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None of Napoleon's generals could succeed against the Duke of Wellington in a long series of clashes across Spain and Portugal in the Penisular campaign of 1808-1814; this epic struggle also produced unprecedented wear and tear on the uniforms of both sides, as accurately depicted in Gerry Embleton's paintings.
None of Napoleon's generals could succeed against the Duke of Wellington in a long series of clashes across Spain and Portugal in the Penisular campaign of 1808-1814; this epic struggle also produced unprecedented wear and tear on the uniforms of both sides, as accurately depicted in Gerry Embleton's paintings.
Three talented French artists, Carle Vernet, Horace Vernet (son of Carle) and Eugène Lami, capitalised on the wave of nostalgia for the First Empire brought on by the death of Napoleon in 1821 by producing a series of prints of French military uniforms of the French revolutionary and imperial armies. These colourful lithographs, each accompanied by a text by an unidentified author describing the unit depicted, were published in book form in 1822 as Collection des Uniformes des Armées Françaises de 1791 à 1814 (Paris: Gide fils, 1822). The broad range of uniforms depicted includes many from infrequently-illustrated foreign and auxiliary units in the French army. The images also include unusual back and side views of uniforms. The images in this book are contemporary watercolor copies of the prints and are reproduced with permission from the Anne S. K. Brown Military Collection at Brown University in Providence, Rhode Island, USA, where they currently reside.
Finest ollection of several ancient print related the Spanish uniforms from 1797 and 1808. From the Vinkhuijnzen collection of military uniforms.
Reproduces an unpublished manuscript showing Spanish uniforms of the early Napoleonic era.