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Albert von Escher (born on 20-05-1833 and died on 16-05-1905), was a captain in the Swiss army, but he became well known as an artist thanks to his numerous watercolours with military motifs from the 17th to 19th centuries. Most of his original works in the uniforms of cantonal and Swiss troops, many of which were also in foreign service, were purchased by the Swiss Federal Council for the General Staff Library and have since then been one of the special collections of the former Federal Military Library. The entire collection is contained in 41 albums with red covers. Of these, two are index albums, 33 are dedicated to Swiss cantonal troops and six are dedicated to Swiss troops serving foreign powers such as: France, Holland, Austria, Spain, Prussia, Great Britain, Naples, Rome and Venice. So far we have never made any anastatic reprint of these originals with the exception of a series of folders with loose cards, mainly dedicated to cantonal uniforms. So, for the most part, all Escher's artistic production essentially refers to these original plates.
Albert von Escher (born on 20-05-1833 and died on 16-05-1905), was a captain in the Swiss army, but he became well known as an artist thanks to his numerous watercolours with military motifs from the 17th to 19th centuries. Most of his original works in the uniforms of cantonal and Swiss troops, many of which were also in foreign service, were purchased by the Swiss Federal Council for the General Staff Library and have since then been one of the special collections of the former Federal Military Library. The entire collection is contained in 41 albums with red covers. Of these, two are index albums, 33 are dedicated to Swiss cantonal troops and six are dedicated to Swiss troops serving foreign powers such as: France, Holland, Austria, Spain, Prussia, Great Britain, Naples, Rome and Venice. So far we have never made any anastatic reprint of these originals with the exception of a series of folders with loose cards, mainly dedicated to cantonal uniforms. So, for the most part, all Escher's artistic production essentially refers to these original plates.
Albert von Escher (born on 20-05-1833 and died on 16-05-1905), was a captain in the Swiss army, but he became well known as an artist thanks to his numerous watercolours with military motifs from the 17th to 19th centuries. Most of his original works in the uniforms of cantonal and Swiss troops, many of which were also in foreign service, were purchased by the Swiss Federal Council for the General Staff Library and have since then been one of the special collections of the former Federal Military Library. The entire collection is contained in 41 albums with red covers. Of these, two are index albums, 33 are dedicated to Swiss cantonal troops and six are dedicated to Swiss troops serving foreign powers such as: France, Holland, Austria, Spain, Prussia, Great Britain, Naples, Rome and Venice. So far we have never made any anastatic reprint of these originals with the exception of a series of folders with loose cards, mainly dedicated to cantonal uniforms. So, for the most part, all Escher's artistic production essentially refers to these original plates.
A study of the uniforms and organization of the numerous Swiss units that served in the armies of Revolutionary and Napoleonic France.
Describes the campaign and dress uniforms of American and European soldiers from the seventeenth century through World War I.
Napoleonic armies went into battle dressed in resplendent, brilliant uniforms. None were grander than those worn by Napoleon's own soldiers and the troops of imperial France dazzled Europe with their elegant and colorful turnout. In 1812 Napoleon was at the height of his powers and the uniform regulations issued in that year reflect the empire's power and prestige. Carle Vernet, a leading French military artist, was commissioned to paint the regulations so they could be published and circulated to military tailors. His paintings both reflect the brilliant elegance of the time and show the uniforms that were to be adopted in detail. Uniforms of Napoleon's Army has selected the best of Vernet's elegant images and covers the full range of French Army units: heavy cavalry, light cavalry, line infantry, light infantry, artillery, engineers and support troops. An Introduction charts the evolution of French military uniforms, examines the 1812 regulations in detail and places the images in context. Published for the first time in an accessible format, these brilliant images offer a unique insight into the art of the military tailor during the Napoleonic period.
The author carefully examines the variations of uniforms and equipment used by the Italian armed forces during the First World War using over 700 carefully chosen and captioned period photographs. Further enhancing this work, is an informative essay by internationally acclaimed author, historian and collector Professor Dr. Renato Zavattini. There are detailed chapters covering Italian machinegun, medical, artillery, motor corps, infantry, technical, and special units such as flamethrowers. Other chapters feature the air service, Libyan Campaign, P.O.Ws, and trench life as well as the legendary Alpini, Arditi, Bersaglieri, and Carabinieri. The color gallery displays heretofore unpublished photos of original headdress, uniforms, equipment and accoutrements from private collections. This work is a must for all serious historians, collectors, model builders, wargamers, and re-enactors.
That association of mountainous territories shut in among the European powers, Switzerland solved part of its financial problems as early as the Renaissance by developing a truly mercenary industry. Each canton could sign a contract (a capitulation) to recruit military units with their own officers and regulations in exchange for pay and equipment for a neighboring state. On the eve of the Revolution there were therefore Swiss units in the government guards or the troops of the Line in France, the Italian States, Spain and the United Provinces. The revolutionary process in France ran up against their loyalty to their employer: the King, and the sad events of the massacre of the Swiss Guard on 10 August 1792 whereas the Swiss regiments of the Line were disbanded. During the vast European reorganization led by France between 1793 and 1813, Switzerland was politically and geographically transformed and furnished its big neighbor whether it liked it or not with troops of great worth who upheld their favorite motto "Honneur et Fidélité". A lot has already been written on the Swiss regiments. The book skims over the Swiss troops in service with the King on the eve of the Revolution to concentrate on those who served the Republic, the Consulate and then the Empire, focusing on less well-known aspects.
In the 1840s, post-Napoleonic Italy was 'a geographical expression' – not a country, but a patchwork of states, divided between the Austrian-occupied north, and a Spanish-descended Bourbon monarchy, who ruled the south from Naples. Two decades later, it was a nation united under a single king and government, thanks largely to the efforts of the Kings of Sardinia and Piedmont, and the revolutionary Giuseppe Garibaldi. This book, the first of a two-part series on the armies that fought in the Italian Wars of Unification, examines the Piedmontese and Neapolitan armies that fought in the north and south of the peninsula. Illustrated with prints, early photos and detailed commissioned artwork, this book explores the history, organization, and appearance of the armies that fought to unite the Italian peninsula under one flag.