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Universal Stitches for Weaving, Embroidery, and Other Fiber Arts is a text for beginning or advanced fiber artists that teaches how five basic stitches, plus 195 of their variations and combinations, work upon warp and fabric in functional and decorative ways. Part One identifies these five universal stitches and provides detailed diagrams and learning projects for mastering each. Part Two presents inspirational weaving, embroidery, and needlelace pieces for adventurous fiber artists who dare to mix techniques, and presents ideas for combined stitch techniques, driven by ancient fabrics from Egypt, China, and Peru. Part Three focuses on how the five universal stitches can be applied to master interlacing, wrapping, looping, chaining, and knotting stitches with ease. Master fiber artist Nancy Arthur Hoskins introduces an integrated method of learning stitches with a unique, visual diagramming system that greatly simplifies the process of learning all 200 stitches, for use in loom weaving, tapestry, and openwork, or as edges, joins, and fringes. Supported by clear and concise diagrams and nearly 100 full-color designs and samples, Universal Stitches is ideal for the fabric student and master alike.
Buschman annotates more than 550 books and periodical titles published on the techniques and history of handweaving from 1928 through October 1989. She includes works on how to weave_basic weaving texts, books on looms and equipment, and patterns both for weaving and for woven articles; handweaving history and historic fabrics from around the world; works on Native American weaving, ranging from the Chilkats of the Northwest coast of North America, to the Pueblos and Navajos of our Southwest, Mexico, and Central America, and on through the rich weaving culture of the Andes; reference works containing specialized bibliographies and information on fibers, dyes, education and marketing; and periodicals. With author, title, and subject indexes.
Corroded pieces of metal, stamped lumps of copper, broken bits of glass with partial inscriptions, fragments of textiles, tiny beads-these were the raw material found at al-Fustat, the site of the first Muslim settlement in Egypt in the seventh century and the heart of Cairo for many centuries following. From the 1950s Dr. Henri Amin Awad accepted from the poor in this area objects that had no obvious market value in return for medical services rendered. Over the years he built up an extraordinary and important collection of artifacts. Carefully cleaned, sorted, and then analyzed by specialists, this material illuminates many areas of the archaeological record neglected or missing from other studies. The ten studies in this volume-covering beads, bone, coins, glass weights and vessel stamps, medical instruments, medical prescriptions, metal objects, and textiles-demonstrate the wide range of archaeological material once found in al-Fustat, a site no longer accessible since most of it has been buried under urban development or lost to a rising water table. Contributors: Ibrahim Abd al-Rahman, Abd al-Rahman Abd al-Tawwab, Henri Amin Awad, Jere L. Bacharach, Michael L. Bates, Lidia Domaszewicz, Katharina Eldada, Peter Francis, Jr., Sami K. Hamarneh, Nancy Arthur Hoskins, Peter Mentzel, Norman D. Nicol, Elizabeth Rodenbeck, W. Luke Treadwell
Unique in its diversity within a small region, the embroidery of the Epirus region of Greece and the islands of the Aegean and Ionian Seas provides an insightful look at the relationships between textiles and culture. The geographical position of the are
Vibrant tapestries of beribboned birds, cantering centaurs, and Dionysian dancers, woven in Coptic Egypt more than a thousand years ago, were artfully arranged in a handsome pair of albums in 1913. Some of the fabrics are shown in unique collage compositions. Sandals, spindles, and a mysterious lock of hair are assembled in a shallow box at the back of one album. Many textiles in this important collection, housed at the Henry Art Gallery at the University of Washington, were once joined by warp and weft with those from the Muse du Louvre and other major museums. Nancy Hoskins deftly interweaves the creation of the textiles in the Greco-Roman city of Antino, Egypt, with their discovery by the charismatic French archaeologist Albert Gayet (1856-1916). Gayet staged stunning exhibitions of the pieces in Paris at the turn of the century and ultimately gave them to museums or sold them. One collector, Henry Bryon, had his 144 fabrics bound into the two albums featured here. The album pages and covers are illustrated in glowing color, along with archival photographs from Gayet's expeditions. The style, structure, and iconography of each tapestry, tabby, and tablet-woven textile are discussed within the cultural construct of Late Antique and Early Christian Egypt. Detailed technical drawings illustrate the special weaving techniques of the Copts. Directions for six weaving projects inspired by the album fragments are included. The story of the inimitable Coptic tapestry albums will delight weavers, textile historians, art historians, and archaeologists. Nancy Arthur Hoskins, a former college weaving instructor, researched Coptic collections in over fifty museums around the world. She is the author of Universal Stitches for Weaving, Embroidery, and Other Fiber Arts and Weft-Faced Pattern Weaves: Tabby to Taquet. ÒMaster weaver, scholarly detective, and sensitive connoisseur, Nancy Hoskins combines all these skills to describe and identify this unusually wide range of Egyptian Coptic textile fragments. Her descriptions of weaving techniques create a fundamental glossary of technical terms, which all who study textiles should use. The detailed data on each piece are a benchmark for all who work in the field.Ó Ñ Jere L. Bacharach, Director, American Research Center in Egypt