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Gail Muller was told she’d be in a wheelchair by the age of forty. At forty-one she set out to hike one of the world’s toughest treks, The Appalachian Trail – a 2,200-mile journey that would help her reclaim her life and heal her mind and body. An inspiring, moving and uplifting memoir for fans of Cheryl Strayed’s Wild and Elizabeth Gilbert’s Eat, Pray, Love. As Gail took her first steps through the wilderness of the USA, she had no idea what lay ahead of her, but she knew she felt burnout from city life, lost and broken – ready to heal a mind and body that she had battled with for so long. From the resilience-building mountain climbs, painful injuries and harsh reality of braving the raw elements, to the unexpected friendships forged with other hikers and the kindness of strangers offering food and shelter – with every step, Gail started to let go of a past dominated by chronic pain and reconnected with herself in a way she’d never been able to before. A love letter to the healing power of the wild outdoors and an incredible testament to the strength of the human spirit, Gail’s story is for anyone who has ever felt stuck in a rut, lost or scared. She shows us that even in our darkest times, it’s possible to find our inner grit, face our fears and feel hopeful. Read what everyone is saying about Unlost: ‘Amazing!… OMG! I really loved your book!... I’m not a crier, but your last chapter had me almost in tears. So (wonderfully) emotional.’ NetGalley reviewer, ⭐⭐⭐⭐⭐ ‘Had me hooked from the beginning…This book is for so many people…it's fun and interesting and the various trail families and characters are terrific… a gem of a book.’ Goodreads reviewer, ⭐⭐⭐⭐⭐ ‘I found myself holding my breath… I felt like I was right there with her.’ NetGalley reviewer, ⭐⭐⭐⭐⭐ ‘Inspirational… made me snort or chuckle - or suck in my breath. I read the book in more or less a day - I just had to consume it… a joy to read.’ NetGalley reviewer, ⭐⭐⭐⭐⭐ ‘Gail writes with humour, heart and passion.’ Giovanna Fletcher, Sunday Times #1 bestselling author ‘I loved this book so much. I was so invested from the very start… Was sad for this one to end! Goodreads reviewer, ⭐⭐⭐⭐⭐ ‘Loved this open and honest book! It was so raw and real you feel like you get to know the author like a friend. I loved hearing about her adventures and life.’ Goodreads reviewer, ⭐⭐⭐⭐⭐ ‘Inspiring… illustrates the power of the great outdoors and the positive effects it can have on body and mind.’ Jordan Wylie, Adventurer and Bestselling Author
This is a journey of the mind as well as the heart as Michael uncovers for us the false views of God that were causing him to wander and leads us to the true God of the Bible who is waiting with open arms. Unlost is a fresh, narrative view of the gospel story illustrated from the author's life and experience.
'Gail writes with humour, heart and passion.' Giovanna Fletcher, Sunday Times #1 bestselling author Gail Muller was told she'd be wheelchair bound by the age of forty. At forty-one, she embarked on one of the world's toughest treks - The Appalachian Trail. An inspiring, uplifting and moving account of one woman's incredible journey into the unknown and how she reclaimed herself in the process. As Gail took her first steps on the 2,200-mile trek through the wilderness of the USA, she had no idea what lay ahead of her, but she knew she felt burnout from city life, lost and broken - ready to heal a mind and body that she had battled with for so long. From the resilience-building mountain climbs, painful injuries and harsh reality of braving the raw elements, to the unexpected friendships forged with other hikers and the kindness of strangers offering food and shelter - with every step, Gail started to let go of a past dominated by chronic pain and reconnected with herself in a way she'd never been able to before. A love letter to the healing power of the wild outdoors and an incredible testament to the strength of the human spirit, Gail's story is for anyone who has ever felt stuck in a rut, lost or scared. She shows us that even in our darkest times, it's possible to find our inner grit, face our fears and feel hopeful. Essential reading for fans of Cheryl Strayed's Wild and Elizabeth Gilbert's Eat, Pray, Love.
The ancient Greek lyric poet Simonides of Keos was the first poet in the Western tradition to take money for poetic composition. From this starting point, Anne Carson launches an exploration, poetic in its own right, of the idea of poetic economy. She offers a reading of certain of Simonides' texts and aligns these with writings of the modern Romanian poet Paul Celan, a Jew and survivor of the Holocaust, whose "economies" of language are notorious. Asking such questions as, What is lost when words are wasted? and Who profits when words are saved? Carson reveals the two poets' striking commonalities. In Carson's view Simonides and Celan share a similar mentality or disposition toward the world, language and the work of the poet. Economy of the Unlost begins by showing how each of the two poets stands in a state of alienation between two worlds. In Simonides' case, the gift economy of fifth-century b.c. Greece was giving way to one based on money and commodities, while Celan's life spanned pre- and post-Holocaust worlds, and he himself, writing in German, became estranged from his native language. Carson goes on to consider various aspects of the two poets' techniques for coming to grips with the invisible through the visible world. A focus on the genre of the epitaph grants insights into the kinds of exchange the poets envision between the living and the dead. Assessing the impact on Simonidean composition of the material fact of inscription on stone, Carson suggests that a need for brevity influenced the exactitude and clarity of Simonides' style, and proposes a comparison with Celan's interest in the "negative design" of printmaking: both poets, though in different ways, employ a kind of negative image making, cutting away all that is superfluous. This book's juxtaposition of the two poets illuminates their differences--Simonides' fundamental faith in the power of the word, Celan's ultimate despair--as well as their similarities; it provides fertile ground for the virtuosic interplay of Carson's scholarship and her poetic sensibility.
The two main characters in this novel, Ndidi and Ndubuisi, fall in love from the onset. Their discovery of their love is in the simplest manner. As they grow together in love, through them we meet a few other useful characters in the book. We also see through them some of the evils in the society. We also see the way both characters Ndidi and Ndubuisi climb the ladder of success until when the hands of the clock start to tick towards the opposite direction. The situation then becomes tricky as can be seen on reading through the novel. One therefore wonders what then lies in the future of these two main characters, who as can be seen from the onset had started on a clean slate.
As a major figure in the development of Western thought, Plato, with his philosophies and writings, has been referred to in the development of democracy and good government. Yet, he is responsible for one of the most divisive and hotly debated stories in history. Even his student, Aristotle, did not believe it to be true. Plato's story had a great deal of influence on the New Age Movement from the end of the nineteenth century, when the mythological motifs and dreams of an ideal society found a home in Atlantis. Unfortunately, the new versions of the story that arose from this era were based on false history and pseudo science. Academics tried to force Atlantis back into the Mediterranean with its familiar ancient sites, suggesting that Plato relied heavily on metaphor and fiction, despite his insistence that the story was true.The subject is still a hotly debated one because it has never been satisfactorily resolved. Starting with Plato's original story, The Unlost Island unravels the myths and legends, the misinterpretations and fallacies that have plagued the Atlantis story since it was written more than 2000 years ago.
How did the Victorians engage with the ancient world? Victorian Culture and Classical Antiquity is a brilliant exploration of how the ancient worlds of Greece and Rome influenced Victorian culture. Through Victorian art, opera, and novels, Simon Goldhill examines how sexuality and desire, the politics of culture, and the role of religion in society were considered and debated through the Victorian obsession with antiquity. Looking at Victorian art, Goldhill demonstrates how desire and sexuality, particularly anxieties about male desire, were represented and communicated through classical imagery. Probing into operas of the period, Goldhill addresses ideas of citizenship, nationalism, and cultural politics. And through fiction--specifically nineteenth-century novels about the Roman Empire--he discusses religion and the fierce battles over the church as Christianity began to lose dominance over the progressive stance of Victorian science and investigation. Rediscovering some great forgotten works and reframing some more familiar ones, the book offers extraordinary insights into how the Victorian sense of antiquity and our sense of the Victorians came into being. With a wide range of examples and stories, Victorian Culture and Classical Antiquity demonstrates how interest in the classical past shaped nineteenth-century self-expression, giving antiquity a unique place in Victorian culture.
Although classical Athenian ideology did not permit women to exercise legal, economic or social autonomy, the tragedies often represent them as influential social and moral forces. This work studies this apparent contradiction, showing how Greek tragedy uses gender relations to explore issues.
Williams explains how the senses of autistic people work, suggesting they are 'stuck' at an early development stage common to everyone. She calls this the system of sensing, claiming that most people move to the system of interpretation which enables them to make sense of the world, but they lose various abilities which people with autism retain.