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The official movie novelization of the latest film in the blockbuster action/horror movie series, Underworld—coming to theaters in January 2009 from Sony Pictures! Centuries ago...two ageless and terrifying races—the aristocratic vampires and the feral lycans—are bound by a cruel, ancestral relationship between master and servant, and eternally separated by the ongoing, violent rivalry between their two species. But unknown to both nobility and enslaved alike, a clandestine—and forbidden—affair between the lycan servant Lucian and the beautiful vampire noblewoman Sonja burns brightly with an unbridled passion. Seeking to escape Sonja’s tyrannical father, Viktor, and a future in which their love is considered an abomination, Lucian risks the ever-present machinations of the court and his very life to cast himself and his beloved free of their bonds...a daring tactic that will eventually give all lycans the courage to rise up against their oppressive vampire overlords. New alliances are forged even as the chains of slavery are broken...and all that Lucian and Sonja hold dear will be threatened with utter annihilation....
The Ten Kings hanging scrolls at Tokyo’s Seikadō Bunko Art Museum are among the most resplendent renderings of the Buddhist purgatory extant, but their origin and significance have yet to be fully explored. Cheeyun Kwon unfurls this exquisite set of scrolls within the existing Ten Kings painting tradition while investigating textual, scriptural, archaeological, and visual materials from East Asia to shed light on its possible provenance. She constructs a model scheme of the paintings’ evolution based on more than five hundred works and reveals channels of popularization, mass production, and agglomeration. The earliest images of the Ten Kings are found in the tenth-century sūtra The Scripture on the Ten Kings, known to be the work of the monk Zangchuan. By the mid-twelfth century, typological conventions associated with the Ten Kings were widely established, and paintings depicting them, primarily large-scale and stand-alone, became popular export commodities, spreading via land and sea routes to the Korean peninsula and the Japanese archipelago. An examination of materials in Korea suggests a unique development path for Ten Kings subject matter, and this—in conjunction with a close analysis of the Seikadō paintings—forms the core of Kwon’s book. Among the Korean works discussed is a woodblock edition of The Scripture on the Ten Kings from 1246. It is markedly different from its Chinese counterparts and provides strong evidence of the subject’s permutations during the Koryŏ period (918–1392), when Northern Song (960–1127) visual art and culture were avidly imported. In the Seikadō paintings, Northern Song figural, architectural, landscape, and decorative elements were acculturated to the Koryŏ milieu, situating them in the twelfth to early thirteenth centuries and among the oldest and most significant surviving examples of Koryŏ Buddhist painting. Efficacious Underworld fills major lacunae in Korean, East Asian, and Ten Kings painting traditions while illuminating Korea’s contribution to the evolution of a Buddhist theme on its trajectory across East Asia. With its rich set of color reproductions and detailed analysis of textual and visual materials, this volume will invite significant revision to previously held notions on Koryŏ painting.
Based on characters from Screen Gems's 2003 motion picture starring Kate Beckinsale, this all-original prequel reveals the origins of the rival clans of vampires and werewolves, and how their clandestine war has been fought in the shadows of the mortal world. Original.
The official novelization of the third installment of the Underworld film series--a prequel to the first two films that explores the origins of the centuries-old blood feud between the ageless, aristocratic vampires known as Death Dealers and their onetime slaves, the Lycans. The film opens in theaters on January 23. Original.
Capture the excitement from all three Underworld films in this collection of Underworld, Underworld Evolution, and Underworld: Rise of the Lycans. Follow Selene, a Vampire "Death Dealer," as she continues her eternal quest to rid the world of Lycans! Then witness her evolution as she uncovers more truths about the origins of the two species, before Rise of the Lycans reveals the untold story of Lucian's early years in captivity and the age-old war between the Lycans and Vampires!
The first Underworld film introduced the world to the sexy, dangerous vampire Selene and Michael, a Lycan/Vampire hybrid. Then the sequel Underworld Evolution continued their adventures. Now, both movie adaptations are available in one collection, complete with the series prequel Red in Tooth and Claw, a story set hundreds of years before the epic movies. Based on the exciting screenplays by Danny McBride, and adapted for print by Kris Oprisko (Metal Gear Solid: Sons of Liberty).
Don DeLillo's 1997 masterwork Underworld, one of the most acclaimed and long-awaited novels of the last twenty years, was immediately recognized as a landmark novel, not only in the long career of one of America's most distinguished novelists but also in the ongoing evolution of the postmodern novel. Vast in scope, intricately organized, and densely allusive, the text provided an immediate and engaging challenge to readers of contemporary fiction. This collection of thirteen essays brings together new and established voices in American studies and contemporary American literature to assess the place of this remarkable novel not only within the postmodern tradition but within the larger patterns of American literature and culture as well. By seeking to place the novel within such a context, this lively collection of provocative readings offers a valuable guide for both students and scholars of the American literary imagination.
Stencil graffiti is sweeping the globe. This phenomenon has found its heart in Melbourne, Australia. No other city boasts such quantity and quality of stencil art. This is the first book to explore the city's though provoking, visually rich stencil graffiti scene. Over 475 colour images document the beauty and breadth of the work being produced. Featuring work from artists including Meek, Psalm, Sixten, Prism, Meggs, Sync, Phibs, Rone, Banksy and more, this book is essential for anyone with interests in street art, popular culture and design.
Identifying the Mayan World Tree with the central axis of the cosmos, the author shows how evolution is not random • Shows how the evolution of the universe emanates from the cosmic Tree of Life • Explains the origin and evolution of biological life and consciousness and how this is directed Using recent findings within cosmology, coupled with his broad understanding of the Mayan Calendar, biologist Carl Johan Calleman offers a revolutionary and fully developed ­alternative to Darwin’s theory of biological evolution--and the theory of randomness that holds sway over modern science. He shows how the recently discovered central axis of the universe correlates with the Tree of Life of the ancients. This provides an entirely new context for physics in general and especially for the origin and evolution of life and suggests that we look upon ourselves as parts of a hierarchy of systems that are all interrelated and evolve in a synchronized way. Calleman’s research demonstrates that life did not just accidentally “pop up” on our planet, but that Earth was a place specifically tagged for this. He demonstrates how the Mayan Calendar describes different quantum states of the Tree of Life and presents a new explanation for the origin and evolution of consciousness. Calleman uses his scientific background in biology and cosmology to show that the idea of the Purposeful Universe is real. He explains not only how DNA but also entire organisms have emerged in the image of the Tree of Life, a theory that has wide-ranging consequences not only for medicine but also for the origin of sacred geometry and the human soul. With this new theory of biological evolution the divide between science and religion disappears.
The French Revolution invented the notion of the citizen, but it also invented the noncitizen—the person whose rights were nonexistent. The South American outpost of Guiana became a depository for these outcasts of the new French citizenry, and an experimental space for the exercise of new kinds of power and violence against marginal groups.