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Unexpected Subjects is an ethnography of the encounter between women's words and the demands of the law in the context of adjudications on intimate partner violence. A study of institutional devices, it focuses on women's practices of resistance and the elicitation of intelligible subjectivities. Using Italy as an illustrative case, Alessandra Gribaldo explores the problematic encounter between the need to speak, the entanglement of violence and intimacy, and the way the law approaches domestic violence. On this basis it advances theoretical reflections on questions of evidence, persuasion, and testimony, and their implications for ethnographic theory. Gribaldo analyzes the dynamics that produce the subjectivity of the victim, shedding light on how the Italian legal system reproduces broader conditions of violence against women. Perfect for graduate and advanced undergraduate teaching, this book will appeal to anthropologists and scholars of law, society, and gender.
In the last decade or so, there has been a shift in the popular and academic discussion of our personal lives. Relationships – and not necessarily marriage – have gravitated to the center of our relational lives. Many of us feel entitled to seek intimacy, an emotionally depthful social bonding, rather than simply security or companionship from our relationships. Unlike in a marriage-centred culture, intimacy is today pursued in varied relationships, from familial to friends and to romances. And intimacies are being forged in multiple venues, from face-to-face to virtual, cyber contexts. A new scholarship has addressed this changing terrain of personal life – there is today a vast literature on cohabitation, parenthood without marriage, sex and love outside marriage, queer families, cyber intimacies and friendships. However, much theorizing and research has focussed either on the interior, subjective or sociocultural aspects of intimacies, not their interaction. This volume aims to break new ground: Intimacies explores the psychological terrain of intimacy in depthful ways without abandoning its sociohistorical context and the centrality of power dynamics. Drawing on a rich archive that includes the social sciences, feminism, queer studies, and psychoanalysis, the contributors examine: changing cultures of intimacy fluid and solid attachments and intimacies from hook ups, to sibling bonds, to erotic love a politics of intimacy that may involve state enforced hierarchies, class, misrecognition, social exclusion and violence embodied experiences of intimacy and dynamics of endings and loss a pluralization of intimacies that challenge established ethical hierarchies This volume aims to define the cutting edge of this emerging field of scholarship and politics. It challenges existing paradigms that assume rigid hierarchical approaches to relational life. Intimacies will be of interest for psychoanalysts and for students or scholars in sexualities, gender studies, family studies, feminism studies, queer studies, social class, cultural studies, and philosophy.
For an entire year. The Mullers had a solid marriage and two wonderful children, but over the years sex had fallen low on their to-do list. The lack of intimacy wasn't causing them to drift apart, exactly, but their connection didn't seem as great as it could be. Charla decided that the couple would emabrk on a year of scheduled sex -- falling over toy trucks and piles of laundry in an effort to make time for each other. There were obstacles along the way -- when disasters at work intruded on their home life and when there were questions about the sex itself and faking it. Would physical love -- whether good mediocre or ugly -- make up for things that weren't so good? Charla and her husband had a whole year to find out...
'This book taught me so much about female desire. A must read!' Cherry Healey Did you know that there is an orgasm gap of around 30% between heterosexual couples when they have sex? In Mind The Gap, Dr Karen Gurney, a clinical psychologist and certified psychosexologist, explores not just this gap, but the gaps in our knowledge of so much of the most important new science around sex and desire. In this book, you will learn that nearly everything that you've been led to believe about female sexuality isn't actually true. And that, despite what you might think, it is possible to simultaneously feel little to no spontaneous desire and have a happy and mutually satisfying sex life long term. Exploring the mismatch between ideas about sex in our society and what the science tells us, Mind The Gap also explains how this disconnect lies at the root of many of our sexual problems. Combining science with case studies, practical exercises and tips, this is a book for anyone who wants to better understand the mechanics of desire and futureproof their sex life, for life.
This accessible book uses case studies to explore issues around intimacy, sexual function and sexual development over the lifespan, introducing applied principles and practices when working with sexuality-related issues. Introducing an easy-to-use ‘Reflect and Respond’ model as a framework for interactions, this book discusses a broad selection of topics and life stages, including hidden loss, gender identity, disability, early years experiences and older age. Exposing anonymized real-life experiences of intimacy, sexual function, and sexual development from birth to end of life, this book develops the reader’s insight into sexual wellbeing and confidence in communicating about it. The experiential learning and research-based content in readable style will educate and inspire readers with an interest in sexual wellbeing and how this impacts on physical and mental health. Demonstrating how being open to talk about sex and intimacy can change lives, this guide is suitable for a wide range of health and social care professionals, including nurses, doctors, occupational therapists, social workers, psychologists and counsellors.
Early in its history, anthropology was a visual as well as verbal discipline. But as time passed, visually oriented professionals became a minority among their colleagues, and most anthropologists used written words rather than audiovisual modes as their professional means of communication. Today, however, contemporary electronic and interactive media once more place visual anthropologists and anthropologically oriented artists within the mainstream. Digital media, small-sized and easy-to-use equipment, and the Internet, with its interactive and public forum websites, democratize roles once relegated to highly trained professionals alone. However, having access to a good set of tools does not guarantee accurate and reliable work. Visual anthropology involves much more than media alone. This book presents visual anthropology as a work-in-progress, open to the myriad innovations that the new audiovisual communications technologies bring to the field. It is intended to aid in contextualizing, explaining, and humanizing the storehouse of visual knowledge that university students and general readers now encounter, and to help inform them about how these new media tools can be used for intellectually and socially beneficial purposes. Concentrating on documentary photography and ethnographic film, as well as lesser-known areas of study and presentation including dance, painting, architecture, archaeology, and primate research, the book's fifteen contributors feature populations living on all of the world's continents as well as within the United States. The final chapter gives readers practical advice about how to use the most current digital and interactive technologies to present research findings.
Completely updated, with current examples and new coverage of digital media, this popular handbook provides a range of qualitative approaches that enable students to effectively decipher information conveyed through the channels of mass communication - photography, film, radio, television, and interactive media. It aim is to help students develop critical thinking skills and strategies with regard to what media to use and how to interpret the information that they receive. The techniques include ideological, autobiographical, nonverbal, and mythic approaches. An Instructor's Manual is available to professors who adopt this new edition.
A standalone instalove alien romance from author Ashlyn Hawkes. My best friend and I share no secrets. None. He’s the only guy I’ll fart in front of. That’s how close we are. So imagine my surprise when he tells me he has a secret to share. He’s out of this world. Literally. An alien. And here I thought he was going to confess his undying love for me… Keywords: alien abduction romance, science fiction romance, scifi romance, paranormal romance, science fiction, standalone, happy end, happy ending, alpha male, fantasy romance, urban fantasy, steamy romance, happily ever after, romance, ebooks to read and download, scifi romance, alien abduction, alien romance, collection, box set, boxed set, Zenobia Renquist, Kate Rudolph, Starr Huntress, Sedona Venez, Regine Abel, Roxie Ray, Lee Savino, Renee Rose, Milly Taiden, Ava Hunter, Ruby Dixon, Jenny Foster, Elizabeth Stephens, Margo Bond Collins, Stasia Black, Lisa Lace
This pioneering book introduces students to the practice and art of creative writing and creative reading. It offers a fresh, distinctive and beautifully written synthesis of the discipline. David Morley discusses where creative writing comes from, the various forms and camouflages it has taken, and why we teach and learn the arts of fiction, poetry and creative nonfiction. He looks at creative writing in performance; as public art, as visual art, as e-literature and as an act of community. As a leading poet, critic and award-winning teacher of the subject, Morley finds new engagements for creative writing in the creative academy and within science. Accessible, entertaining and groundbreaking, The Cambridge Introduction to Creative Writing is not only a useful textbook for students and teachers of writing, but also an inspiring read in its own right. Aspiring authors and teachers of writing will find much to discover and enjoy.