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"For fans of Laurie Halse Anderson’s Speak..."--Voices of Youth Advocates In a book that is both urgent and timely, Melissa Ostrom explores the intricacies of shame and victim-blaming that accompany the aftermath of assault. After surviving an assault at an off-campus party, nineteen-year-old Maggie is escaping her college town, and, because her reporting the crime has led to the expulsion of some popular athletes, many people—in particular, the outraged Tigers fans—are happy to see her go. Maggie moves in with her Aunt Wren, a sculptor who lives in an isolated cabin bordered by nothing but woods and water. Maggie wants to forget, heal, and hide, but her aunt’s place harbors secrets and situations that complicate the plan. Worse, the trauma Maggie hoped to leave behind has followed her, haunting her in ways she can’t control, including flashbacks, insomnia and a sense of panic. Her troubles intensify when she begins to receive messages from another student who has survived a rape on her old campus. Just when Maggie musters the courage to answer her emails, the young woman goes silent.
A debut YA American epic and historical adventure from Melissa Ostrom about striking out for your own destiny. She's not the girl everyone expects her to be. Harriet Winter is the eldest daughter in a farming family in New Hampshire, 1807. She is expected to help with her younger sisters. To pitch in with the cooking and cleaning. And to marry her neighbor, the farmer Daniel Long. Harriet’s mother sees Daniel as a good match, but Harriet doesn’t want someone else to choose her path—in love or in life. When Harriet’s brother decides to strike out for the Genesee Valley in Western New York, Harriet decides to go with him—disguised as a boy. Their journey includes sickness, uninvited strangers, and difficult emotional terrain as Harriet sees more of the world, realizes what she wants, and accepts who she’s loved all along.
Ideologies of Identity in Adolescent Fiction examines the representation of selfhood in adolescent and children's fiction, using a Bakhtinian approach to subjectivity, language, and narrative. The ideological frames within which identities are formed are inextricably bound up with ideas about subjectivity, ideas which pervade and underpin adolescent fictions. Although the humanist subject has been systematically interrogated by recent philosophy and criticism, the question which lies at the heart of fiction for young people is not whether a coherent self exists but what kind of self it is and what are the conditions of its coming into being. Ideologies of Identity in Adolescent Fiction has a double focus: first, the images of selfhood that the fictions offer their readers, especially the interactions between selfhood, social and cultural forces, ideologies, and other selves; and second, the strategies used to structure narrative and to represent subjectivity and intersubjectivity.
Forced to leave her family home in the Towy Valley, 17 year old Margaret Lewis travels with her parents to take up a new life in South Africa. After her father's death, Margaret and her friend run the dilapidated farm, but soon fall into the web of secrets and deception which surround the mysterious property. A gripping coming-of-age novel set to the backdrop of 1920s apartheid South Africa.
"Once a year cousins Madge and Paul visit Goldengrove, their grandmother's idyllic Cornish home. But one year as Summer turns to Autumn and as they are drawn from childhood to maturity, their seemingly indomitable grandmother turns to Winter, and the precious moments of innocence begin to be leached away... Years later Madge, now living at Goldengrove, reflects on her own grandchildren and the events and revelations which disturbed the tranquill idyll that was her childhood. With wisdom and understanding, Jill Paton Walsh creates memorable mood-music for the ebb and flow, calm and storm of changing lives and in so doing has formed a lasting tale of innocence and beauty. An extremely good story, marvellously told. As the story gathers momentum, the deeply understood characters, the golden atmosphere, the small change of everyday pleasures and ageless tragedies are all put over with such newly seen immediacy and such controlled mastery that the reader is carried along like a surf rider on the crest of a wave, knowing it must soon break' Times Literary Supplement 'Written with an intensity of feeling and care, with a Woolf-like awareness of the instant's sensation: a story
Winner of the Tiptree Award and a Mythopoeic Award finalist, Cloud & Ashes is a slow whirlwind of language, a button box of words, a mythic fable that invites revisitation. Praise for Cloud & Ashes: "A rich poetic prose laden with fetching archaisms that's unlike anything else being written today. Brilliant and truly innovative fiction, not to be missed."—The Washington Times Greer Gilman is the author of Moonwise. A graduate of Wellesley and the University of Cambridge, she lives in Cambridge, Massachusetts. She likes to quip that she does everything James Joyce ever did, only backward and in high heels.
"Richard Stern is a literary treasure."---Scott Turow --
English Words aims to arouse curiosity about English words and about the nature of language in general, especially among introductory students who do not intend to specialize in linguistics.
Expecting the usual carefree and happy summer with her cousin Paul at their grandmother's seaside home, Madge finds this summer to be different from all the others.
From the New York Times–bestselling author of Science in the Soul. “If any recent writing about science is poetic, it is this” (The Wall Street Journal). Did Sir Isaac Newton “unweave the rainbow” by reducing it to its prismatic colors, as John Keats contended? Did he, in other words, diminish beauty? Far from it, says acclaimed scientist Richard Dawkins; Newton’s unweaving is the key too much of modern astronomy and to the breathtaking poetry of modern cosmology. Mysteries don’t lose their poetry because they are solved: the solution often is more beautiful than the puzzle, uncovering deeper mysteries. With the wit, insight, and spellbinding prose that have made him a bestselling author, Dawkins takes up the most important and compelling topics in modern science, from astronomy and genetics to language and virtual reality, combining them in a landmark statement of the human appetite for wonder. This is the book Dawkins was meant to write: A brilliant assessment of what science is (and isn’t), a tribute to science not because it is useful but because it is uplifting. “A love letter to science, an attempt to counter the perception that science is cold and devoid of aesthetic sensibility . . . Rich with metaphor, passionate arguments, wry humor, colorful examples, and unexpected connections, Dawkins’ prose can be mesmerizing.” —San Francisco Chronicle “Brilliance and wit.” —The New Yorker