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Until recently, the land its people know only as the Unnamed Country has remained hidden from the eyes and minds of the rest of the world by dense jungles and formidable mountains. And within those jungles and mountains lurk mysterious and terrifying creatures: jade-green tigers, frighteningly intelligent wild pigs, and shadow people that may just be the precursor to human beings. Caught between their ancient history and the uncertainties of the future, the people who dwell there are ruled over by Ten Jeweled Gods…and the Ten Demon Lords of Hell. Acclaim for Jeffrey Thomas’s Unnamed Country stories: “This is a modern classic of writing about another country or culture on the level of Lafcadio Hearn or Italo Calvino. It belongs on the shelf of any, and every, bookstore in any airport with a flight to Southeast Asia. Its stories are disturbing, insightful, macabre, vivid, grotesque, propulsive, engaging and endlessly inventive.” —Paul StJohn Mackintosh, greydogtales, on The Unnamed Country. “Jeffrey Thomas’s unique flair for the unspeakable never shines brighter than when he visits the Southeast Asia of his dreams, and nowhere does he delve deeper into that strange green country than here.” —Cody Goodfellow, author of Vertical, on Scenes From a Village. “If you know something about Jeffrey Thomas’s fiction, you’ll know that when he’s not writing Weird SF stories set in the infamous and crime-ridden Punktown he sometimes explores “the unnamed country.” This country resembles the Viet Nam that Thomas has frequently visited, but…Viet Nam as seen through a lens slightly distorted by, or perhaps slightly sharpened by, imagination.” —Brian Evenson, from his introduction to The Spirit of Place.
LONGLISTED FOR THE NATIONAL BOOK AWARD “Nothing short of magic.” —Elizabeth Acevedo, New York Times bestselling author of The Poet X From the acclaimed poet featured on Forbes Africa’s “30 Under 30” list, this powerful novel-in-verse captures one girl, caught between cultures, on an unexpected journey to face the ephemeral girl she might have been. Woven through with moments of lyrical beauty, this is a tender meditation on family, belonging, and home. my mother meant to name me for her favorite flower its sweetness garlands made for pretty girls i imagine her yasmeen bright & alive & i ache to have been born her instead Nima wishes she were someone else. She doesn’t feel understood by her mother, who grew up in a different land. She doesn’t feel accepted in her suburban town; yet somehow, she isn't different enough to belong elsewhere. Her best friend, Haitham, is the only person with whom she can truly be herself. Until she can't, and suddenly her only refuge is gone. As the ground is pulled out from under her, Nima must grapple with the phantom of a life not chosen—the name her parents meant to give her at birth—Yasmeen. But that other name, that other girl, might be more real than Nima knows. And the life Nima wishes were someone else's. . . is one she will need to fight for with a fierceness she never knew she possessed.
Challenging the notion that Central American literature is a marginal space within Latin American literary and world literary production, this collection positions and discusses Central American literature within the recently revived debates on world literature. This groundbreaking volume draws on new scholarship on global, transnational, postcolonial, translational, and sociological perspectives on the region's literature, expanding and challenging these debates by focusing on the heterogenous literatures of Central America and its diasporas. Contributors discuss poems, testimonios, novels, and short stories in relation to center-periphery, cosmopolitan, and Internationalist paradigms. Central American Literatures as World Literature explores the multiple ways in which Central American literature goes beyond or against the confines of the nation-state, especially through the indigenous, Black, and migrant voices.
This changes everything we thought we knew about John Steinbeck. After languishing in the CIA’s archives for 60 years, a letter is uncovered in John Steinbeck’s own hand that shatters everything history tells us about the author’s life. Written in 1952, to CIA Director Walter Bedell Smith, Steinbeck makes an offer to become an asset for the Agency during a trip to Europe later that year. More shocking than Steinbeck’s letter is Smith’s reply accepting John’s proposal. Discovered by author Brian Kannard, these letters create the tantalizing proposal that John Steinbeck was, in fact, a CIA spy. Utilizing information from Steinbeck’s FBI file, John’s own correspondence, and interviews with John’s son Thomas Steinbeck, playwright Edward Albee, a former CIA intelligence officer, and others, Steinbeck: Citizen Spy uncovers the secret life of American cultural icon and Nobel Prize–winner, John Steinbeck. •Did Steinbeck actively gather information for the intelligence community during his 1947 and 1963 trips to the Soviet Union? •Why was the controversial author of The Grapes of Wrath never called before the House Select Committee on Un-American Activities, despite alleged ties to Communist organizations? •Did the CIA influence Steinbeck to produce Cold War propaganda as part of Operation MOCKINGBIRD? •Why did the CIA admit to the Church Committee in 1975 that Steinbeck was a subject of their illegal mail-opening program known as HTLINGUAL? These and a host of other resources leave little doubt that there are depths yet unplumbed in the life of one of America’s most treasured authors. Just how heavily was Steinbeck involved in CIA operations? What did he know? And how much did he sacrifice for his country? Steinbeck: Citizen Spy brings us one step closer to the truth.
This edited volume examines threat inflation, and its role in framing US foreign and security policy since 9/11.