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Based on a true story, Unforetold Memories is a story based on real-life memories. The book is a melting pot of emotions, thoughts, and few regrets. It is about the heinous murders of two great friends, one taken by AIDS and the other by a drunken driver. The book is an awareness that needs to be shared. This book is in memory of two lost and irreplaceable friends that need not be forgotten (Alain-Simon Deschamps and Ron Selig). Where you realize that people never truly die for as long as they are remembered. This is a never-ending story.
What if your entire life, every experience you've ever had, every person you've ever met, every place you've ever been, never existed? What if it was all just a fabricated memory that you were given, and the real world is the stuff of dreams and nightmares? What if the memories, the daydreams, suddenly left you stranded in a world that could never exist, not in a million years? What then? In Rayai, the first novel in the set of Untold Memories, a girl is confronted with that very question when her world has completely left her behind and she has to start anew in a place we can only imagine.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
MEMORIES OF A DEATH FORETOLDEugene Ebota doesn't speak because the African American in 1920's America didn't have a voice. Fortunately, he does today but it's complicated by having a divisive President in the Whitehouse and 475,900 nonwhites in American jails.But this is a story about more than racial discrimination, it's about addiction whether it's the alcohol that fuelled Jedidiah's father's drunken rages, or the power the Union Pacific Coal Company wields in being able to close down the Lost Springs coal mine.The play climaxes with the Ku Klux Klan surrounding the Station House demanding the Chief of Police to hand over Ebota.
Helen's father might think that the sun rose and set on Caleb Jones, but she didn't intend to be taken in. It was true that Caleb didn't act like the tough businessman she had imagined, and he clearly doted on the young nephew he was bringing up. However, Helen was determined not to change her views about him, not even when she realised that she was falling in love with the man.