Download Free Understanding Muslim Discourse Book in PDF and EPUB Free Download. You can read online Understanding Muslim Discourse and write the review.

Understanding Muslim Discourse provides a well-illustrated account of the major ideas currently in use within the Muslim discourse, and also examines the mechanics whereby Bin Laden's message has become popular, legitimate, and one of the most dominant voices in this discourse. The book, therefore, explores the ways in which Bin Laden's popularity and legitimacy are rooted in his eloquence and ability to manipulate the poetic and religious traditions, as well as the collective memories of Islam, in his attempt to disseminate his own vision of the Muslim faith.
In this rich account of a Muslim society in highland Sumatra, Indonesia, John Bowen describes how men and women debate among themselves ideas of what Islam is and should be--as it pertains to all areas of their lives, from work to worship. Whereas many previous anthropological studies have concentrated on the purely local aspects of culture, this book captures and analyzes the tension between the local and universal in everyday life. Current religious differences among the Gayo stem from debates between "traditionalist" and "modernist" scholars that began in the 1930s, and reveal themselves in the ways Gayo discuss and perform worship, sacrifice, healing, and rites of birth and death, all within an Islamic framework. Bowen considers the power these debates accord to language, especially in arguments over spells, rites of farming, hunting, and healing. Moreover, he traces in these debates a general conception of transacting with spirits that has shaped Gayo practices of sacrifice, worship, and aiding the dead. Bowen concludes by examining the development of competing religious ideas in the highlands, the alternative ritual forms and ideas they have pro-mulgated, and the implications of this phenomenon for the emergence of an Islamic public sphere.
Religion as an analytical category doesn't lend itself readily to the reexamination and reinvention of tradition, especially in Islam, where the lines demarcating religion, culture, civilization, and politics are deliberately ambiguous. Religion in Modern Islamic Discourse examines the place of religion in debates and discussions from the nineteenth century to the present. The volume follows the transformation of Islamic discourse, both in its acceptance of and resistance to modernity. Abdulkader Tayob is largely concerned with how intellectuals have reconciled Islam with the forces of modernization. He begins in Egypt and colonial India, closely reading early treatments of the essence of religion and its social value. He then explores key contributions on identity, state, law, and gender. Tayob's analysis reveals the deep structural foundations of Islam's approach to religion, religious values, and spirituality and offers an unusually creative perspective on the evolution of modern Islamic discourse.
Is the British press prejudiced against Muslims? In what ways can prejudice be explicit or subtle? This book uses a detailed analysis of over 140 million words of newspaper articles on Muslims and Islam, combining corpus linguistics and discourse analysis methods to produce an objective picture of media attitudes. The authors analyse representations around frequently cited topics such as Muslim women who wear the veil and 'hate preachers'. The analysis is self-reflexive and multidisciplinary, incorporating research on journalistic practices, readership patterns and attitude surveys to answer questions which include: what do journalists mean when they use phrases like 'devout Muslim' and how did the 9/11 and 7/7 attacks affect press reporting? This is a stimulating and unique book for those working in fields of discourse analysis and corpus linguistics, while clear explanations of linguistic terminology make it valuable to those in the fields of politics, media studies, journalism and Islamic studies.
Showing that Muslim societies are facing a crisis that is more cultural than religious, this book focuses on cultural representations through which social life is experienced in the Muslim world. It brings a new theoretical framework to address the secularization process that is underway and the contradictions it entails. This volume will arouse a new debate on secularization and the relations between religion, culture and philosophy. The crisis Muslim societies are undergoing pertains to the culture and not to the Qur’an to the extent that people do not have access to the sacred in itself but only for oneself, meaning a cultural interpretation of the sacred. The Qur’an in itself is not an obstacle to secularization and modernization since any sacred text is experienced through culture. If we consider the European experience where secularization has first emerged, we see that culture has been transformed from medieval metaphysics to modern philosophy upholding a civic culture. Discussing secularization through cultural representation, this book launches new ideas that fill an important gap in the literature on secularization. It is a key resource for any readers interested in religious studies, philosophy and the anthropology of religion.
Media reporting on Islam and Muslims commonly relate stories about terrorism, violence, or the lack of integration with western values and society. Yet there is little research into how non-Muslims engage with and are affected by these news reports. Inspired by the overtly negative coverage of Islam and Muslims by the mainstream press and the increase in Islamophobia across Europe, this book explores the influence of these depictions on the thoughts and actions of non-Muslims. Building on extensive fieldwork interviews and focus groups, Laurens de Rooij argues that individuals negotiate media reports to fit their existing outlook on Islam and Muslims. Non-Muslim responses to these reports, de Rooij argues, are not only (re)productions of local and personal contextuality, but are co-dependent and co-productive to the reports themselves.
Largely, though not exclusively, as a legacy of the 2001 attack on the World Trade Center, Islamic faith has become synonymous in many corners of the media and academia with violence, which many believe to be its primary mode of expression. The absence of a sophisticated recognition of the wide range of Islamic subjectivities within contemporary culture has created a void in which misinterpretations and hostilities thrive. Responding to the growing importance of religion, specifically Islam, as a cultural signifier in the formation of a postcolonial self, this multidisciplinary collection is organized around contested terms such as secularism, Islamopolitics, female identity, and Islamophobia. The overarching goal of the contributors is to facilitate a deeper understanding of the full range of experiences within Islam as well as the figure of the Muslim, thus enabling a new set of questions about religion’s role in shaping postcolonial identity.
This wide-ranging set of essays explores the multi-faceted relationship between Islam and democracy. Each essayist's unique viewpoint on contemporary Islam provides insight into Islamic political thought and its connection to Western democracy.
To be a Muslim is to be a part of a culture with distinct beliefs, ideas, institutional forms and prescriptive roles. Yet there is a complex inter-relationship between a system of knowledge and belief, such as Islam, and the immediate political, economic and social context of its adherents. This book aims to improve understanding of Muslim social and political action by examining a broad spectrum of Muslim discourse, both written and spoken, to see how meaning is formed by context. It is a broad comparative study and examines discourses produced in opposition to government as well as those produced, in Iran or Pakistan for example, under an authoritarian Islamic state. Through cogent analyses of socio-historical contexts and textual materials from East Java, Nigeria, Iran, Pakistan, Indonesia, Malaysia, the Maghreb and Egypt, this book shows how to ‘read’ a familiar Islamic movement, period of change or textual source in a newer and better light. First published in 1987.
Far from Ottoman Turkey and the Balkans, an expanded farmhouse in southern Michigan provides the secure if improbable setting for Baba Rexheb and his Islamic Bektashi community. This is also the setting for Spiritual Discourse, a study of the process by which Baba Rexheb, a ninety-year-old Albanian leader of the Bektashi order, and Frances Trix, an American student who has studied with him for over twenty years, come to share a common universe of experience and attunement. The focus of the study is one lesson with Baba - a lesson that is rich in poetry and parable, narrative and face-saving humor. As Trix seeks to understand how Baba teaches, she contextualizes the lesson internally in terms of episodes and dialogic patterns, and externally in terms of the societal, personal, and ritual histories it presumes. Overall what is being passed on is not facts but a relationship, for the relationship of "seeker" and "master" mirrors that of human and God. Yet on a more immediate level, Baba teaches through a highly personalized, recursive sort of language "play" that engenders current attention while constantly evoking an ever-growing shared past. For scholars of discourse and interaction, the study contributes the central concept of "language attunement"--A form of "linguistic convergence" that operates not at the level of speech community, but rather at the level of dialogic encounter, and that occurs most often among people who have long interacted. For scholars of Islam and religious studies, the study represents a rare application of sociolinguistics to transmission of spiritual knowledge. The importance of oral interaction in such transmission has long been appreciated, but the conceptual framework and methodology for its analysis have been lacking. An ethnography of learning, a sociolinguistics of mysticism, above all Spiritual Discourse illuminates the process of interpersonal encounter. It is a story gracefully and unpretentiously told.