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The first detailed study on the subject of Victorian unfinished novels, this book sheds further light on novels by major authors that have been neglected by critical studies and focuses in a new way on critically acclaimed masterpieces, offering a counter-reading of the nineteenth-century literary canon.
The book presents a discussion about the process of artistic creation in the diversity of its manifestations: visual arts, literature, theater, cinema, etc. The proposed reflections are supported by research dedicated to the study of these creative paths, from the documents left by the artists, such as diaries, notes, sketches, drafts, mock-ups, projects, scripts and contacts. Dialogues were established between the observation of recurrent aspects in a great diversity of processes and the thought of Charles S. Peirce, generating a possible theory of creation. First, the Unfinished Gesture discusses the aesthetics of the creative movement from a semiotic perspective. In this theoretical context creation is described as a fallible process with tendencies, supported by the logic of uncertainty, encompassing the intervention of chance and opening space for the introduction of new ideas. A continuous course in which you can not determine either a starting point or an end point.. These uncertain and indeterminate tendencies direct the artist in his search for the construction of works that satisfy his great poetic project, which is also strongly influenced by communicative issues. The search of the artist finds its possible concreteness, in complex processes of constructions of works. In a second moment, the creative path is focused from five points of view, as: transforming action, translation movement, knowledge process, construction of artistic truths and experimentation course. In the Epilogue are presented the concepts of Peircean semiotics, which base the reflections on the artistic creation developed throughout the book. The Unfinished Gesture aims to offer a critical approach to the arts, from the point of view of its production processes.
"I love Jesus but hate the church." We hear this kind of talk all the time, but what if it's profoundly mistaken? Rob Bentz challenges readers to rethink this popular—yet ultimately harmful—mentality. Drawing on his experience as a pastor, Bentz helps those disenchanted with the church to rediscover its importance for the Christian life by examining the biblical, theological, and historical reasons why Christ's followers should embrace gospel-centered community—even when it's hard. Honest yet hopeful, The Unfinished Church provides an encouraging look at God's ultimate building project: his church.
Deleuzian Events: Writing / History brings together articles that deal with Gilles Deleuze's concept of "the event," many of them written by leading Deleuze scholars. The eminently transdisciplinary collection relates the Deleuzian event to the larger cultural field, addressing not only the philosophy of the event, but also its history, its politics and its presence in the arts. Among the variety of topics are zeta-physics, modern dance and postcolonial history. It is indispensable reading for anyone interested in how to make Deleuzian philosophy a productive force within contemporary life.
How our visual and intellectual cultures are changed by the new interaction-based media and technologies.
'So funny -- Nabokov meets Spinal Tap.' - Stephen Merchant 'Brilliant, brilliant, brilliant.' - Tim Key 'Absolutely miraculous.' - Jesse Eisenberg 'A brain-swirlingly funny quest.' - Robert Popper Richard Ayoade's fictional quest to rescue Harauld Hughes - the almost mythical mid-century playwright - from obscurity. The gifted filmmaker, corduroy activist and amateur dentist, Richard Ayoade, first chanced upon a copy of The Two-Hander Trilogy by Harauld Hughes in a second-hand bookshop. At first startled by his uncanny resemblance to the author's photo, he opened the volume and was electrified. Terse, aggressive, and elliptical, what was true of Ayoade was also true of Hughes's writing, which encompassed stage, screen, and some of the shortest poems ever published. Ayoade embarked on a documentary, The Unfinished Harauld Hughes, to understand the unfathomable collapse of Hughes's final film O Bedlam! O Bedlam!, taking us deep inside the most furious British writer since the Boer War. This is the story of the story of that quest.
This groundbreaking book explores the evolving concept of unfinishedness as essential to understanding art movements from the Renaissance to the present day. Unfinished features more than 200 works, created in a variety of media, by artists ranging from Leonardo, Titian, Rembrandt, Turner, and Cézanne to Picasso, Warhol, Twombly, Freud, Richter, and Nauman. What unites these works, across centuries and media, is that each one displays some aspect of being unfinished. Essays and case studies by major contemporary scholars address this key concept from the perspective of both the creator and the viewer, probing the impact that this long artistic trajectory—which can be traced back to the first century—has had on modern and contemporary art. The book investigates the degrees to which instances of incompleteness were accidental or intentional experimental or conceptual. Also included are illuminating interviews with contemporary artists, including Tuymans, Celmins, and Marden, and parallel considerations of the unfinished in literature and film. The result is a multidisciplinary approach and thought-provoking analysis that provide valuable insight into the making, meaning, and critical reception of the unfinished in art.
In Unfinished Spirit, Rowena Kennedy-Epstein brings to light the extraordinary archive of Muriel Rukeyser's (1913–1980) unpublished and incomplete literary works, revealing the ways in which misogyny influences the kinds of texts we read and value. Despite her status today as an influential poet, much of Rukeyser's critical and feminist writing remained unfinished, suppressed by the sexism of editors, political censure, the withdrawal of funding and publishing contracts, as well the conditions of single motherhood and economic precarity. From Savage Coast, her novel of the Spanish Civil War (which Kennedy-Epstein recovered, edited, and published to great acclaim in 2013) to her photo-text collaboration with Berenice Abbott, essays on women writers, radio scripts, and biographies, Unfinished Spirit traces the creation, reception, and rejection of Rukeyser's most ambitious texts—works that continued the radical, avant-garde project of modernism and challenged an increasingly hegemonic Cold War culture. Bound together by Rukeyser's radical vision of artistic creation and political engagement, these incomplete texts open a space to theorize the politics of the unfinished for understanding women's artistic production, reasserting the importance of the archive as a primary site of feminist criticism.
This popular classic text chronicles America's roller-coaster journey through the decades since World War II. Considering both the paradoxes and the possibilities of post-war America, Chafe portrays the significant cultural and political themes that have colored our country's past and present, including issues of race, class, gender, foreign policy, and economic and social reform. He examines such subjects as the Vietnam War, the Civil Rights movement, the origins and the end of the Cold War, the culture of the 1970s, the Reagan years, the Clinton presidency, and the events of September 11th and their aftermath. In this edition, Chafe provides an insightful assessment of Clinton's legacy as president, particularly in light of his impeachment, and an entirely new chapter that examines the impact of two of America's most pivotal events of the twenty-first century: the 2000 presidential election turmoil and the September 11th terrorist attacks. Chafe puts forth an excellent account of George W. Bush's first year as president and also covers his subsequent role as a world leader following his administration's declared war on terrorism. The completely revised epilogue and updated bibliographic essay offer a compelling and controversial final commentary on America's past and its future. Brilliantly written by a prize-winning historian, the fifth edition of The Unfinished Journey is an essential text for all students of recent American history.