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In 2002, an ancient limestone box called the James Ossuary was trumpeted on the world's front pages as the first material evidence of the existence of Jesus Christ. Today it is exhibit number one in a forgery trial involving millions of dollars worth of high-end, Biblical era relics, some of which literally re-wrote Near Eastern history and which could lead to the incarceration of some very wealthy men and embarrass major international institutions, including the British Museum and Sotheby's. Set in Israel, with its 30,000 archaeological digs crammed with biblical-era artifacts, and full of colorful characters—scholars, evangelicals, detectives, and millionaire collectors—Unholy Business tells the incredibly story of what the Israeli authorities have called "the fraud of the century." It takes readers into the murky world of Holy Land relic dealing, from the back alleys of Jerusalem's Old City to New York's Fifth Avenue, and reveals biblical archaeology as it is pulled apart by religious believers on one side and scientists on the other.
How to focus anti-hunger efforts not on charity but on the root causes of food insecurity, improving public health, and reducing income inequality. Food banks and food pantries have proliferated in response to an economic emergency. The loss of manufacturing jobs combined with the recession of the early 1980s and Reagan administration cutbacks in federal programs led to an explosion in the growth of food charity. This was meant to be a stopgap measure, but the jobs never came back, and the “emergency food system” became an industry. In Big Hunger, Andrew Fisher takes a critical look at the business of hunger and offers a new vision for the anti-hunger movement. From one perspective, anti-hunger leaders have been extraordinarily effective. Food charity is embedded in American civil society, and federal food programs have remained intact while other anti-poverty programs have been eliminated or slashed. But anti-hunger advocates are missing an essential element of the problem: economic inequality driven by low wages. Reliant on corporate donations of food and money, anti-hunger organizations have failed to hold business accountable for offshoring jobs, cutting benefits, exploiting workers and rural communities, and resisting wage increases. They have become part of a “hunger industrial complex” that seems as self-perpetuating as the more famous military-industrial complex. Fisher lays out a vision that encompasses a broader definition of hunger characterized by a focus on public health, economic justice, and economic democracy. He points to the work of numerous grassroots organizations that are leading the way in these fields as models for the rest of the anti-hunger sector. It is only through approaches like these that we can hope to end hunger, not just manage it.
A book with historical scope and unsettling revelations, "Prescription for Profit" shows how the lure of huge profits has dramatically changed medical research. Marsa chronicles the extraordinary rise of the American pharmaceutical industry, from the mass production of penicillin during World War II to the heady postwar days when vast government grants helped scientists conquer polio and crack the genetic code. of photos.
The remake of a classic horror film awakens something violent from the past, and only the Krewe of Hunters can stop it, in book 6 of the fan-favorite suspense series, only from New York Times bestselling author Heather Graham. At Hollywood's Black Box Cinema, a young starlet dies a terrifying death. When a movie mogul's son is charged with the grisly murder, he calls agent Sean Cameron, who specializes in irregular investigations. As part of the FBI's paranormal team, Cameron knows that nightmares aren't limited to the silver screen. Working with special-effects artist Madison Darvil—who has her own otherworldly gifts—Cameron delves into the malevolent force animating more than one movie monster. But will they be in time to stop the next noir scenario come to life?
Things: In Touch with the Past explores the value of artifacts that have survived from the past and that can be said to embody their histories. Such genuine or real things afford a particular kind of aesthetic experience-an encounter with the past-despite the fact that genuineness is not a perceptually detectable property. Although it often goes unnoticed, the sense of touch underlies such encounters, even though one is often not permitted literal touch. Carolyn Korsmeyer begins her account with the claim that wonder or marvel at old things fits within an experiential account of the aesthetic. She then presents her main argument regarding the role of touch-both when literal contact is made and when proximity suffices, for touch is a fundamental sense that registers bodily position and location. Correct understanding of the identity of objects is presumed when one values things just because of what they are, and with discovery that a mistake has been made, admiration is often withdrawn. Far from undermining the importance of the genuine, these errors of identification confirm it. Korsmeyer elaborates this position with a comparison between valuing artifacts and valuing persons. She also considers the ethical issues of genuineness, for artifacts can be harmed in various ways ranging from vandalism to botched restoration. She examines the differences between a real thing and a replica in detail, making it clear that genuineness comes in degrees. Her final chapter reviews the ontology that best suits an account of persistence over time of things that are valued for being the real thing.
Who is Bill Cooney? Is he a poet, a madman, a former candidate for the priesthood, a son of one of the most prosperous and well-liked men in the tiny town of Kilbeggan, Ireland, an apple thief, a man spared three times from certain death, a gadfly, a fearless Saxon warrior, a student of medicine at Trinity College, a truck driver, a store clerk, an insurance inspector, a night watchman, a businessman, a writer of hundreds of unpublished puns, a husband, a father, a grandfather, an animal lover? Yes, and he's also the author of this memoir. Born into a prosperous Irish family, Bill Cooney had his life planned out for him before it even began. His mother told him he was destined for the priesthood. His father wanted him to be a doctor. But what he wanted most was to be free. He got out from under the controlling forces of his parents and the Church, to make his own way, leaving for the frontier land of Canada, a journey that took him from prosperity to poverty, and finally, to America, the promised land, where he found that dreams do come true, and nightmares as well.