Download Free Unique Repertory Book in PDF and EPUB Free Download. You can read online Unique Repertory and write the review.

This book throws light on the effect of mother's state of mind on foetus. We have been able to gain some fraction of knowledge about the human mind but we still need to explore its impact on the physical state of the mother and child. This book will break through the myths to explore the truth about pregnancy and mental illness. It will also look at the way a baby's mind develops, and ask that just how much does a foetus pick up from the outside during different stages of pregnancy. The author has also described the diseases that the mother and child are prone to develop as a result of their constitutional weaknesses.
The main objective of this book is to make the subject of repertory easy to Repertory looks very easy on the surface, but if we enter its field or appear for an examination, it shows its length and breadth. An examiner can ask questions from any corner of th
From the series examining the development of music in specific places during particular times, this book looks at ancient and medieval music, from Classical and Christian antiquity to the emergence of the Gregorian chant and the medieval town and Court.
"This book traces the trajectory of the first fifty years of PlayMakers Repertory Company (PRC). As you will read in the pages that follow, when Tom Haas and Arthur Housman conceived of PlayMakers Repertory Company in 1975, they created a unique institution, a professional theatre company not only located on the campus of a major research university, but one embedded within UNC's Department of Dramatic Art. That combination of professional artistic achievement coupled with the highest quality theatrical training characterizes PlayMakers Repertory Company from its inception to the present day. Then as now, the core of the resident company--composed of faculty who are both teachers and practitioners--along with the graduate students in the Department's three MFA programs, is constantly supplemented by the best directors, designers, and performers working in the field today. Graduate students receive professional training during the day from teachers who become their collaborators at night both off and onstage. Undergraduates learn from faculty members who are constantly moving back and forth between the classroom and the stage, with the knowledge gained in one realm sparking creativity in the other"--
The Musical Repertories of the Liturgy of Southern Italy and Beneventan Sources, Alleluia Melodies after 1100, and the change in transmission of instrumental music in Fifteenth-Century Europe are provided. John McCaughey's concert programme of medieval troped chants for Pentecost juxtaposed with traditional monophonic work songs from Vietnam, Thailand and Western Java as well as various contemporary compositions are also included. Songs of the Dove and the Nightingale provides a comprehensive survey of sacred and secular music within the context of a multilingual and intercultural milieu where influences and exchanges of liturgico-musical materials took place between many different ethnic groups. Structural relations between music and text are explored through the analysis of textual punctuation and the structured repetition of the refrain.
A non-stop trip into one man's land of desperate addicts, failed punk bands, and brushes with sad fame, as he sells drugs during the Seattle grunge years. In American Junkie, Tom Hansen maps his heroin addiction, from the promise of a young life to the prison of a mattress, from budding musician to broken down junkie, drowning in syringes and cigarette butts, shooting heroin into wounds the size of softballs, and ultimately, a ride to a hospital for a six-month stay and a painful self-discovery that cuts down to the bone. Through it all he never really loses his step, never lets go of his smarts, and always projects quintessential American reason, humor, and hope to make a story not only about drugs, but a compelling study of vulnerability and toughness.
The book’s organization follows a layered approach that builds on basic principles: Light as a Medium (Part 1), Tools of a Lighting Designer (Part 2), Design Fundamentals (Part 3), and Lighting Applications (Part 4). This presents students with a practical and logical sequence when learning basic concepts. The full spectrum of the lighting design process is presented in detail, giving students an example of how one might develop a lighting design from script analysis through concept and plot development, and all the way to an opening. This detailed process with a step-by-step design approach gives students a plan to work from, which they can later modify as they mature and gain confidence as designers. The text contains a more comprehensive discussion of basic technology, light as a physical phenomena, and methodology of designs than is found in most introductory texts, bridging the gap between introductory and advanced lighting courses. The text will appeal to theatrical designers who want to venture into areas of lighting like architectural or virtual lighting design, while at the same time gaining a solid grounding in the fundmentals of lighting design. Lighting Design will also benefit illuminating engineers who want to move away from mere computational approaches in lighting and on to explore techniques along the design approaches of theatrical lighting design. The final 9 chapters cover many specialty areas of lighting design, highlighting the unique and shared qualities that exist between the different aspects of these elements. Discussions involve traditional entertainment areas like theatre, as well as lesser known facets of the industry including film/video, landscape lighting, retail/museum lighting, virtual lighting, concert, spectacle performances, and architectural lighting. Models of design tasks demonstrate the actual use and development of plots/sections, schedules, photometrics tables, and cut sheets, rather than simply talking about what they are. This hands-on approach provides students with a firm understanding of how to actually use these tools and processes.
Masters of the Sabar is the first book to examine the music and culture of Wolof griot percussionists, masters of the vibrant sabar drumming tradition. Based on extensive field research in Senegal, this book is a biographical study of several generations of percussionists in a Wolof griot (géwël) family, exploring and documenting their learning processes, repertories, and performance contexts—from life-cycle ceremonies to sporting events and political meetings. Patricia Tang examines the rich history and changing repertories of sabar drumming, including dance rhythms and bàkks, musical phrases derived from spoken words. She notes the recent shift towards creating new bàkks which are rhythmically more complex and highlight the virtuosity and musical skill of the percussionist. She also considers the burgeoning popular music genre called mbalax. The compact disc that accompanies the book includes examples of the standard sabar repertory, as well as bàkks composed and performed by Lamine Touré and his family drum troupe.
What are the new directions in ethnomusicological fieldwork? What do we see when we acknowledge the shadows we cast in the field? Will fieldwork continue as an integral part of ethnomusicological theory and method? Glancing forward and backward, the authors in this collection explore a range of issues that can help ethnomusicologists and those who study human experience and creativity to conceptualize the nature of fieldwork. This is the first book by ethnomusicologists to consider fieldwork as an issue-laden practice, rather than as a methodology requiring a prescriptive manual. The contributors challenge the very notion of fieldwork: its goals, the nature of knowledge gained, and the place of fieldwork in historical studies. Until now the focus in ethnomusicological writing and teaching centered around analyses and ethnographic representations of musical cultures. This book signals a new fieldwork, shifting the balance away from the data-collecting model toward an approach that is reflexive, humanistic, and experiential. It makes provocative reading for all fieldworkers, those in ethnomusicology as well as anthropology, sociology, folklore, area studies, linguistics, and other ethnographic disciplines.a"