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Here you will find most of the uniforms used during the Napoleonic Wars, between 1789 to1815.My goal was to gather a catalog that can serve as reference material for illustrators, writers, historians or for all those who, like me, are simply interested in World History.
As the wars of Napoleon ravage Europe, chaos and fear reign and the darkness that once clung to the shadows has been emboldened. Supernatural creatures – vampires, werewolves, ghouls, and worse take advantage of the havoc, striking out at isolated farms, villages, and even military units. Whether they are pursuing some master plan or simply revelling in their newfound freedom is unknown. Most people dismiss reports of these slaughters as the rantings of madmen or the lies of deserters, but a few know better... The Silver Bayonet is a skirmish wargame of gothic horror set during the Napoleonic Wars. Each player forms an elite band of monster hunters drawn from the ranks of one of the great powers. Riflemen, swordsmen, and engineers fight side-by-side with mystics, occultists, and even those few supernatural creatures that can be controlled or reasoned with enough to make common cause. The game can be played solo, co-operatively, or competitively, with players progressing through a series of interlinked adventures with their soldiers gaining experience and suffering grievous wounds, and their units triumphing... or falling in the face of the shadows. It is a game of action and adventure, where musket and sabre meet tooth and claw.
The author of Waterloo: The Truth at Last “sheds new light on the campaign of 1815 and surely will satisfy all with an interest in the Napoleonic Era” (The Napoleonic Historical Society Newsletter). When Napoleon returned to Paris after exile on the Island of Elba, he appealed to the European heads of state to be allowed to rule France in peace. His appeal was rejected and the Emperor of the French knew he would have to fight to keep his throne. In just eight weeks, Napoleon assembled 128,000 soldiers in the French Army of the North and on 15 June moved into Belgium (then a part of the kingdom of the Netherlands). Before the large Russian and Austrian armies could invade France, Napoleon hoped to defeat two coalition armies, an Anglo-Dutch-Belgian-German force under the Duke of Wellington, and a Prussian army led by Prince von Blücher. He nearly succeeded. Paul Dawson’s examination of the troops who fought at Ligny, Quatre-Bras and Waterloo, is based on thousands of pages of French archival documents and translations. With hundreds of photographs of original artifacts, supplemented with scores of lavish color illustrations, and dozens of paintings by the renowned military artist Keith Rocco, Napoleon’s Waterloo Army is the most comprehensive, and extensive, study ever made of the French field army of 1815, and its uniforms, arms and equipment. “Contains many rare and previously unpublished images in the form of full color drawings and photographs of surviving relics. As with the earlier volumes, this book will appeal to and be enjoyed by a wide readership with special interest for historians, military history enthusiasts, Napoleonic War enthusiasts and re-enactors.” —Firetrench
Napoleon's line infantry was founded upon that of the Ancien Régime. A total re-organisation began on 1 January 1791 with the abolition of the old regimental titles, and over the next two years an increasing number of conscript and volunteer battalions were formed. Their quality varied from the proficiency of the early National Guard regiments to the untrained and ill-equipped rabble of the levée. To combine the discipline and steadiness of the regular army with the revolutionary fervour of the new army, the Amalgame was decreed on 21 February; by this measure each regular battalion became the nucleus of a new Demi-Brigade.
In 1993 The Macmillan Publishing Company set the Napoleonic enthusiast community alight when it produced the major two volume work, Napoleonic Uniforms by John R. Elting, featuring the superb works of the famous illustrator Herbert Knötel. Now, in an unprecedented transatlantic co-operation, Greenhill Books in London and Casemate Publishing in the USA are together bringing these books back into print after some 14 years. This new edition, as before, is sold as a two volume set. In addition, the new edition is presented in a cloth bound slipcase. Pagination and an index have been added, significantly enhancing its reference value. Napoleonic Uniforms is the only reference work of its kind to depict accurately the entire Grande Armée in detail. It portrays the French armies as seen by their contemporaries, and combines authoritative text with lavish illustrations, enabling the reader to experience the spectacle first hand. Napoleonic Uniforms also depicts the various types of soldiers within the various regiments of the Grande Armée - officers, sergeants, color-bearers, bandsmen, drummers and trumpeters, privates and surgeons. In addition the volumes contain material on lesser-known formations such as the Army of Egypt (1798 - 1801), the pre-Revolutionary French Army, and Napoleon's police and internal security organizations. Nine hundred and eighteen original watercolors by Herbert Knötel, an internationally acclaimed authority on military uniforms, with a special talent for depicting men and horses in action, bring the nineteenth-century French soldier to life. Together with the late Colonel John R. Elting's definitive captions, they preserve a significant aspect of this famous era for historians, researchers, teachers, students, model makers, "uniformologists", and the general reader interested in this historical period.
This volume is related to the Russian Army during the zar Paul I era, and are about the Flags and standards in use from 1796 to 1801. Compiled at Saint Petersburg during the year from 1837 and 1851, the Historical Description of the Clothing and Arms of the Russian Army has had an enormous impact and great importance for the study on the history of Russian costume and uniformology development over the past centuries .There are various ancient editions of the work but Mark Conrad's translation is the first one and the best, remaining true to the original structure and essential style of the text. Conrad's comprehensive translation is an indispensable resource for today's historian, strategists, and scholars. The Viskovatov's enormous work is based on a great quantity of archival documents and contains four thousand colored and b/w illustrations. It is composed by 30 or 34 volumes (1st edition 1-30, St. Petersburg, 1841-62, and 2nd edition Vols. 1-34, St. Petersburg - Novosibirsk - Leningrad, 1899-1948). The topics discussed start from the early czars until the late nineteenth century. Our new edition has enriched the book with the plates: we revised and colored many of the images so far available just in black and white, as well we found some rare color plates with the collaboration of private collectors. These, together with the first ever English translation, make our collection exclusive and of great value.
A detailed analysis of the organization, uniforms and weapons of the French Imperial Guard created by Napoleon I. The author describes how this large military body evolved from the Consular Guard created by Bonaparte as early as 1799 and how this came to include dozens of different military units belonging to each branch of service (infantry, cavalry, artillery, specialist corps). The Imperial Guard was a 'miniature army' made up of veteran soldiers, who were dressed with the most spectacular and elegant uniforms ever seen on the battlefields of Europe. The Guard also included several 'exotic' non-French units that are also covered in the text: Egyptian Mamelukes, Polish and Lithuanian lancers, Tatar scouts, Dutch grenadiers and lancers. The way in which Napoleon employed the Guard in battle is discussed and also how it differed from the rest of the French Army in terms of military dress and weaponry.
A fully illustrated unique record of the uniforms of the Napoleonic Danish and Norwegian armies and their flags in full colour.