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Anthro-photo-journalist Anu M'Bantu has traveled the world armed with a camera! He has taken aim at evidence of Black history in North Africa and Asia. The result is this magnificent book which contains 140 colour pictures that are rarely seen in textbooks. It proves that the ancient Egyptians, Sumerians, Akkadians, Babylonians, Elamites, Syrians, Anatolians, Minoans and Moors were Unmistakably Black! Tell the Black community! Tell the children!
White Lies, Black Truth, The Lost Light By: Jacie Rowe III 93% of Black homicide is Black on Black killings 6,000 Blacks killed by other Blacks 2015 in U.S. From 1976-2005 94% Black Killings were by other Blacks From 1976 -2014 is estimated that 198,288 Blacks killed by Blacks, on average, 5,218 per year Houston Black Toddler killed by stray bullet R.I.P Jordan Allen Jr. 102 Black people shot, 14 killed, in Chicago over Father's Day weekend June 2020; "They talk about the police killing innocent people, but they are killing our citizens, they are killing each other" Amaria 13YO Black girl killed by stray bullet in Chicago, R.I.P TamaraCollier, 24 YO Black lady killed by stray bullet, R.I.P 8 YO Mekhi James, R.I.P, killed by stray bullet in Chicago 8 YO Rodgerick Payne Jr, R.I.P, killed by stray bullet Chicago ,7S% of people murdered are Black, 71% of those murders are by other Blacks Charlotte, NC., 100 bullets fired in to a block party crowd, where4 Blacks were killed and 10 injured Black on Black crimes are across the U.S., Detroit murderers, Cleveland murderers, Atlanta murderers, Miami murderers, LA murderers, NY murderers, Louisville murderers, Milwaukee murderers, Compton murderers, etc. Wake up Black people!!! White Lies, Black Truth, The Lost Light is an informative piece, providing spiritual strength and faith of a higher power, uplifting a chosen people, the descendants of Israel, to encourage them to come back to their GOD laws and live peacefully with all man. The story is interesting because the people of the book, the target audience, are people who have been lost, their identity lost and stolen, and have not known who they are or where they come from for thousands of years until now. It's relevant because it's the truth and the truth shall make us free! Regardless if the message is for you or not, I hope you obtain an understanding of the purpose of the book and the message it's conveying to its audience. Readers will be able to see the truth and hopefully understand that much of the current religions are teaching a false Christ and a deceiving message to the people.
From the Publisher: Edited and translated by Mercer Cook. Laymen and scholars alike will welcome the publication of this one-volume translation of the major sections of C.A. Diop's two books, Nations negres et culture and Anteriorite des civilizations negres, which have profoundly influenced thinking about Africa around the world. It was largely because of these works that, at the World Festival of the Arts held in Dakar in 1966, Dr. Diop shared with the late W.E.B. DuBois an award as the writer who had exerted the greatest influence on Negro thought in the 20th century.
Bridging the fields of conservation, art history, and museum curating, this volume contains the principal papers from an international symposium titled "Historical Painting Techniques, Materials, and Studio Practice" at the University of Leiden in Amsterdam, Netherlands, from June 26 to 29, 1995. The symposium—designed for art historians, conservators, conservation scientists, and museum curators worldwide—was organized by the Department of Art History at the University of Leiden and the Art History Department of the Central Research Laboratory for Objects of Art and Science in Amsterdam. Twenty-five contributors representing museums and conservation institutions throughout the world provide recent research on historical painting techniques, including wall painting and polychrome sculpture. Topics cover the latest art historical research and scientific analyses of original techniques and materials, as well as historical sources, such as medieval treatises and descriptions of painting techniques in historical literature. Chapters include the painting methods of Rembrandt and Vermeer, Dutch 17th-century landscape painting, wall paintings in English churches, Chinese paintings on paper and canvas, and Tibetan thangkas. Color plates and black-and-white photographs illustrate works from the Middle Ages to the 20th century.
From the acclaimed author and scholar James C. Scott, the compelling tale of Asian peoples who until recently have stemmed the vast tide of state-making to live at arm’s length from any organized state society For two thousand years the disparate groups that now reside in Zomia (a mountainous region the size of Europe that consists of portions of seven Asian countries) have fled the projects of the organized state societies that surround them—slavery, conscription, taxes, corvée labor, epidemics, and warfare. This book, essentially an “anarchist history,” is the first-ever examination of the huge literature on state-making whose author evaluates why people would deliberately and reactively remain stateless. Among the strategies employed by the people of Zomia to remain stateless are physical dispersion in rugged terrain; agricultural practices that enhance mobility; pliable ethnic identities; devotion to prophetic, millenarian leaders; and maintenance of a largely oral culture that allows them to reinvent their histories and genealogies as they move between and around states. In accessible language, James Scott, recognized worldwide as an eminent authority in Southeast Asian, peasant, and agrarian studies, tells the story of the peoples of Zomia and their unlikely odyssey in search of self-determination. He redefines our views on Asian politics, history, demographics, and even our fundamental ideas about what constitutes civilization, and challenges us with a radically different approach to history that presents events from the perspective of stateless peoples and redefines state-making as a form of “internal colonialism.” This new perspective requires a radical reevaluation of the civilizational narratives of the lowland states. Scott’s work on Zomia represents a new way to think of area studies that will be applicable to other runaway, fugitive, and marooned communities, be they Gypsies, Cossacks, tribes fleeing slave raiders, Marsh Arabs, or San-Bushmen.
First published in 1965, The Culture and Civilisation of Ancient India in Historical Outline is a strikingly original work, the first real cultural history of India. The main features of the Indian character are traced back into remote antiquity as the natural outgrowth of historical process. Did the change from food gathering and the pastoral life to agriculture make new religions necessary? Why did the Indian cities vanish with hardly a trace and leave no memory? Who were the Aryans – if any? Why should Buddhism, Jainism, and so many other sects of the same type come into being at one time and in the same region? How could Buddhism spread over so large a part of Asia while dying out completely in the land of its origin? What caused the rise and collapse of the Magadhan empire; was the Gupta empire fundamentally different from its great predecessor, or just one more ‘oriental despotism’? These are some of the many questions handled with great insight, yet in the simplest terms, in this stimulating work. This book will be of interest to students of history, sociology, archaeology, anthropology, cultural studies, South Asian studies and ethnic studies.
First published in 1926, Drusilla Dunjee Houston (a self-taught historian), describes the origin of civilization and establishes links among the ancient Black populations in Arabia, Persia, Babylonia, and India. In each case she concludes that the ancient Blacks who inhabited these areas were all culturally related.