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This volume explores 'unknown time' as a cultural phenomenon, approaching past futures, unknown presents, and future pasts through a broad range of different disciplines, media, and contexts. As a phenomenon that is both elusive and fundamentally inaccessible, time is a key object of fascination. Throughout the ages, different cultures have been deeply engaged in various attempts to fill or make time by developing strategies to familiarize unknown time and to materialize and control past, present, or future time. Arguing for the perennial interest in time, especially in the unknown and unattainable dimension of the future, the contributions explore premodern ideas about eschatology and secular future, historical configurations of the perception of time and acceleration in fin-de-siècle Germany and contemporary Lagos, the formation of ‘deep time’ and ‘timelessness’ in paleontology and ethnographic museums, and the representation of time—past, present, and future alike—in music, film, and science fiction.
James Naremore's study of Max Ophuls' classic 1948 melodrama, Letter from an Unknown Woman, not only pays tribute to Ophuls but also discusses the backgrounds and typical styles of the film's many contributors--among them Viennese author Stephan Zweig, whose 1922 novella was the source of the picture; producer John Houseman, an ally of Ophuls who nevertheless made questionable changes to what Ophuls had shot; screenwriter Howard Koch; music composer Daniéle Amfitheatrof; designers Alexander Golitzen and Travis Banton; and leading actors Joan Fontaine and Louis Jourdan, whose performances were central to the film's emotional effect. Naremore also traces the film's reception history, from its middling box office success and mixed early reviews, exploring why it has been a work of exceptional interest to subsequent generations of both aesthetic critics and feminist theorists. Lastly, Naremore provides an in-depth critical appreciation of the film, offering nuanced appreciation of specific details of mise-en-scene, camera movement, design, sound, and performances, integrating this close analyses into an overarching analysis of Letter's “recognition plot;” a trope in which the recognition of a character's identity creates dramatic intensity or crisis. Naremore argues that Letter's use of recognition is one of the most powerful in Hollywood cinema, and contrasts it with what we find in Zweig's novella.
Managing the Unknown offers a new way of looking at the problem of managing projects in novel and unknown environments. From Europe's leading business school, this book shows how to manage two fundamental approaches that, in combination, offer the possibility of coping with unforeseen influences that inevitably arise in novel projects: * Trial-and-Error Learning allows for redefining the plan and the project as the project unfolds * Selectionism pursues multiple, independent trials in order to pick the best one at the end Managing the Unknown offers expert guidelines to the specific project mindsets, infrastructures, and management methods required to use these project management approaches and achieve success in spite of unforeseen obstacles. This book equips readers with: * Causal explanations of why unforeseeable factors in novel projects make traditional project planning and project risk management insufficient * Directly applicable management tools that help managers to guide novel and high-uncertainty projects * Real-world case studies of both successful and unsuccessful approaches to managing high uncertainty in novel projects
Reprint of the original, first published in 1875. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.
While fulfilling his dead father's dream of creating a prosperous farm in California, Joseph Wayne comes to believe that a magnificent tree on the farm embodies his father's spirit. His brothers and their families share in Joseph's prosperity andthe farm flourishes - until one brother, scared by Joseph's pagan belief, kills the tree and brings disease and famine on the farm. Set in familiar Steinbeck country, TO A GOD UNKOWN is a mystical tale, exploring one man's attempt to control theforces of nature and to understand the ways of God.
"Tapping into the Unknown" offers insights and perspectives that resonate with our shared human experience. It is my hope that, through this literary journey, readers will find inspiration, courage, and a renewed sense of purpose as they tap into the profound wisdom awaiting discovery in the unknown. This book is more than a creation; it's an offering, a testament to the beauty that emerges when we dare to explore the vast landscapes of spirituality. "Tapping into the Unknown" is an open invitation to discover the timeless lessons that unfold in the uncharted territories of our existence.
According to some accounts, Mary Queen of Scots bore a child to her last husband, the earl of Bothwell, while imprisoned at Loch Leven. In Unknown to History, C.M. Yonge weaves the story of this child, linking it with that of her mother. The Author tells us that In Miss Strickland's Life of Mary Queen of Scots (and in Burton's History of Scotland) a report may be found on which this tale is based. This is a fascinating and enthralling story of royalty, plot and intrigue, and was originally published in 1882.
When an aspiring artist Nicolas Poussin gets a chance to meet the legendary painter Frenhofer, he is more than thrilled. Frenhofer has the ability to paint in an incredible way, and besides that, he has deep and philosophical thoughts about aesthetics and art. Poussin is so ensnared by Frenhofer that he offers his lover Gillette to work as a model for Frenhofer – without asking Gillette first. ‘The Unknown Masterpiece’ is Honoré de Balzac’s short story first published in 1831. Honoré de Balzac (1799–1850) was a French writer. He was born in Tours, but moved to Paris when he was a teenager. The best known works of his include ‘Father Goriot’ and ‘Cousin Bette’. Balzac’s writing style is realistic, and he also wrote plays. Besides writing he worked as a journalist and critic.