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President Rafael Correa (2007-2017) led the Ecuadoran Citizens’ Revolution that claimed to challenge the tenets of neoliberalism and the legacies of colonialism. The Correa administration promised to advance Indigenous and Afro-descendant rights and redistribute resources to the most vulnerable. In many cases, these promises proved to be hollow. Using two decades of ethnographic research, Undoing Multiculturalism examines why these intentions did not become a reality, and how the Correa administration undermined the progress of Indigenous people. A main complication was pursuing independence from multilateral organizations in the context of skyrocketing commodity prices, which caused a new reliance on natural resource extraction. Indigenous, Afro-descendant, and other organized groups resisted the expansion of extractive industries into their territories because they threatened their livelihoods and safety. As the Citizens’ Revolution and other “Pink Tide” governments struggled to finance budgets and maintain power, they watered down subnational forms of self-government, slowed down land redistribution, weakened the politicized cultural identities that gave strength to social movements, and reversed other fundamental gains of the multicultural era.
Across the West, something called multiculturalism is in crisis. Regarded as the failed experiment of liberal elites, commentators and politicians compete to denounce its corrosive legacies; parallel communities threatening social cohesion, enemies within cultivated by irresponsible cultural relativism, mediaeval practices subverting national 'ways of life' and universal values. This important new book challenges this familiar narrative of the rise and fall of multiculturalism by challenging the existence of a coherent era of 'multiculturalism' in the first place. The authors argue that what we are witnessing is not so much a rejection of multiculturalism as a projection of neoliberal anxieties onto the social realities of lived multiculture. Nested in an established post-racial consensus, new forms of racism draw powerfully on liberalism and questions of 'values', and unsettle received ideas about racism and the 'far right' in Europe. In combining theory with a reading of recent controversies concerning headscarves, cartoons, minarets and burkas, Lentin and Titley trace a transnational crisis that travels and is made to travel, and where rejecting multiculturalism is central to laundering increasingly acceptable forms of racism.
The idea that diverse cultural and ethnic groups should co-exist within a country and that assimilation should not be forced upon immigrant groups – “multiculturalism” – was orthodoxy 20 years ago. Today it’s coming under pressure. In this introduction to the political theory of multiculturalism, Andrew Shorten surveys the leading theories of multiculturalism, the critiques that have been levelled against the idea, and the debates surrounding cohesion, integration and diversity. He then goes on to demonstrate how multicultural political theory can be renewed, arguing that a single, monolithic vision of multiculturalism must be replaced by a multiculturalism made up of different strands, responding to distinctive but interrelated issues, and inspired by real-world policy debates about how political communities should respond to differences of religion, language and nationality. After tracing the influence of earlier multicultural ideas on these debates, Shorten reveals some new and surprising possibilities for mutual learning. Containing an up-to-date overview of multicultural political theory and its various offshoots, this book is essential reading for students and scholars interested in the politics of cultural, religious, linguistic and national diversity.
A personal and historical examination of white Catholic anti-Blackness in the US told through 5 generations of one family, and a call for meaningful racial healing and justice within Catholicism Excavating her Catholic family’s entanglements with race and racism from the time they immigrated to America to the present, Maureen O’Connell traces, by implication, how the larger Catholic population became white and why, despite the tenets of their faith, so many white Catholics have lukewarm commitments to racial justice. O’Connell was raised by devoutly Catholic parents with a clear moral and civic guiding principle: those to whom much is given, much is expected. She became a theologian steeped in social ethics, engaged in critical race theory, and trained in the fundamentals of anti-racism. And still she found herself failing to see how her well-meaning actions affected the Black members of her congregations. It seemed that whenever she tried to undo the knots of racism, she only ended up getting more tangled in them. Undoing the Knots weaves together narrative history, theology, and critical race theory to begin undoing these knots: to move away from doing good and giving back and toward dismantling the white Catholic identity and the economic and social structures it has erected and maintained.
A personal and historical examination of white Catholic anti-Blackness in the US told through 5 generations of one family, and a call for meaningful racial healing and justice within Catholicism Excavating her Catholic family’s entanglements with race and racism from the time they immigrated to America to the present, Maureen O’Connell traces, by implication, how the larger Catholic population became white and why, despite the tenets of their faith, so many white Catholics have lukewarm commitments to racial justice. O’Connell was raised by devoutly Catholic parents with a clear moral and civic guiding principle: those to whom much is given, much is expected. She became a theologian steeped in social ethics, engaged in critical race theory, and trained in the fundamentals of anti-racism. And still she found herself failing to see how her well-meaning actions affected the Black members of her congregations. It seemed that whenever she tried to undo the knots of racism, she only ended up getting more tangled in them. Undoing the Knots weaves together narrative history, theology, and critical race theory to begin undoing these knots: to move away from doing good and giving back and toward dismantling the white Catholic identity and the economic and social structures it has erected and maintained.
Brings together international scholars of critical multiculturalism to directly and illustratively address what a transformed critical multicultural approach to education might mean for teacher education and classroom practice.
A free ebook version of this title is available through Luminos, University of California Press’s Open Access publishing program. Visit www.luminosoa.org to learn more. In Paraguay’s Chaco region, cattle ranching drives some of the world’s fastest deforestation and most extreme inequality in land tenure, with grave impacts on Indigenous well‑being. Disrupting the Patrón traces Enxet and Sanapaná struggles to reclaim their ancestral lands from the cattle ranches where they labored as peons—a decades-long resistance that led to the Inter‑American Court of Human Rights and back to the frontlines of Paraguay’s ranching frontier. The Indigenous communities at the heart of this story employ a dialectics of disruption by working with and against the law to unsettle enduring racial geographies and rebuild territorial relations, albeit with uncertain outcomes. Joel E. Correia shows that Enxet and Sanapaná peoples enact environmental justice otherwise: moving beyond juridical solutions to harm by maintaining collective lifeways and resistance amid radical social-ecological change. Correia’s ethnography advances debates about environmental racism, ethics of engaged research, and Indigenous resurgence on Latin America’s settler frontiers.
This book develops an account of 'inclusive multicultural governance' which is contrasted with assimilationist and separatist/differentialist approaches to the political management of and accommodation of multicultural diversity in liberal democracies.
Over the past decade, people have learned about oil contamination in the Ecuadorian Amazon through toxic tours in which a guide brings participants – students, lawyers, environmental activists, journalists, and foreign tourists – to visit contaminated sites. These toxic tours combine personal experience and local knowledge to convince visitors of the immediacy of environmental issues. Drawing on extensive research and fieldwork, Toxic takes the reader on a visual toxic tour through the Amazon. Following the story of three fictional participants, this graphic novel paints a visceral picture of the waste pits, gas flares, and precarious lives of people in this region. The book challenges the reader to consider what it means to live in a place and historical moment where victims of industrial toxicants are continually required to prove that harm has occurred. Toxic is a vivid reflection on the role of pollutants in our everyday lives, ultimately asking readers to reflect on how we are each implicated in the production, consumption, and exposure of pollution both in the Amazon and at home.
The Routledge Companion to Applied Musicology brings together academics, artist-researchers, and practitioners to provide readers with an extensive and authoritative overview of applied musicology. Once a field that addressed music’s socio-political or performative contexts, applied musicology today encompasses study and practice in areas as diverse as psychology, ecomusicology, organology, forensic musicology, music therapy, health and well-being, and other public-oriented musicologies. These rapid advances have created a fast-changing field whose scholarship and activities tend to take place in isolation from each other. This volume addresses that shortcoming, bringing together a wide-ranging survey of current approaches. Featuring 39 authors, The Routledge Companion to Applied Musicology falls into five parts—Defining and Theorising Applied Musicology; Public Engagement; New Approaches and Research Methods; Representation and Inclusion; and Musicology in/for Performance—that chronicle the subject’s rich history and consider the connections that will characterise its future. The book offers an essential resource for anyone exploring applied musicology.