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Judge John Woolsey's decision in the Ulysses case marked a notable change in the policies of the courts and legislative bodies of the United States toward obscenity. Before this decision, it was universally agreed that a) laws prohibiting obscenity were not in conflict with the First Amendment of theU.S. Constitution and b) the U.S. Post Office and the U.S. Customs Service held the power to determine obscenity. Ulysses became the major turning point in reducing government prohibition of obscenity.
Examines how Irish and Jewish Americans defined their place in a complex society. The story of America is the story of the unlikely groups of immigrants brought together by their shared outsider status. Urban American life took much of its shape from the arrival of Irish and Jewish immigrants in the nineteenth and twentieth centuries, and Forged in America is the story of how Irish America and Jewish America collided, cooperated, and collaborated in the cities where they made their homes, all the while shaping American identity and nationhood as we know it. Bringing together leading scholars in their fields, this volume sheds light on the underexplored histories of Irish and Jewish collaboration. While mutual antagonism was clearly evident, so too were opportunities for cooperation, as settled Irish immigrants served to model, mentor, and mediate for Jewish newcomers. Together, the chapters in this volume draw fascinating portraits that show mutuality in action and demonstrate its cultural reverberations.
Gold Medal (tie) in the 2022 Independent Publisher Book Awards (IPPYs) - History (U.S.) Category. A rich account of 1920s to 1950s New York City, starring an eclectic mix of icons like James Joyce, Margaret Sanger, and Alfred Kinsey—all led by an unsung hero of free expression and reproductive rights: Morris L. Ernst. At the turn of the twentieth century, the United States was experiencing an awakening. Victorian-era morality was being challenged by the introduction of sexual modernism and women's rights into popular culture, the arts, and science. Set during this first sexual revolution, when civil libertarian-minded lawyers overthrew the yoke of obscenity laws, Dirty Works focuses on a series of significant courtroom cases that were all represented by the same lawyer: Morris L. Ernst. Ernst's clients included a who's who of European and American literati and sexual activists, among them Margaret Sanger, James Joyce, and Alfred Kinsey. They, along with a colorful cast of burlesque-theater owners and bookstore clerks, had run afoul of stiff obscenity laws, and became actors in Ernst's legal theater that ultimately forced the law to recognize people's right to freely consume media. In this book, Brett Gary recovers the critically neglected Ernst as the most important legal defender of literary expression and reproductive rights by the mid-twentieth century. Each chapter centers on one or more key trials from Ernst's remarkable career battling censorship and obscenity laws, using them to tell a broader story of cultural changes and conflicts around sex, morality, and free speech ideals. Dirty Works sets the stage, legally and culturally, for the sexual revolution of the 1960s and beyond. In the latter half of the century, the courts had a powerful body of precedents, many owing to Ernst's courtroom successes, that recognized adult interests in sexuality, women's needs for reproductive control, and the legitimacy of sexual inquiry. The legacy of this important, but largely unrecognized, moment in American history must be reckoned with in our contentious present, as many of the issues Ernst and his colleagues defended are still under attack eight decades later.
"With tables of cases reported and cited, and statutes cited and construed, and an index." (varies).
Includes decisions in the Irish courts, 1876-June 1886, and Indian appeals, 1876-1877.
With tables of cases reported and cited, and statutes cited and construed, and an index.