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Reprint of the original, first published in 1876.
The United States was made in Britain. For over a hundred years following independence, a diverse and lively crowd of emigrant Americans left the United States for Britain. From Liverpool and London, they produced Atlantic capitalism and managed transfers of goods, culture, and capital that were integral to US nation-building. In British social clubs, emigrants forged relationships with elite Britons that were essential not only to tranquil transatlantic connections, but also to fighting southern slavery. As the United States descended into Civil War, emigrant Americans decisively shaped the Atlantic-wide battle for public opinion. Equally revered as informal ambassadors and feared as anti-republican contagions, these emigrants raised troubling questions about the relationship between nationhood, nationality, and foreign connection. Blending the histories of foreign relations, capitalism, nation-formation, and transnational connection, Stephen Tuffnell compellingly demonstrates that the United States’ struggle toward independent nationhood was entangled at every step with the world’s most powerful empire of the time. With deep research and vivid detail, Made in Britain uncovers this hidden story and presents a bold new perspective on nineteenth-century trans-Atlantic relations.
This is the first scholarly analysis of The London American, the pro-Union propaganda journal published in London during the American Civil War, and the motives and troubles of its proprietor, John Adams Knight, a Northern American based in the British capital. The newspaper’s successes and failures in attempts to manipulate British public opinion during the war are compared with that of The Index, its rival Confederate propaganda weekly headquartered two doors down London’s Fleet Street. Persuading John Bull provides scholars and general readers alike a far greater understanding of the largely unknown Northern newspaper’s motivations and campaigns during the war, as well as an in-depth analysis of The Index which builds greatly on present historiographical discussions of the Southern journal. It also offers new insights into Britain’s roles in the conflict, Anglo-American relations, and mid-Victorian British political and social history. The book is not restricted to discussing the two propaganda machines as its focus—they are used to approach a greater analysis of British public opinion during the American Civil War—both journals were strongly associated with numerous key figures, societies (British and American), and events occurring on both sides of the Atlantic pertaining to the conflict. Although propaganda is only one source from which to tap, the effectiveness of the two lobbyist journals either directly or indirectly impacted other factors influencing Britain’s ultimate decision to remain neutral. This book reveals a fresh new cast of Union supporters in London, in addition to more Confederate sympathizers throughout Britain not previously discussed by scholars. The roles of these new figures, how and why they endorsed the Northern or Southern war effort, is analyzed in detail throughout the chapters, adding greatly to existing historiography.
From 1837 to 1912, Charles Dickens was by far the most popular writer for American readers. Through several sources including statistics, literary biography, newspapers, memoirs, diaries, letters, and interviews, Robert McParland examines a historical time and an emerging national consciousness that defined the American identity before and after the Civil War. American voices present their views, tastes, emotional reactions and identifications, and deep attachment and love for Dickens's characters, stories, themes, and sensibilities as well as for the man himself. Bringing together contemporary reactions to Dickens and his works, this book paints a portrait of the American people and of American society and culture from 1837 to the turn of the twentieth century. It is in this view of nineteenth-century America--its people and their values, their reading habits and cultural views, the scenarios of their everyday lives even in the face of the drastic changes of the emerging nation--that Charles Dickens's American Audience makes its greatest impact.