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William Dudley Pelley was one of the most important figures of the anti-Semitic radical right in the twentieth century. Best remembered as the leader of the paramilitary "Silver Shirts," Pelley was also an award-winning short story writer, Hollywood screenwriter, and religious leader. During the Depression Pelley was a notorious presence in American politics; he ran for president on a platform calling for the ghettoization of American Jews and was a defendant in a headlinegrabbing sedition trial thanks to his unwavering support for Nazi Germany. Scott Beekman offers not only a political but also an intellectual and literary biography of Pelley, greatly advancing our understanding of a figure often dismissed as a madman or charlatan. His belief system, composed of anti-Semitism, economic nostrums, racialism, neo-Theosophical channeling, and millenarian Christianity, anticipates the eclecticism of later cult personalities such as Shoko Asahara, leader of Aum Shinrikyo, and the British conspiracy theorist David Icke. By charting the course of Pelley's career, Beekman does an admirable job of placing Pelley within the history of both the anti-Semitic right and American occult movements. This exhaustively researched book is a welcome addition to the growing body of scholarship on American extremism and esoteric religions.
The influence of Jews in American entertainment from the early days of Hollywood to the present has proved an endlessly fascinating and controversial topic, for Jews and non-Jews alike. From Shtetl to Stardom: Jews and Hollywood takes an exciting and innovative approach to this rich and complex material. Exploring the subject from a scholarly perspective as well as up close and personal, the book combines historical and theoretical analysis by leading academics in the field with inside information from prominent entertainment professionals. Essays range from Vincent Brook’s survey of the stubbornly persistent canard of Jewish industry "control" to Lawrence Baron and Joel Rosenberg’s panel presentations on the recent brouhaha over Ben Urwand’s book alleging collaboration between Hollywood and Hitler. Case studies by Howard Rodman and Joshua Louis Moss examine a key Coen brothers film, A Serious Man (Rodman), and Jill Soloway’s groundbreaking television series, Transparent (Moss). Jeffrey Shandler and Shaina Hamermann train their respective lenses on popular satirical comedians of yesteryear (Allan Sherman) and those currently all the rage (Amy Schumer, Lena Dunham, and Sarah Silverman). David Isaacs relates his years of agony and hilarity in the television comedy writers’ room, and interviews include in-depth discussions by Ross Melnick with Laemmle Theatres owner Greg Laemmle (relative of Universal Studios founder Carl Laemmle) and by Michael Renov with Mad Men creator Matthew Weiner. In all, From Shtetl to Stardom offers a uniquely multifaceted, multimediated, and up-to-the-minute account of the remarkable role Jews have played in American movie and TV culture.
This genealogical resource provides a detailed account of the early settlers of New York State, including their ancestors and descendants. Based on extensive research, this book serves as a valuable reference for anyone interested in tracing their family history in the region. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.