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Originally published in 1953, this book presents a study of Ugo Foscolo's eleven years in Regency England. Using material that was previously unknown or unpublished, the text was written with the intention of providing an insight into his struggle as an artist within the broader currents of English society. Additional notes, appendices and illustrative figures are also included. This book will be of value to anyone with an interest in Foscolo, Romanticism and the Regency period.
This book articulates a new research program, called “Ur-Illuminism,” which consists in an integrated and systematic study of humanity’s quest for “illumination,” namely, for the highest and noblest possible mode of being. Thus, it takes on the challenge of revising widely accepted ways of understanding and interpreting the ontological underpinnings of civilization and the ontological potential of humanity. It allows the reader to delve into a creative “rediscovery” of Platonism, medieval Christian mystics’ and scholars’ writings, and various “illuminist” systems, from the Orphic mystical cult to the European Enlightenment and thence to the eighteenth-century Illuminati fraternities and beyond. Moreover, the book studies major issues in the history of philosophy, politology, and esoteric systems (such as Hermeticism, the Kabbalah, alchemy, the Rosicrucian movement, Freemasonry, and the Bavarian Illuminati). It maintains that a postmodern “rediscovery” of premodern metaphysics, specifically, a postmodern esoteric theocracy (as distinct from old sacerdotalism and religious formalism), is the best bulwark against oppression and the ontological degradation of humanity, as well as the best path to the attainment of that wisdom and spiritual self-knowledge which constitute the existential integration and completion of the human being. In this context, it proposes a peculiar and intellectually fecund synthesis between Tory Anarchism, Libertarianism, Platonism, and Byzantine Hesychasm, as they are elucidated here.
Sketch of a New Esthetic of Music by Theodore Baker Ferruccio Busoni, first published in 1911, is a rare manuscript, the original residing in one of the great libraries of the world. This book is a reproduction of that original, which has been scanned and cleaned by state-of-the-art publishing tools for better readability and enhanced appreciation. Restoration Editors' mission is to bring long out of print manuscripts back to life. Some smudges, annotations or unclear text may still exist, due to permanent damage to the original work. We believe the literary significance of the text justifies offering this reproduction, allowing a new generation to appreciate it.
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Manslaughter, blackmail, violent sex, sudden death: out of materials which might have served a lesser author as the basis for mere melodrama, E. M. Forster created literary vehicles which convey the reader with near-celestial ease to psychological realms as diverse as the London drawing-room and the Indian cave of revelation. The essays collected here range from early commentaries introducing Forster to an American audience, to more recent essays illuminating the subtlety and resourcefulness of his fictional method, the acute modernity of his moral and intellectual concerns. Disputing a long-held view that Forster is intellectually a Victorian, in bondage to the liberal pieties he portrayed so well, these critics point to his capacity for rigorous self-scrutiny and detached observation of those very institutions and ideas so often associated with him. As they reveal new facets of Forster's accomplishment, these essays indicate why the twentieth century now recognizes him as one of its major literary figures. -- From publisher's description.