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An old wizard is looking for an apprentice before it is too late. The poor man never seems to have much luck, they either get killed, turned into something unnatural or simply run away in fear. Then one day luck seems to be on his side, he discovers a young man in the forest who is using magic to move a pile of dirt from a stream. Could this be the apprentice he has been searching for?
It is that time of the year again, the Apprentice Festival. It's the time that all thirteen year old boys and girls become men and women. They enter into an apprenticeship that will become their career for the rest of their lives. It's supposed to be one of the best days of his life. But, everything keeps going wrong. Even though Lee ends up being the laughing stock of the festival, even though he falls off of the bridge into the moat, even though he is caught playing dress up at a make believe tea party, Lee is positive that he is going to be chosen as the new Wizard's Apprentice. Unfortunately everything continues to go wrong. Embarrassed and humiliated, Lee walks off of the stage and into more trouble. With the help of his best friend Wanda, the recently proclaimed adults discover the hidden world of the elves. After managing to be blamed for stealing the Zodiac Arsenal artifacts, discovering a different type of magic and destroying all of the magic back on Earth, they are forced to defeat a wizard, befriend a dragon and try to save the city. While trying to accomplish everything, they are forced to teach Lee's worst enemy how to use magic that he twists around and uses against them.
In a world of increasingly strident identity politics, a theological approach, claiming no more than the outworking of subjectivist sentiment, offers no remedy. What if a key factor in this predicament is a misrepresentation of the operation of metaphor? This acknowledged building-block of language looks set to become a mere component of the wearer’s spectacles. The consequences for theology, philosophy, literature, and even the sciences are yet to be charted. This book takes readers on a journey to the Land of Oz and asks whether our culture, while discarding past errors, can reconnect with the spiritual bonds that underpin language, truth in its various forms, and identity. Companions on the road are Dorothy and her friends, Sallie McFague and the Wizard, Paul Ricœur and C. S. Lewis, and others.
Benvenuti Sfondrati-Piccolomini, an artist-swordsman, finds himself accidentally caught in a desperate attempt to save the realms of Grotum from invasion by the Ozarean Empire.
Nita's little sister Dairine signs her up for a wizardly "cultural exchange" program, sending Nita and her partner Kit halfway across the galaxy. But nothing about wizardry--not even vacation--is simple enough.
They’re lost in the wilderness. And there’s only one tent. When a routine mission goes horribly awry, expert wilderness scout Marut finds himself solely responsible for protecting one of the powerful court sorcerers. Marut is suspicious of magic and more comfortable with horses than people, but he comes to begrudgingly respect Sycamore as they flee for their lives. Lost in a strange and wild country and forced into close quarters, Marut and Sycamore develop an unexpected and unsettling intimacy during the long and treacherous journey home. Because Sycamore isn't only a sorcerer, he's also an omega, and he has needs Marut is irresistibly tempted to fill. But Marut’s first loyalty is to his kingdom, and the war they’ve fled from isn’t over. As they’re plunged back into the conflict, Marut is torn between serving his people and saving the man he’s grown to love. -- Keywords: omegaverse, mpreg, gay romance, mm romance, queer fantasy, lgbt fantasy, forced proximity, forbidden love, slow burn