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Starting in the nineteenth century in Germany, colourful military uniforms became a locus for various queer male fantasies, fostering an underground sexual economy of male prostitution as well as a political project to exploit the army’s prestige for queer emancipation. In the first decade of the twentieth century, however, a series of scandals derailed this emancipatory project. Simultaneously, public debates began to invoke homosexuality, sadism, transvestism, and other sexological concepts to criticize military policies and practices. In pursuing the threads with which queer authors and activists stitched their fantasies about uniforms, Jeffrey Schneider offers fresh perspectives on key debates over military secrecy, disciplinary abuses in the army, and German militarism. Drawing on a vast trove of materials ranging from sexological case studies, trial transcripts, and parliamentary debates to queer activist tracts, autobiographies, and literary texts, Uniform Fantasies uncovers a particularly modern set of concerns about such topics as outing closeted homosexuals, the presence of gay men in the military, and whether men in uniform are more masculine or more insecure about their sexual identity.
Leontine Sagan's Mädchen in Uniform (1931) is a groundbreaking German film that showcases women's agency and desire behind and in front of the camera. Adapted from Christa Winsloe's lesbian play, the story follows Manuela, an orphan in a boarding school for impoverished Prussian nobility. When she declares her love with her female teacher, the oppressive principal punishes her, leading to a desperate suicide attempt. Barbara Mennel's compelling study firmly establishes Mädchen in the Weimar cinema canon. Mennel contextualises the film in 1920s theories of sexuality and the conventions of modernist cinema. She contrasts its international success to the extensive censorship battles that surrounded it. The film's unique transnational and fragmented history results from the exile of many of its makers during the Nazi regime. By attending to the many remakes throughout the 20th and 21st century, Mennel underscores the film's timeless impact that continues to resonate with contemporary audiences.
Uniform Feelings explores emotions and U.S. policing. Utilizing a mix of clinical case studies, autotheory, and ethnographic research, Jessi Lee Jackson examines the emotional and psychological forces that shape U.S. police power. She begins with her work as a psychotherapist working across the spectrum of relationships to policing, and then turns to interrogate carceral psychology--the involvement of her profession in ongoing state violence. The book then shifts toward trainings, museums, and memorials that illuminate the psychic life of policing, and the possibility for its transformation. Within her investigation of clinical practice, Jackson offers a critique of contemporary police psychology, which constructs police as vulnerable heroes in need of protection and normalizes a celebration of gun culture. She also explores the police claim of premature death for officers alongside the creation of premature death for those targeted by policing. Jackson then turns to police psychology's participation in training and consulting with police departments, highlighting that these efforts do not serve to restrain police power, but to legitimate it. In the final section of the book, Jackson explores fantasies and mourning processes around policing at police memorials and museums, rapidly expanding sites where public feelings and state violence collide.
Uniform: Clothing and Discipline in the Modern World examines the role uniform plays in public life and private experience. This volume explores the social, political, economic, and cultural significance of various kinds of uniforms to consider how they embody gender, class, sexuality, race, nationality, and belief. From the pageantry of uniformed citizens to the rationalizing of time and labour, this category of dress has enabled distinct forms of social organization, sometimes repressive, sometimes utopian. With thematic sections on the social meaning of uniform in the military, in institutions, and political movements, its use in fashion, in the workplace, and at leisure, a series of case studies consider what sartorial uniformity means to the history of the body and society. Ranging from English public school uniform to sacred dress in the Vatican, from Australian airline uniforms to the garb worn by soldiers in combat, Uniform draws attention to a visual and material practice with the power to regulate or disrupt civil society. Bringing together original research from emerging and established academics, this book is essential reading for students and scholars of fashion, design, art, popular culture, anthropology, cultural history, and sociology, as well as anyone interested in what constitutes a "modern" appearance.
"Starting in the nineteenth century in Germany, colourful military uniforms became a locus for various queer male fantasies, fostering an underground sexual economy of male prostitution as well as a political project to exploit the army's prestige for queer emancipation. In the first decade of the twentieth century, however, a series of scandals derailed this emancipatory project. Simultaneously, public debates began to invoke homosexuality, sadism, transvestism, and other sexological concepts to criticize military policies and practices. In pursuing the threads with which queer authors and activists stitched their fantasies about uniforms, Jeffrey Schneider offers fresh perspectives on key debates over military secrecy, disciplinary abuses in the army, and German militarism. Drawing on a vast trove of materials ranging from sexological case studies, trial transcripts, and parliamentary debates to queer activist tracts, autobiographies, and literary texts, Uniform Fantasies uncovers a particularly modern set of concerns about such topics as outing closeted homosexuals, the presence of gays in the military, and whether men in uniform are more masculine or more insecure about their sexual identity."--
Media, Sports and Society provides a foundation for research on the communication of sports. The volume is framed by a seminal article outlining the parameters of the communication of sports and pointing to major issues that need to be addressed in the relationship between sports and media. Contributors examine the theoretical, cultural and historical issues, the production of media sports programming, its content and its audience. Individual chapters include a discussion of the spectacle of media sports, a comparison of Super Bowl Football and World Cup Soccer, a consideration of the spectators' enjoyment of sports violence, the rhetoric of winning and the American dream, and a fascinating examination of gender harmony and sports in
The relationship between psyche and some is extremely important from a psychoanalytic theoretical and clinical perspective. This book reflects the cutting edge intersection of analytic theory, semiotics, biology, and psycholinguistics.
“This amply illustrated, attractive book is valuable for dress history scholars . . . [an] ideal textbook for courses on clothing and cultural history.” —The Journal of Dress History Ottoman Dress and Design in the West is a richly illustrated exploration of the relationship between West and Near East through the visual culture of dress. Charlotte Jirousek examines the history of dress and fashion in the broader context of western relationships with the Mediterranean world from the dawn of Islam through the end of the twentieth century. The significance of dress is made apparent by the author’s careful attention to its political, economic, and cultural context. The reader comes to understand that dress reflects not simply the self and one’s relation to community but also that community’s relation to a wider world through trade, colonization, religion, and technology. The chapters provide broad historical background on Ottoman influence and European exoticization of that influence, while the captions and illustrations provide detailed studies of illuminations, paintings, and sculptures to show how these influences were absorbed into everyday living. Through the medium of dress, Jirousek details a continually shifting Ottoman frontier that is closely tied to European and American history. In doing so, she explores and celebrates an essential source of influence that for too long has been relegated to the periphery.
Michel Foucault’s seminal The History of Sexuality (1976–1984) has since its publication provided a context for the emergence of critical historical studies of sexuality. This collection reassesses the state of the historiography on sexuality—a field in which the German case has been traditionally central. In many diverse ways, the Foucauldian intervention has governed the formation of questions in the field as well as the assumptions about how some of these questions should be answered. It can be argued, however, that some of these revolutionary insights have ossified into dogmas or truisms within the field. Yet, as these contributions meticulously reveal, those very truisms, when revisited with a fresh eye, can lead to new, unexpected insights into the history of sexuality, necessitating a return to and reinterpretation of Foucault’s richly complex work. This volume will be necessary reading for students of historical sexuality as well as for those readers in German history and German studies generally who have an interest in the history of sexuality.
"Berkley Sensation contemporary romance"--Spine.