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Published to accompany the exhibition held at the Perth Institute of Contemporary Arts, October 19-December 23, 2018.
MARY SHELLEY's Frankenstein; or, The Modern Prometheus grew out of a parlor game and a nightmare vision. The story of the book's origin is a famous one, first told in the introduction Mary Shelley wrote for the 1831 edition of the novel. The two Shelleys, Byron, Mary's stepsister Claire Clairmont, and John William Polidori (Byron's physician) spent a "wet, ungenial summer in the Swiss Alps." Byron suggested that "each write a ghost story." If one is to trust Mary Shelley's account (and James Rieger has shown the untrustworthiness of its chronology and particulars), only she and "poor Polidori" took the contest seriously. The two "illustrious poets," according to her, "annoyed by the platitude of prose, speedily relinquished their uncongenial task." Polidori, too, is made to seem careless, unable to handle his story of a "skull-headed lady." Though Mary Shelley is just as deprecating when she speaks of her own "tiresome unlucky ghost story," she also suggests that its sources went deeper. Her truant muse became active as soon as she fastened on the "idea" of "making only a transcript of the grim terrors of my waking dream": "'I have found it! What terrified me will terrify others."' The twelve essays in this collection attest to the endurance of Mary Shelley's "waking dream." Appropriately, though less romantically, this book also grew out of a playful conversation at a party. When several of the contributors to this book discovered that they were all closet aficionados of Mary Shelley's novel, they decided that a book might be written in which each contributor-contestant might try to account for the persistent hold that Frankenstein continues to exercise on the popular imagination. Within a few months, two films--Warhol's Frankenstein and Mel Brooks's Young Frankenstein--and the Hall-Landau and Isherwood-Bachardy television versions of the novel appeared to remind us of our blunted purpose. These manifestations were an auspicious sign and resulted in the book Endurance of Frankenstein.
The Mystery of Witchcraft - History, Mythology & Art is an imposing anthology that traverses the complex and shadowy path of witchcraft through its history, myths, and artistic representations. The collection boasts a remarkable diversity in literary styles, drawing from historical texts, mythological studies, and firsthand accounts, to craft a comprehensive look at the multifaceted dimensions of witchcraft. The varied perspectives offer an unparalleled scope, from the analytical to the anecdotal, enfolding readers into the enigmatic world where the supernatural intertwines with the historical realities of witchcraft. The anthology is significant for compiling standout pieces that bridge the gap between scholarly research and cultural storytelling, illuminating the subject's richly layered essence. The contributing authors and editors, including notable figures such as Bram Stoker and Margaret Murray, bring to this collection a broad spectrum of expertise and scholarly backgrounds. These writers, hailing from diverse epochs and cultural milieus, collectively contribute insights that reflect significant historical, cultural, and literary movements related to the theme of witchcraft. Their contributions underscore the anthology's alignment with major scholarly discourses on witchcraft, from the witch hunts in early modern Europe to the reevaluation of witchcraft as a symbol of feminine power and resilience. The synthesis of these myriad voices provides a nuanced exploration of witchcraft's historical and mythological veracity. For readers interested in the historical, cultural, and artistic dimensions of witchcraft, this anthology offers a unique portal into the complexity of its subject matter. The Mystery of Witchcraft - History, Mythology & Art encourages a profound engagement with the multifarious interpretations and representations of witchcraft. The collection stands not only as an academic resource but also as a compelling exploration for anyone intrigued by the interplay between history, mythology, and art. It promises to educate and enthral, inviting readers into a dialogue with the past and present, mediated through the rich tapestry of witchcraft's enduring mystery.
If nineteenth-century Britain witnessed the rise of medical professionalism, it also witnessed rampant quackery. It is tempting to categorize historical practices as either orthodox or quack, but what did these terms really signify in medical and public circles at the time? How did they develop and evolve? What do they tell us about actual medical practices? Doctoring the Novel explores the ways in which language constructs and stabilizes these slippery terms by examining medical quackery and orthodoxy in works such as Mary Shelley’s Frankenstein, Charles Dickens’s Bleak House and Little Dorrit, Charlotte Brontë’s Villette, Wilkie Collins’s Armadale, and Arthur Conan Doyle’s Stark Munro Letters. Contextualized in both medical and popular publishing, literary analysis reveals that even supposedly medico-scientific concepts such as orthodoxy and quackery evolve not in elite laboratories and bourgeois medical societies but in the rough-and-tumble of the public sphere, a view that acknowledges the considerable, and often underrated, influence of language on medical practices.
A free verse biography of Mary Shelley, the author of Frankenstein, featuring over 300 pages of black-and-white watercolor illustrations.
A new imagining of human hands as physical objects and literal representations in Victorian fiction
As she explores tropes of illness, healing, and social justice in the writings of Mary Wollstonecraft, Charlotte Smith, and Mary Shelley, Dolan engages with a wide range of primary sources in science and medicine. She argues that the Romantic-era interest in the physiology of vision influenced the culture's understanding of suffering, and that these three authors experimented with materialist modes of seeing in order to expand the language of suffering and to claim literary authority.