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Unheard Witness foregrounds a young woman’s experience of domestic abuse, resistance, and survival before the mass shooting at the University of Texas at Austin in 1966. In 1966, Kathy Leissner Whitman was a twenty-three-year-old teacher dreaming of a better future. She was an avid writer of letters, composing hundreds in the years before she was stabbed to death by her husband, Charles Whitman, who went on to commit a mass shooting from the tower at the University of Texas at Austin. Kathy’s writing provides a rare glimpse of how one woman described, and sought to change, her short life with a coercive, controlling, and violent partner. Unheard Witness provides a portrait of Kathy’s life, doing so at a time when Americans are slowly grasping the link between domestic abuse and mass shootings. Public violence often follows violence in the home, yet such private crimes continue to be treated separately and even erased in the public imagination. Jo Scott-Coe shows how Kathy's letters go against the grain of the official history, which ignored Kathy’s perspective. With its nuanced understanding of abuse and survival, Unheard Witness is an intimate, real-time account of trust and vulnerability—in its own way, a prologue to our age of atrocities.
For ten years, Voice of Witness has illuminated contemporary human rights crises through its remarkable oral history book series. Founded by Dave Eggers, Lola Vollen and Mimi Lok, Voice of Witness has amplified the stories of hundreds of people impacted by some of the most crucial human rights crises of our time, including men and women living under oppressive regimes in Burma, Colombia, Sudan, and Zimbabwe; public housing residents and undocumented workers in the United States; and exploited workers around the globe. This selection of narratives from these remarkable men and women is many things: an astonishing record of human rights issues in the 21st century; a testament to the resilience and courage of the most marginalized among us; and an opportunity to better the understand the world we live in through human connection and a participatory vision of history.
This is a novel about mysterious circumstances and ventures which developed during the course of a member of corporate management; McKnight, as he set forth his journey within the Structure of the gigantic General Motors Corporation. McKnight a member of corporate management at the Humongous Automobile maker General Motors Corporation was focused on his corporate responsibilities, work ethics, and corporate career development; all of the necessary elements to assure the climb up the corporate structure. McKnight accepted the assignment as a member of the corporate management of General Motors Corporation with the goal of making important organizational and operational contributions to the company. McKnight from the very beginning of his corporate career continued to develop his business, managerial, and interpersonal skills, all that is needed to prepare for the Industry challenges that the corporation would eventually face. As McKnight continued his journey within the management structure of the Corporate Giant General Motors Corporation, he would receive outstanding and highly effective performance appraisals. McKnight continued to further develop his management and financial skills as well as being focused on challenging issues within and outside the corporate structure. General Motors Corporation is comprised of Union and Non Union workers. The Union employees are members of one of the worlds largest-Unions the United Automobile Workers Union, known as the U.A.W. The U.A.W. concerns itself with issues involving their members and issues regarding conditions of employment. The members of General Motors Corporate management structure did not have representation from the UAW because they were management and non union employees. The United Automobile Workers Union, would help its workers with issues which would involve wages, who should work overtime, overtime wages, work conditions, and many other economic issues and resolutions of disputes and grievances with management, including but not limited to corporate layoffs due to downsizing and job terminations. The United Automobile Workers Union was powerful, economically positioned and equipped with a vast financial war chest. For many years General Motors Corporation has held the title as the Worlds largest automobile maker, dominating the Industry with its large production of automobiles and trucks. As the Automobile Industry began to change, due to the entrants of competitors who would began to make an impact on the automobile market by way of various business, manufacturing and marketing strategies. The competitive entrants objective was simply to increase their presence and market share of the lucrative worldwide automobile industry. General Motors Corporation would eventually experience a reduction in market share and would have to make adjustments to management and union workers. Corporate downsizing is often a necessary fact of doing business and running a corporation. In any event most corporations if not all have a well established protocol that would bring about personnel reductions. Suddenly without notice the corporate atmosphere at the colossal gigantic Generals Motors Corporation changed to that of an uncertain climate. The member employees of General Motors Corporation would sense insecurity. However with cyclical economic downturns in the United States and world economies and faced with competition from abroad; operational changes would occur. McKnights management position would eventually be affected, and McKnight soon afterwards would find himself challenging the Humongous Colossal General Motors Corporation before administrative agencies, the state court, United States Federal District Court, the US Court of Appeals, and with a writ a certiorari before the United States Supreme Court, General Motors would respond to the occa
This highly personal memoir by one of Adolf Hitler's closest associates during the Nazi rise to power delves into the mind and character of the man responsible for more death and destruction than any person in history. Hanfstaengl graduated from Harvard and ran the family business in New York for a dozen years before returning to Germany in 1921. There by chance he heard Adolf Hitler. Hanfstaengl befriended Hitler and welcomed him into his home. He saw himself as a civilizing influence on the volatile politician, and for a time he was. But later, after Hitler was jailed in Landsberg, their relationship began to change. It was there Hitler wrote Mein Kampf, honing his fanatical theories and ideas - especially his growing anti-Semitism - and surrounding himself with rabid extremists like Goering, Hess, Rosenberg, and Goebbels.
The political elite of Nazi Germany perceived itself as a cultural elite as well. In Art as Politics in the Third Reich, Jonathan Petropoulos explores the elite's cultural aspirations by examining both the formulation of a national aesthetic policy
Victor's book is the first to show that implementing the Final Solution was actually the root of Hitler's most disastrous military decisions.
"First published in the United States by G.P. Putnam's Sons, under the title Alice Roosevelt Longworth"--T.p. verso.
The Moral Witness is the first cultural history of the "witness to genocide" in the West. Carolyn J. Dean shows how the witness became a protagonist of twentieth-century moral culture by tracing the emergence of this figure in courtroom battles from the 1920s to the 1960s—covering the Armenian genocide, the Ukrainian pogroms, the Soviet Gulag, and the trial of Adolf Eichmann. In these trials, witness testimonies differentiated the crime of genocide from war crimes and began to form our understanding of modern political and cultural murder. By the turn of the twentieth century, the "witness to genocide" became a pervasive icon of suffering humanity and a symbol of western moral conscience. Dean sheds new light on the recent global focus on survivors' trauma. Only by placing the moral witness in a longer historical trajectory, she demonstrates, can we understand how the stories we tell about survivor testimony have shaped both our past and contemporary moral culture.
What does it mean to listen faithfully to how stories are told through a web of verbal and near-verbal media? How do dynamics of testimony, witness, and authority work to determine the politics and poetics of human experience? This collection of essays addresses fundamental problems that confront creative practitioners, researchers, educators, and graduate and undergraduate students working on questions about expressive communication across the Humanities, Creative Arts, and Social Sciences. It is an international interdisciplinary examination of the interaction between verbal and near-verbal media, their uses, and their users. The leading theme of this volume is an interrogation of texts, both oral and written, that bear witness to experience and which are determined by permutations of subjective consciousness, the dynamics of transmission, cultural knowledge systems and codes, aboriginality, and the limits of verbalisation. The contributing authors are international scholars and artists in the fields of literature, education, creative writing, linguistics, film and documentary, performance studies, sporting culture, politics, and poetics. All offer erudite insights on various formal and informal articulations of experience, their applications, and their broader significance.