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A love neither expected, begins at first sight. Since divorcing her ex-husband nine years ago, thirty-five-year-old Patience Harvey has focused on rebuilding her life and raising her eight-year-old daughter, Noelle. Thriving and content with her career and her growing family, the last thing that Patience is thinking about is entertaining another relationship. Running a successful construction company from the ground up has kept Michael Carter busy. However, after three years as a single man, the thirty-seven-year-old bachelor has reached the point where he’s longing for companionship, but feels that he’s missed his chance. That is, until an unexpected detour to a bakery leads him to meet a fellow patron who immediately catches his eye—and unbeknownst to her—captures his heart. Patience never imagined that a pit stop for a few pastries would put her in the presence of a man who could make her consider diving back into dating. Yet as she continues crossing paths with the enticing Michael, she knows she’s ready. However, as courtship flourishes into romance, Patience’s past resurfaces, threatening not only their bliss, but her sanity. Will Patience’s past trauma tear this new relationship apart? Or can she and Michael overcome the obstacles thrown their way to reach their happily-ever-after?
COVID-19 forced a dramatic change to customer behavior that resulted in an economic crisis not witnessed by anyone alive. Businesses can no longer operate as before because their customers are no longer operating as before. This book provides customer-centric based guidance for how businesses should adapt to this new reality, deriving insights from academic research, case studies, interviews, and best practice examples from around the world. As validated by hundreds of top-level executives, its readers will gain a better understanding of why customer behavior has changed so they can use the book’s solutions to navigate through and succeed in the post COVID-19 future.
This book explains how minilateral strategies work and how this new diplomatic toolbox will reshape how countries do business with one another.
A love neither expected, begins at first sight. Since divorcing her ex-husband nine years ago, thirty-five-year-old Patience Harvey has focused on rebuilding her life and raising her eight-year-old daughter, Noelle. Thriving and content with her career and her growing family, the last thing that Patience is thinking about is entertaining another relationship. Running a successful construction company from the ground up has kept Michael Carter busy. However, after three years as a single man, the thirty-seven-year-old bachelor has reached the point where he's longing for companionship, but feels that he's missed his chance. That is, until an unexpected detour to a bakery leads him to meet a fellow patron who immediately catches his eye-and unbeknownst to her-captures his heart. Patience never imagined that a pit stop for a few pastries would put her in the presence of a man who could make her consider diving back into dating. Yet as she continues crossing paths with the enticing Michael, she knows she's ready. However, as courtship flourishes into romance, Patience's past resurfaces, threatening not only their bliss, but her sanity. Will Patience's past trauma tear this new relationship apart? Or can she and Michael overcome the obstacles thrown their way to reach their happily-ever-after?
This fourth edition was prepared in 2015-2016 as a supplementary text for a graduate music cataloging course. This edition is rewritten to a large extent to conform to the new instructions and paradigms represented in Resource Description and Access (RDA). RDA instructions for printed music, recorded music and music video are accompanied by advice, examples, illustrations and complete catalog records, including versions in MARC21 format. Consistent with RDA, the chapter on form and choice of access points found in earlier editions is gone, replaced with a chapter on authorized access points. The concept of “uniform title” has evolved into the concept of the “preferred title,” as part of an authorized access point, which might require manipulation and addition of some elements for disambiguation and collocation. Only three chapters are used for description of printed music, sound recordings and video recordings. Many of the older LP examples were removed as were VHS video recordings. Multimedia packages are now rare in the marketplace, but streaming audio and video are quite evident so examples now include those media. Facsimile examples from the third edition have been retained and many new examples have been added. Most catalogers today are using RDA in combination with MARC21. Accordingly, in an appendix, we have rendered each example in MARC21 format using the OCLC Connexion approach to MARC21 record formatting.A lengthy bibliography in earlier editions has been replaced by a brief list in the introduction, with pointers to online resources that are both current and constantly updated by working catalogers.
Dont believe the hype; believe what you see. Apocalypse, as we have come to fear, is not apocalypse as it truly is. We live today in the time of apocalypse, and for some, it is pure torment. For those around the world living with bombs raining down on them, yes, that is apocalyptic torture as we feared. For those thousands and millions, throughout the universe, visited and killed by the deadly flu and flu-like diseases (SARS, swine flu, bird flu, West Nile virus, etc.), Ebola, tuberculosis, measles, cholera, dengue fever, EV-D68, and HIV/AIDS, yes, those are apocalyptic diseases as we feared. For those ravished, killed, left homeless, and totally dispossessed by these record-breaking seemingly wicked weather events we are currently experiencing, yes, they would agree that these are for certain apocalyptic changes as we feared. However, given there are over seven billion of us on the planet and those apocalyptic events mentioned have only killed millions, not billions, of us, they dont seem to rise to the level of chaos and destruction we have been conditioned to fear as being apocalyptic. Nevertheless, our over exaggerated, deep-seated, and conditioned fears notwithstanding, Armageddon is upon us, and the signs of it have been for almost twenty years that we know of. Those above mentioned apocalyptic occurrences are the signs we were all told would be by John the Revelator in Revelation. November 1995 to May 1996, no fewer than seventy of us were told by an angel, Awaki, and his Angels of God that the signs had already begun and that Armageddon would begin in the year 2000. Our story, no matter how far-fetched it may seem, is true. The evidentiary events of war, disease, and bizarre weather changes we witness daily provide for us the credibility of what we were told. The angel Shakardak told us, Some will see and they will believe, some will not see and they will believe, some will hear and they will believe, and some will not hear and they will believe; and then there will be those who will see and they will not believe, and there will be those who will hear and they will not believe.
After a massive, identity-altering, physical transformation, Keshari Mitchell is back as 'Darian Boudreaux' and aims to take the film industry by storm. She is now the founder and executive producer of Phoenix Films, which has acquired a controversial movie script from an anonymous source. It is about to make a major name for itself with the biopic of the mysterious Keshari Mitchell's life, including details regarding her affiliation with organised crime. Will returning to the US after faking her death turn out to be the biggest mistake of her life?