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Cosplay, dressing up as characters from pop culture, has swept fan conventions around the world. Now, explore the adult side of this popular phenomenon. This enormous collection of pin-up style photos provides a tantalizing look at sexy female cosplayers from around the world. They are not afraid to shed their costume to bring your character fantasies to life. Stepping away from the booth babe stereotype, Cosplay Deviants' models are engrossed in nerd culture along with the fans who make up the community and appear as popular characters from gaming, comics, anime and manga, and science fiction. With a foreword by Edgar Munster, model interviews, and more than 360 images, you will see just what it means to undress the art of playing dress up.
You'll find answers to these questions in Fashion Through the Ages. This stylish oversized gift book includes twelve lavish full-color interactive spreads that present fashion's highlights. From the Roman Empire to the 1960s, each of the twelve spreads feature: -- A man, a woman, a boy, and a girl dressed in outfits of the era.-- Lift-up flaps revealing all the layers of clothing beneath (each with a tiny caption).-- A gatefold page with a historical overview and a fashion overview of the era.-- NMargin illustrations showing accessories, such as shoes, hats, hairstyles, and jewelry.Chock-full of fashion history and stunning costumes by an award winning illustrator, Fashion Through the Ages is a "must-have" for every budding trend setter.
From Audrey Hepburn in Givenchy, to sharp-suited gangsters in Tarantino movies, clothing is central to film. In Undressing Cinema, Stella Bruzzi explores how far from being mere accessories, clothes are key elements in the construction of cinematic identities, and she proposes new and dynamic links between cinema, fashion and costume history, gender, queer theory and psychoanalysis. Bruzzi uses case studies drawn from contemporary popular cinema to reassess established ideas about costume and fashion in cinema, and to challenge conventional interpretations of how masculinity and femininity are constructed through clothing. Her wide-ranging study encompasses: * haute couture in film and the rise of the movie fashion designer, from Givenchy to Gaultier * the eroticism of period costume in films such as The Piano and The Age of Innocence * clothing the modern femme fatale in Single White Female, Disclosure and The Last Seduction * generic male chic in Goodfellas, Reservoir Dogs, and Leon * pride, costume and masculinity in `Blaxploitation' films, Boyz `N The Hood and New Jack City * drag and gender confusion in cinema, from the unerotic cross-dressing of Mrs Doubtfire to the eroticised ambiguity of Orlando.
This captivating book reproduces arguably the most extraordinary primary source documents in fashion history. Providing a revealing window onto the Renaissance, they chronicle how style-conscious accountant Matthäus Schwarz and his son Veit Konrad experienced life through clothes, and climbed the social ladder through fastidious management of self-image. These bourgeois dandies' agenda resonates as powerfully today as it did in the sixteenth century: one has to dress to impress, and dress to impress they did. The Schwarzes recorded their sartorial triumphs as well as failures in life in a series of portraits by illuminists over 60 years, which have been comprehensively reproduced in full color for the first time. These exquisite illustrations are accompanied by the Schwarzes' fashion-focussed yet at times deeply personal captions, which render the pair the world's first fashion bloggers and pioneers of everyday portraiture. The First Book of Fashion demonstrates how dress – seemingly both ephemeral and trivial – is a potent tool in the right hands. Beyond this, it colorfully recaptures the experience of Renaissance life and reveals the importance of clothing to the aesthetics and every day culture of the period. Historians Ulinka Rublack's and Maria Hayward's insightful commentaries create an unparalleled portrait of sixteenth-century dress that is both strikingly modern and thorough in its description of a true Renaissance fashionista's wardrobe. This first English translation also includes a bespoke pattern by TONY award-winning costume designer and dress historian Jenny Tiramani, from which readers can recreate one of Schwarz's most elaborate and politically significant outfits.
For as long as she could remember, Cassie Lane yearned to be somebody else. Not only was she socially awkward, she was odd-looking and her dysfunctional family were the type of people who bonded over stealing their Christmas tree every year. Miraculously, at sixteen, Cassie's prayers were answered and she got boobs - big ones! Suddenly the centre of attention, she went from gawky bogan to international model, strutting catwalks from Milan to LA. But beneath the gloss she discovered a world of exploitation, where living off your looks can attract as much scorn as admiration. Her search for a version of herself she could actually like took her from Hollywood parties, to an island ashram, and reluctantly back into the spotlight as an AFL 'WAG', a position where one wrong step can get you labelled a 'slut', 'skank' and 'stripper'. In time the gawky bogan came full circle, and Cassie grew to understand that beauty is not about high cheekbones or a 24-inch waist. True beauty is found in the imperfect and vulnerable. How to Dress a Dummy casts an unwavering eye at the myriad ways in which women are taught that they're not enough. Smart, frank and very, very funny, Cassie's is a bold new feminist voice.
Explore the feelings of men toward other men without the pigeonholing found in terms like “gay” and “straight”!Male to Male: Sexual Feeling Across the Boundaries of Identity starts with the evidence that most studies on male sexuality have ignored--the same-sex feelings of men whose identities are heterosexual. Of the more than fifty men in this book, almost half were aware of some degree of same-sex feeling. But beyond percentages, the primary focus of Male to Male is the exploration--through their own words--of how these men experienced same-sex feelings, what these feelings meant to them, the fears surrounding them, and the consequences of the collision between their heterosexual identities and their same-sex feelings.In addition to comparative data on women's same-sex feelings, as well as on what men say in regard to their feelings about women, Male to Male includes material from two in-depth case studies. The first is on Clark, an African-American man who moved into sex with men in prison. His story shows that the need to see gay men as feminine is really a cultural defense against the powerful pull toward the male-to-male bond, and points to the movement to fulfill that bond when this defense is dropped. The second is on Zack, a gay police officer. His story explores the different dimensions and meanings of the male-to-male bond as these unfolded in his own life, while telling about the heterosexually identified men who “came out” to him about their own same-sex feelings. Male to Male will help you explore: same-sex feelings in heterosexual men and women same-sex feelings in the military prison culture and the “heterosexual role” the fear of domination the aesthetics of fear and power the dynamics of rape compassionate relationships between heterosexual-identified men . . . and much more! Male to Male provides evidence showing that the identity that really counts--constituting the deepest source from which men's sexual feelings for each other spring--is not specifically a gay or heterosexual identity. That source is, rather, a male identity, and--beyond that--a human identity.
Fashion reveals not only who we are, but whom we aspire to be. From 1775 to 1925, artists in Europe were especially attuned to the gaps between appearance and reality, participating in and often critiquing the making of the self and the image. Reading their portrayals of modern life with an eye to fashion and dress reveals a world of complex calculations and subtle signals. Extensively illustrated, Fashion in European Art explores the significance of historical dress over this period of upheaval, as well as the lived experience of dress and its representation. Drawing on visual sources that extend from paintings and photographs to fashion plates, caricatures and advertisements, the expert contributors consider how artists and their sitters engaged with the fashion and culture of their times. They explore the politics of dress, its inspirations and the reactions it provoked, as well as the many meanings of fashion in European art, revealing its importance in understanding modernity itself.
Examining innovations in Mary Magdalene imagery - including her dress - in northern art 1430 to 1550, Penny Jolly explores how the saint’s widespread popularity drew upon her ability to embody oppositions and embrace a range of paradoxical roles: sinner-prostitute and saint, erotic seductress and holy prophet. Analyzing paintings by Rogier van der Weyden, Quentin Massys, and others, Jolly investigates artists’ and audiences’ responses to increasing religious tensions, expanding art markets, and changing roles for women.
This book interprets the handling of costume in the plays of the ancient Greek comic playwright Aristophanes, using as evidence the surviving plays as well as vase-paintings and terracotta figurines. This book fills a gap in the study of ancient Greek drama, focusing on performance, gender, and the body.
Fashion is a subject that has long been marginalized in art history and in museums. And yet, one of the most well-known artists in the twentieth century - Marcel Duchamp - created works that challenge the notion that fashion does not belong in the museum. As well, there is material evidence of his engagement with clothing as part of his oeuvre. This book reveals that clothing and dressing are significant themes that recur in Duchamp's life and his work – including his drawings, his fashioning of his body, his readymades, and in his curatorial gestures. In examining the items of clothing worn by Duchamp and the related traces of his wardrobe management, Duchamp is unmasked as a dandy. His waistcoat readymade series 'Made to Measure' (1957-1961) is in fact a remarkable and deliberate effort to recalibrate the definition of the readymade to include clothing. With this little-studied readymade series, Duchamp established a precedent for sartorial art as a valid form of artistic expression. In considering the material traces of Duchamp's fashioning of his body and identity in his work and life, this book makes a highly original contribution to the understanding of Duchamp's work as well as the significance of the clothed body in the vanguard of Modernism. Ultimately, this book explains the relevance of fashion in the museum to modern audiences today.