity with the church of the New Testament. Second, that because of its emphasis on the centrality of discipleship, this radical reformation outlook insists that theology's first task is to discover and explore the shape of the church's common life as the body of Christ; hence McClendon's novel decision to begin the task of writing a systematic theology with a volume on ethics. Since its first publication, Ethics has been followed by Doctrine (1994), and Witness (2000). The completion of the overall work has brought into sharper focus many of the theological and ethical issues and concerns central to the baptist tradition. In this revised edition of Ethics, McClendon infuses his claim for the priority of ethics within the theological task with a new urgency, born of the fuller, more complete definition of the baptist vision that Doctrine and Witness have made possible. Ethics is central, he reminds us, because biblical faith rests on a set of distinctive practices that arise from our placement within a larger Christian story. In his revisions McClendon offers a more complete explanation of how the interaction of faithful practices and gospel story give rise to a way of life that is distinctively Christian.