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Syndicated columnist, Harry Ellison, who lives with Sergeant Debbie Simmons of the Washington, D. C. Metropolitan Police Department, has a penchant for becoming involved in unusual murder mysteries. But, the case that began with a telephone call from his niece, Stephanie, a doctoral student in music, may be the most bizzare case of all. Recently returned from Vienna where she was doing research on her doctoral dissertation on Franz Schubert, Stephanie finds herself stalked by a person, unknown, while working in the Library of Congress. The person leaves her fragments of musical notation that appear to be the missing part of an unfinished Schubert composition. The music is unmistakably Schuberts in style, but is it authentic or the opening gambit in an elaborate scam? And, how do these musical fragments relate to the unexplained deaths of three renowned Schubert scholars? When Harry and Debbie begin their investigation, they encounter deception, danger, and ultimately must match wits with a diabolical killer.
September 1995. A woman's body is found on the beach of an exclusive Caribbean resort, brutally murdered. A ten million dollar diamond necklace mysteriously disappears and the guests at the resort are evacuated as Hurricane Luis advances from the Atlantic. One of the guests is fifteen year old Alicia Clayton. Evidence from the crime scene is swept away by the hurricane and the body goes missing on the way to the mortuary. The perfect murder. No one is convicted. The case is never closed. The killer walks free.Twenty years later, a diamond necklace shows up at a Hatton Garden jewellery store. It bears a striking resemblance to the original necklace. Alicia, now an investigative journalist, is compelled to return to the abandoned resort and the scene of the murder. Someone is using her to lure the killer out into the open...
Special Agent Elizabeth Hewitt returns, called upon to investigate a parallel series of bizarre slayings with a strange link—the haunting nocturnes of one of the world’s greatest composers. They seem to be stirring a madman with his own visions for beauty, for music, and for death. Victim by victim, note by note, Hewitt is stepping into the darkness to find him—and to experience first-hand the terrifying crescendo of a killer’s ultimate inspiration.
In this mystery from an Edgar Award–winning author, Peter Duluth deals with a case of mistaken identities and murder in World War II San Francisco. Patrick Quentin, best known for the Peter Duluth puzzle mysteries, also penned outstanding detective novels from the 1930s through the 1960s under other pseudonyms, including Q. Patrick and Jonathan Stagge. Anthony Boucher wrote: “Quentin is particularly noted for the enviable polish and grace which make him one of the leading American fabricants of the murderous comedy of manners; but this surface smoothness conceals intricate and meticulous plot construction as faultless as that of Agatha Christie.” As the war rages in the Pacific, naval lieutenant Peter Duluth is ecstatic to make port and spend time with his ladylove, Iris. They have little luck finding a room until a brassy blond offers them her hotel suite out of what seems like pure charity. And that’s when Peter’s shore leave starts going sideways. While unwinding in a steam room, Peter’s uniform is stolen. Then, Iris is mistaken several times for her cousin, a local vamp with a very unusual coterie of friends. And things hit a bloody head when Peter’s missing uniform ends up implicating him in murder. Now, with both of their identities in flux, Peter and Iris must navigate their way through the fog-shrouded alleys of the City by the Bay if they’re going to learn just what kind of mess they’re caught up in . . . and if they can get out of it alive.
Film Music: Cognition to Interpretation explores the dynamic counterpoint between a film’s soundtrack, its visuals and narrative, and the audience’s perception and construction of meaning. Adopting a holistic approach covering both the humanities and the sciences—blending cognitive psychology, musical analysis, behavioral neuroscience, semiotics, linguistics, and other related fields—the author examines the perceptual and cognitive processes that elicit musical meaning in film and breathe life into our cinematic experiences. A clear and engaging writing style distills complex concepts, theories, and analytical methodologies into explanations accessible to readers from diverse disciplinary backgrounds, making it an indispensable companion for scholars and students of music, film studies, and cognition. Across ten chapters, extensive appendices, and hundreds of film references, Film Music: Cognition to Interpretation offers a new mode of analysis, inviting readers to unlock a deeper understanding of the expressive power of film music.
A NATIONAL BOOK CRITICS CIRCLE AWARD WINNER THE POSTHUMOUS MASTERWORK FROM "ONE OF THE GREATEST AND MOST INFLUENTIAL MODERN WRITERS" (JAMES WOOD, THE NEW YORK TIMES BOOK REVIEW) Composed in the last years of Roberto Bolaño's life, 2666 was greeted across Europe and Latin America as his highest achievement, surpassing even his previous work in its strangeness, beauty, and scope. Its throng of unforgettable characters includes academics and convicts, an American sportswriter, an elusive German novelist, and a teenage student and her widowed, mentally unstable father. Their lives intersect in the urban sprawl of SantaTeresa—a fictional Juárez—on the U.S.-Mexico border, where hundreds of young factory workers, in the novel as in life, have disappeared.
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“A true-crime page-turner.... Lowry exhausts every possible scenario behind the shocking, unsolved quadruple murder ... and offers a theory on what really happened.” —New York Post "Gripping, moving, and as good as any depiction of a murder case since In Cold Blood.... Brilliant." —Ann Patchett, award-winning, bestselling author The facts are brutally straightforward. On December 6, 1991, the naked, bound-and-gagged, burned bodies of four girls—each one shot in the head—were found in a frozen yogurt shop in Austin, Texas. Grief, shock, and horror overtook the city. But after eight years of misdirected investigations, only two suspects (teenagers at the time of the crime) were tried; their convictions were later overturned and detectives are still working on what is now a very cold case. The story has grown to include DNA technology, coerced false confessions, and other developments in crime and punishment. But this story belongs to the scores of people involved, and from them Beverly Lowry has fashioned a riveting saga that reads like a novel, heart-stopping and thoroughly engrossing.
This is an encyclopedic work, arranged by broad categories and then by original authors, of literary pastiches in which fictional characters have reappeared in new works after the deaths of the authors that created them. It includes book series that have continued under a deceased writer's real or pen name, undisguised offshoots issued under the new writer's name, posthumous collaborations in which a deceased author's unfinished manuscript is completed by another writer, unauthorized pastiches, and "biographies" of literary characters. The authors and works are entered under the following categories: Action and Adventure, Classics (18th Century and Earlier), Classics (19th Century), Classics (20th Century), Crime and Mystery, Espionage, Fantasy and Horror, Humor, Juveniles (19th Century), Juveniles (20th Century), Poets, Pulps, Romances, Science Fiction and Westerns. Each original author entry includes a short biography, a list of original works, and information on the pastiches based on the author's characters.
In this wide ranging collection of essays, eleven literary scholars and creative writers examine authorship and authority in relation to the production and reception of cultural texts. Ranging in time from the Renaissance to the era of digital publishing, the essays invite us to reconsider the influential theories of Roland Barthes, Michel Foucault, and Pierre Bourdieu for our understanding of writers such as Philip Sidney, Thomas Hardy, Laura Riding, W.B. Yeats, Gertrude Stein, and J.M. Coetzee. Shedding new light on authority’s complex role in the generation of cultural meaning, the essays will be of interest to students and teachers of literary history and critical theory alike.