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Whether you are Catholic, Protestant, Jewish, or still trying to find the answer as to who God is, Unfailing Grace will be your reminder of how you can overcome anything. Julie Carrick shares personal stories of triumph through grace, sure to shed light on your own stories of God's grace and how He is with us even in our most difficult times.
Whether you are Catholic, Protestant, Jewish, or still trying to find the answer as to who God is, Unfailing Grace will be your reminder of how you can overcome anything. Julie Carrick shares personal stories of triumph through grace, sure to shed light on your own stories of God's grace and how He is with us even in our most difficult times.
Historically, the book of Exodus treats of the deliverance of Israel from Egypt; but viewed doctrinally, it deals with redemption. Just as the first book of the Bible teaches that God elects unto salvation, so the second instructs us how God saves, namely, by redemption. Redemption, then, is the dominant subject of Exodus. Following this, we are shown what we are redeemed for-worship, and this characterizes Leviticus, where we learn of the holy requirements of God and the gracious provisions He has made to meet these. In Numbers we have the walk and warfare of the wilderness, where we have a typical representation of our experiences as we pass through this scene of sin and trial-our repeated and excuseless failures, and God's long-sufferance and faithfulness.
Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.
For almost three thousand years, people have prayed and sung the Psalms. Like those who have gone before us, when we are filled with joy, we will discover fuel in these ancient songs for even higher praises. And when we are going through the valley of deepest darkness, we will find in the Psalms light shining upon us, driving the shadows of doubt away. Prayers on Fire includes 365 prayers inspired by the book of Psalms from the heart-felt Passion Translation. Each day contains an excerpt from the Psalms and then a prayer from the heart, providing an expression of faith and worship for sincere worshipers. Open your heart as you open the pages of this book. Here you will find God as your shelter of strength. “As I’m hidden within your greatness, I discover your eternal purposes. In love and humility I bow before you, my awe-inspiring God. The way you watch over me, infuses me with confidence and courage. You are my source; I draw life from the waters of your love. Walking step by step with you brings me joy unlike I’ve ever known. Your Word illuminates my path, and wherever I go, I flourish. No matter the season, I’m blessed—established firmly in you.” (Inspired by Psalm 1:2)
In the last few years, 9/11, a tsunami, Hurricane Katrina, and many other tragedies have shown us that the vision of God in today's churches in relation to evil and suffering is often frivolous. Against the overwhelming weight and seriousness of the Bible, many Christians are choosing to become more shallow, more entertainment-oriented, and therefore irrelevant in the face of massive suffering. In Suffering and the Sovereignty of God, contributors John Piper, Joni Eareckson Tada, Steve Saint, Carl Ellis, David Powlison, Dustin Shramek, and Mark Talbot explore the many categories of God's sovereignty as evidenced in his Word. They urge readers to look to Christ, even in suffering, to find the greatest confidence, deepest comfort, and sweetest fellowship they have ever known.
The Congressional Record is the official record of the proceedings and debates of the United States Congress. It is published daily when Congress is in session. The Congressional Record began publication in 1873. Debates for sessions prior to 1873 are recorded in The Debates and Proceedings in the Congress of the United States (1789-1824), the Register of Debates in Congress (1824-1837), and the Congressional Globe (1833-1873)
A collection of anecdotes and illustrations collected by D.L. Moody during his course of reading, organized by book and chapter of the Bible.