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Martin R. Delany’s Blake (1859, 1861–1862) is one of the most important African American—and indeed American—works of fiction of the nineteenth century. It tells the story of Henry Blake’s escape from a southern plantation and his subsequent travels across the United States, into Canada, and to Africa and Cuba. His mission is to unite the black populations of the American Atlantic regions, both free and slave, in the struggle for freedom, whether through insurrection or through emigration and the creation of an independent black state. Blake is a rhetorical masterpiece, all the more strange and mysterious for remaining incomplete, breaking off before its final scene. This edition of Blake, prepared by textual scholar Jerome McGann, offers the first correct printing of the work in book form. It establishes an accurate text, supplies contextual notes and commentaries, and presents an authoritative account of the work’s composition and publication history. In a lively introduction, McGann argues that Delany employs the resources of fiction to develop a critical account of the interconnected structure of racist power as it operated throughout the American Atlantic. He likens Blake to Upton Sinclair’s The Jungle, in its willful determination to transform a living and terrible present. Blake; or, The Huts of America: A Corrected Edition will be used in undergraduate and graduate classes on the history of African American fiction, on the history of the American novel, and on black cultural studies. General readers will welcome as well the first reliable edition of Delany’s fiction.
Johnson v. McIntosh and its impact offers a comprehensive historical and legal overview of Native land rights since the European discovery of the New World. Watson sets the case in rich historical context. After tracing Anglo-American views of Native land rights to their European roots, Watson explains how speculative ventures in Native lands affected not only Indian peoples themselves but the causes and outcomes of the French and Indian War, the American Revolution, and ratification of the Articles of Confederation. He then focuses on the transactions at issue in Johnson between the Illinois and Piankeshaw Indians, who sold their homelands, and the future shareholders of the United Illinois and Wabash Land Companies.
“WHY”, is an epic story, 1838 – 1863, chronicling the lives of two sisters, one white, the other black, both born in 1847, three days apart, on Virginia’s wealthy Rosewood Plantation. The white sister is the child of Mr. and Mrs. Henry Billings, Master and Mistress of Rosewood, one of the richest cotton plantations in the state of Virginia. The black girl is the issue of the mating of Henry Billings, the Master of the Rosewood Plantation, and one of his female black slaves. While growing up together, one a slave the other her mistress, in the slave holding antebellum South, sharing many childhood experiences, the girls are forced to adhere to the harsh rules, and laws that separate white from black. Henry and Margaret Billings, Master and Mistress of the plantation, hire a recent college graduate, Miss Eleanor Leary, a young progressive, Irish immigrant, to tutor their children, Rebecca and her brother, Jesse Despite her fear of breaking the laws that prohibit the teaching of slaves to read and write, Eleanor, at Rebecca’s request, decides to include the black slave girl Mandy in their sessions. A whole new world is opened for Mandy. Through the teachings and the eyes of the white teacher, Mandy slowly, gradually, discards her insidious, lifelong feelings of racial inferiority, and self-loathing. Feelings and assumptions that Mandy had harbored and accepted from birth were now being replaced by developing feelings of racial pride and personal self-esteem. The novel examines three co-existing 19th century American Cultures. The privileged world of the South’s antebellum slave holding, White Planter Society; The oppressed communities of the black slaves; and the noble, nomadic hunter-gatherer society of the plains Indians. The turbulent events of this time in American History, results in the two sisters finding themselves living in, and experiencing the three cultures, and one sister is forced to choose between her life-long love for her sibling, or the love that develops between her and a Comanche Warrior.
'Fascinating' The Times 'Blakeian in its singularity' New Statesman 'A wonderful adventure' Irish Times 'Rich, complex and original' Tom Holland 'A crisp, ambitious and thoroughly contemporary introduction' Times Literary Supplement Poet, artist, visionary and author of the unofficial English national anthem 'Jerusalem', William Blake is an archetypal misunderstood genius. In this radical new biography, we return to a world of riots, revolutions and radicals, discuss movements from the Levellers of the sixteenth century to the psychedelic counterculture of the 1960s, and explore the latest discoveries in neurobiology, quantum physics and comparative religion to look afresh at Blake's life and work - and, crucially, his mind. Taking the reader on wild detours into unfamiliar territory, John Higgs places the bewildering eccentricities of a most singular artist into context and shows us how Blake can help us better understand ourselves.
"An analysis of how religious bias shaped U.S. federal Indian law."--
E Pluribus Unum: (From Many, One) is an epic story (1861–1876) chronicling the lives of two individuals. One a black man, Jason Ruth, born into a life of perpetual slavery; the other was a white woman, Rebecca Billings, the daughter of Henry Billings, master of the Rosewood Plantation, born into a pampered life of privilege as a member of the Southern aristocracy. Two people – one black, the other white – whose preordained statuses in life were at diametrically opposite ends of the South's Antebellum society. Two people with absolutely nothing in common yet two people whose lives were inexorably linked due to the lust of Rebecca's father, Henry Billings, for his black slave, Ruth, Jason's mother. Henry Billings's coupling (white master with his black female slave), a common and socially accepted practice in the slave–holding South, resulted in the birth of Mandy (Jason and Rebecca's sister). While Jason and Rebecca are not related by blood, Jason (who had been born before his mother, Ruth, caught the eye of the "massa") and Rebecca each shared a deep and enduring love for his and her only surviving sibling, their common link, their sister, Mandy. The novel tells of Rebecca's life while raising a child of mixed blood in the South during the Civil War and during Reconstruction. It tells of Jason's life as a member of the Massachusetts 54th Infantry Division and his service as a member of the United States Army's 10th Cavalry (Buffalo Soldiers). The novel examines three coexisting nineteenth–century American cultures: the recently defeated South's response to the post–Civil War's era of Reconstruction, the former black slaves who are attempting to adjust to life as freedmen, and the noble nomadic hunter–gatherer society of the Plains Indians fighting to defend and to maintain their way of life.