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Undressed Toronto looks at the life of the swimming hole and considers how Toronto turned boys skinny dipping into comforting anti-modernist folk figures. By digging into the vibrant social life of these spaces, Barbour challenges narratives that pollution and industrialization in the nineteenth century destroyed the relationship between Torontonians and their rivers and waterfront. Instead, we find that these areas were co-opted and transformed into recreation spaces: often with the acceptance of indulgent city officials. While we take the beach for granted today, it was a novel form of public space in the nineteenth century and Torontonians had to decide how it would work in their city. To create a public beach, bathing needed to be transformed from the predominantly nude male privilege that it had been in the mid-nineteenth century into an activity that women and men could participate in together. That transformation required negotiating and establishing rules for how people would dress and behave when they bathed and setting aside or creating distinct environments for bathing. Undressed Toronto challenges assumptions about class, the urban environment, and the presentation of the naked body. It explores anxieties about modernity and masculinity and the weight of nostalgia in public perceptions and municipal regulation of public bathing in five Toronto environments that showcase distinct moments in the transition from vernacular bathing to the public beach: the city’s central waterfront, Toronto Island, the Don River, the Humber River, and Sunnyside Beach on Toronto’s western shoreline.
Lake Ontario has profoundly influenced the historical evolution of North America. For centuries it has enabled and enriched the societies that crowd¬ed its edges, from fertile agricultural landscapes to energy production systems to sprawling cities. In The Lives of Lake Ontario Daniel Macfarlane details the lake’s relationship with the Indigenous nations, settler cultures, and modern countries that have occupied its shores. He examines the myriad ways Canada and the United States have used and abused this resource: through dams and canals, drinking water and sewage, trash and pollution, fish and foreign species, industry and manufacturing, urbanization and infrastructure, population growth and biodiversity loss. Serving as both bridge and buffer between the two countries, Lake Ontario came to host Canada’s largest megalopolis. Yet its transborder exploitation exacted a tremendous ecological cost, leading people to abandon the lake. Innovative regulations in the later twentieth century, such as the Great Lakes Water Quality Agreements, have partially improved Lake Ontario’s health. Despite signs that communities are reengaging with Lake Ontario, it remains the most degraded of the Great Lakes, with new and old problems alike exacerbated by climate change. The Lives of Lake Ontario demonstrates that this lake is both remarkably resilient and uniquely vulnerable.
THE TORONTO STAR'S "30 BOOKS WE CAN'T WAIT TO READ THIS SPRING" The updated edition of a Toronto favorite meanders around some of the city’s unique neighborhoods and considers what makes a city walkable What is the 'Toronto look'? Glass skyscrapers rise beside Victorian homes, and Brutalist apartment buildings often mark the edge of leafy ravines, creating a city of contrasts whose architectural look can only be defined by telling the story of how it came together and how it works, today, as an imperfect machine. Shawn Micallef has been examining Toronto’s streetscapes for decades. His psychogeographic reportages situate Toronto's buildings and streets in living, breathing detail, and tell us about the people who use them; the ways, intended or otherwise, that they are being used; and how they are evolving. Stroll celebrates Toronto's details – some subtle, others grand – at the speed of walking and, in so doing, helps us to better get to know its many neighbourhoods, taking us from well-known spots like the CN Tower and Pearson Airport to the overlooked corners of Scarborough and all the way to the end of the Leslie Street Spit in Lake Ontario. "When I moved to Toronto in 2011, Stroll was the first book I added to my library and course reading lists. My students and I get lost in the PATH, sneak into lobbies, and visit the archives with this book as our guide. Micallef’s friendly voice invites us to slow down and notice not just a few landmark buildings but the city’s built fabric as a whole. This updated version offers our collective memory a much-needed affectionate yet critical view of recent changes to the city." – Erica Allen-Kim, Author of Building Little Saigon "Stroll is a delightful and eccentric guidebook, full of clever writing, amusing stories and charming maps that will make you want to strap on your walking shoes and head into the streets of Toronto." – Carol Off, Author/Broadcaster "Shawn Micallef is the unofficial mayor of Toronto, the genial ambassador the city needs and deserves. As he strolls Toronto’s broad avenues and its little streets, he finds hidden pockets of delight – and weirdness, too. Join him and fall in love with the city again." – Liz Renzetti, author of Bury the Lead "Shawn Micallef looks at the city in a way we all should more often – he sees it as a living book that is alive with stories just waiting to be told to the attentive observer. In Stroll, he gives us an introduction to just how interesting and surprisingly dramatic those stories are, and how exciting our city is when we hear them." – David Crombie, former mayor of Toronto "A smart and intimate guide to the city that makes you feel like an insider from start to finish." – Douglas Coupland This new edition updates things in the city that have changed and includes several new walks.
What Nudism Exposes offers an original perspective on postwar Canada by situating the nudist movement within the broader social and cultural context and considering how nudist clubs navigated changing times. As the nudist movement took root in Canada after the Second World War, its members advanced the idea that going nude and looking at the bodies of others satisfied natural curiosity, loosened the hold of social taboos, and encouraged mental health. By the 1970s, nudists increasingly emphasized the pleasurable aspects of their practice. Mary-Ann Shantz contends that throughout the postwar decades, nudists sought social approval as they engaged with contemporary concerns about childrearing, sexuality, public nudity, and the natural environment. This perceptive, eminently readable book explains the perspectives of the movement while questioning its assumptions. What nudism ultimately exposes is how the body figures at the intersection of nature and culture, the individual and the social, the private and the public.
When he first hiked the Don Valley trails / all he heard was river as he strode / beside its glitter of smashing glass Grounded in the local and immediate – from Toronto’s rivers and ravines to its highways and skyscrapers – Metromorphoses explores some of the radical changes that have taken place in the city during the course of its history. The collection’s poems focus, in roughly chronological order, on the city’s inhabitants and the changing relationships between people and place, from the original Indigenous presence, through the immigrants of the nineteenth century and the Depression and war survivors of the twentieth century, to the twenty-first century’s setbacks and affirmations. We encounter characters such as Symphony Pete, who whistled classical music while hiking Don Valley trails, Henry “Box” Brown, who escaped from southern slavery in a packing crate, or the exhausted anonymous newsboy a photographer caught fast asleep next to his stack of newspapers on a flight of stone steps. We zoom in like time-lapse photography on the changes that a single site has experienced, from wood-frame cottages to foundry to synagogue to furniture store to parking lot to the new provincial courthouse. These poems bring the reader closer to the impulses that drove the art of the Mississaugas, the escape from slavery or famine of new settlers, or the social awareness of a Dr Charles Hastings or a Raymond Moriyama. Far from Eliot’s “unreal city,” Metromorphoses takes us into the heart of the real Toronto, alive and ever-changing.