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This is the first scholarly edited collection devoted to the work of the Anglo-Irish writer and cartographer Tim Robinson
"This book highlights the principal themes and elements in the making of the landscape, and the sources which can assist historians and historical geographers in studying and understanding Irish landscape history. Major and local sources relating to the natural environment, cultural landscapes and the built environment are explored. The book also looks at representations of landscapes in literature, painting and other artistic sources which can provide insights into the nature of real and imagined worlds of the past. The ultimate source which features prominently throughout this study is the landscape itself on which generations before us have inscribed the marks of their presence in fields, farms, houses, villages, towns, roads, lanes and the infrastructure of settlement."--BOOK JACKET.
This is the third revision of this seminal work. Co-authored by original author Frank Mitchell and now Michael Ryan, the result is a stunning collaboration between masters giving all the elements of the original book, modified, updated and further enhanced by the inclusion of a new narrative of Irish archaeology from the Stone Age to the Norman Invasion. Together they have successfully undertaken the daunting task of giving in one book the story of the shaping of the land from the beginning of time until now, by all tbe varying forces of nature, sea, climate, man and machine. The story takes in the shaping of the crust, the movement of glaciers, the first men and their primitive agriculture, their buildings and their effect on the forests, the growth of bogs, new migrations, the rise of the monasteries of the Early Christians and the castles of conquest, the devastation of war, urban growth, modern agriculture and afforestation, all set against the backdrop of the landscape, arguably one Ireland's most precious resources.
Poets, artists, visitors, and all those who love the island of Ireland are inspired by the beauty of its magnificent natural landscape. In this comprehensively illustrated guide to the whole island, Charles Holland, Emeritus Fellow Trinity College, Dublin, and formerly Professor of Geology and Mineralogy, describes this wonderful scenery and places it in its geological context. He explains why the scenery looks as it does, how the land beneath our feet has been formed and why the landscape changes, sometimes dramatically, from lush pasture to mountain and moorland. This book is written for all those who want to understand the fabric of the island's scenery; for those who wonder why Ireland looks as it does; and for those who wish to understand the geological history and the forces that have formed the island.
A lavishly illustrated description of Ireland's flora and fauna ecosystem, examining the history of Ireland's landscape from the last Ice Age until now.
The first volume in Tim Robinson's phenomenal Connemara Trilogy - which Robert Macfarlane has called 'One of the most remarkable non-fiction projects undertaken in English'. In its landscape, history and folklore, Connemara is a singular region: ill-defined geographically, and yet unmistakably a place apart from the rest of Ireland. Tim Robinson, who established himself as Ireland's most brilliant living non-fiction writer with the two-volume Stones of Aran, moved from Aran to Connemara nearly twenty years ago. This book is the result of his extraordinary engagement with the mountains, bogs and shorelines of the region, and with its folklore and its often terrible history: a work as beautiful and surprising as the place it attempts to describe. Chosen as a book of the year by Iain Sinclair, Robert Macfarlane and Colm Tóibín 'One of the greatest writers of lands ... No one has disentangled the tales the stones of Ireland have to tell so deftly and retold them so beautifully' Fintan O'Toole 'Dazzling ... an indubitable classic' Giles Foden, Condé Nast Traveller 'He is that rarest of phenomena, a scientist and an artist, and his method is to combine scientific rigour with artistic reverie in a seamless blend that both informs and delights' John Banville 'One of contemporary Ireland's finest literary stylists' Joseph O'Connor, Guardian