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Among the most popular attractions at The Cloisters, the medieval branch of The Metropolitan Museum of Art, New York, is a set of tapestries depicting the hunt of the fabled unicorn. Each of the seven exquisite tapestries is reproduced in large colorplates and with a wealth of color details. Created in the Netherlands in 1495-1505, they contain supremely memorable images - from the vulnerable unicorn and the individualized faces of the hunters to the naturalistically depicted flora and fauna. The author also looks at the construction of the tapestries and the historical and cultural context in which they were woven.
This Bulletin examines the fascinating stories behind the only known sets of unicorn tapestries in the world—one at The Met Cloisters and another at the Musée de Cluny, Paris. The thirteen tapestries that compose the two sets—six at the Cluny and seven at The Met—remain shrouded in mystery, with their origins and original owners still unknown. Considering the iconography of these two collections together and drawing from primary sources, this Bulletin aims to reach a better understanding of these masterworks and their mythical subject that has captured the public imagination for centuries.
The intensely expressive art of the Middle Ages was created to awe, educate and connect the viewer to heaven. Its power reverberates to this day, even among the secular. But experiencing the full meaning and purpose of medieval art requires an understanding of its narrative content. This volume introduces the subjects and stories most frequently depicted in medieval art, many of them drawn from the Bible and other religious literature. Included among the thirty-eight representative works are brilliant altarpieces, stained-glass windows, intricate tapestries, carved wood sculptures, delicate ivories, and captivating manuscript illuminations, all drawn from the holdings of the Metropolitan Museum, one of the world's most comprehensive collections of medieval art. Iconic masterworks such as the Merode Altarpiece, the Unicorn Tapestries, and the Belles Heures of the duc de Berry are featured along with less familiar work. Descriptions of the individual pieces highlight the context in which they were made, conveying their visual and technical nuances as well as their broader symbolic meaning. With its accessible informative discussions and superb full-color illustrations, How to Read Medieval Art explores the iconographic themes of the period, making them clearly recognizable and opening vistas onto history and literature, faith and devotion.
192 lined pages. 7 1/4" wide x 9" high (18.4 cm wide x 22.9 cm high). Bookbound hardcover. Elastic band place holder. Acid-free, archival paper. This journals cover reproduces the world-famous Unicorn in Captivity tapestry from the collection of the Metropolitan Museum of Art, New York City. Gold foil, embossed, covered spine, gold gilded edges, ribbon bookmark.
When Arica falls through her grandmothers kitchen floor and finds herself in North Bundelag, a land with two moons, singing rivers, and plenty of magic, she knows shes in trouble. Arica hardly has time to figure out whats going on before shes captured by two nasty trolls and attacked by a swarm of pfifers. Fortunately, a gentle unicorn named Wish comes to her rescue. Arica finds that she can communicate with the unicorns through mindspeak, and learns they are badly treated by the trolls. She is determined to free the abused creatures, but the trolls lead her to a miserable work camp. There she meets the evil Raden, who wants to exploit Aricaspowers. Even with the help of kind elves and the magic of the unicorns, Arica seems unable to stop Raden. Will she be able to save the unicorns and return to her own world? Readers will be enchanted by this fantasy as they follow Arica and the unicorns on her brave journey through North Bundelag. They, like Arica, will realize that the strange land is much closer to reality than they ever could have imagined.
Beginning in 1984, Eric Dinerstein led a team directly responsible for the recovery of the greater one-horned rhinoceros in the Royal Chitwan National Park in Nepal, where the population had once declined to as few as 100 rhinos. The Return of the Unicorns is an account of what it takes to save endangered large mammals. In its pages, Dinerstein outlines the multifaceted recovery program—structured around targeted fieldwork and scientific research, effective protective measures, habitat planning and management, public-awareness campaigns, economic incentives to promote local guardianship, and bold, uncompromising leadership—that brought these extraordinary animals back from the brink of extinction. In an age when scientists must also become politicians, educators, fund-raisers, and activists to safeguard the subjects that they study, Dinerstein's inspiring story offers a successful model for large-mammal conservation that can be applied throughout Asia and across the globe.
A misfit crew race across the galaxy to prevent the genocide of magical creatures, in this unique science fiction debut. Having magical powers makes you less than human, a resource to be exploited. Half-unicorn Gary Cobalt is sick of slavery, captivity, and his horn being ground down to power faster-than-light travel. When he's finally free, all he wants is to run away in his ancestors' stone ship. Instead, Captain Jenny Perata steals the ship out from under him, so she can make an urgent delivery. But Jenny held him captive for a decade, and then Gary murdered her best friend... who was also the wife of her co-pilot, Cowboy Jim. What could possibly go right? File Under: Science Fiction [ Rocks in Space | Stand Up to Reason | The Human Experiment | Last Unicorn ]
Presents a collection of stories and essays by fantasy writer Peter Beagle and contains both old and new works, reprints of his two most famous short stories, and never before published works.