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How we read Kant's Critique of Pure Reason has a huge influence on how convincing we find the parts of which it is composed. This thesis will argue s that by taking its arguments and concepts in isolation we neglect the unifying architectonic method that Kant employed. Understanding this text as a response to a single problem, that of the possibility of synthetic a priori judgement, will allow us to evaluate it more fully. We will explore Kant's attempts to relate the a priori and the synthetic in the Introduction, Metaphysical Induction and Analytic of Principles of the Critique of Pure Reason. Having developed this reading at length we will be able to re-assess Kant's relation to the work of Gilles Deleuze.
The way in which we read Kant's Critique of Pure Reason has profound consequences for our understanding of his thought in relation to the work of other thinkers. Kant, Deleuze and Architectonics presents a unified reading of this text in order to respond to the concerns surrounding the method and arguments Kant employs. In showing us how the 'first critique' comes to make greater sense when read as a whole or in terms of its 'architectonic' unity, Edward Willatt breathes new life into a text often considered rigid and artificial in its organisation. On the basis of this reading, Kant's relation to Deleuze is revealed to be much more productive than is often realized. Deftly relating the unifying method of Kant's Critique of Pure Reason with Deleuze's account of experience, and using Kant's concern to secure the conditions that make experience possible to develop Deleuze's attempt to convincingly relate 'the actual' and 'the virtual', this book constitutes an important step in our understanding of Deleuze and his philosophical project.
The Critique of Pure Reason is one of the most important philosophical texts ever written. Like Copernicus, Kant dared to question the ordinary perspective from which we habitually view the world. Kant's moderate form of skepticism is known as "transcendental idealism," and its primary tenet is that we cannot know things as they are in themselves because we only know things as they appear to us. His thesis had a monumental influence on the culture of the last two centuries, giving rise to cultural movements and theoretical approaches including: German Idealism, Romanticism, Modernism, Marxism, Existentialism, Psychoanalysis, Structuralism, Post-Structuralism, and even Quantum Physics.
The Architectonic of Pure Reason, one of the most important sections of Kant's first Critique, raises three fundamental questions. What can I know? What should I do? What may I hope? Taken together these questions converge on a fourth one, which is at the centre of philosophy as a whole: what is the human being? Lea Ypi suggests that the answer to this question is tied to a particular account of the unity of reason - one that stresses its purposive character. By focusing on the sources, evolution and function of Kant's concept of purposiveness, this book shows that the idea of purposiveness that Kant endorses in the Critique of Pure Reason is a concept of purposiveness as intelligent design, quite different from the concept of purposiveness as normativity that will become central to his later works. In the case of purposiveness as design, the relationship between reason and nature is anchored to the idea of God. In the case of purposiveness as normativity, it is anchored to the concept of reflexive judgment, and grounded on transcendental freedom. Understanding this shift has important implications for some of the most difficult questions that confront the Kantian system: the passage from the system of nature to that of freedom, the relation between faith and knowledge, the philosophical defence of progress in history, and the role of religion. It is also crucial to shed light on the way in which Kant's critique has shaped the successive German philosophical tradition.
In two often neglected passages of the Critique of Pure Reason, Kant submits that the Critique is a 'treatise' or a 'doctrine of method'. These passages are puzzling because the Critique is only cursorily concerned with identifying adequate procedures of argument for philosophy. In this book, Gabriele Gava argues that these passages point out that the Critique is the doctrine of method of metaphysics. Doctrines of method have the task of showing that a given science is indeed a science because it possesses 'architectonic unity' – which happens when it realizes the 'idea' of a science. According to Gava's novel approach, the Critique establishes that metaphysics is capable of this unity, and his reading of the Critique from this perspective not only illuminates the central role of the Transcendental Doctrine of Method within it, but also clarifies the relationship between the different parts of the work.
Kant’s "Critique of Pure Reason" is so outstanding among modern philosophical works, that it can be termed "the" foundation of modern philosophy. Schopenhauer termed it "the most important book ever to have been written in Europe." Otfried Höffe guides the reader through the "Critique" one step at a time, expounding Kant’s thoughts, submitting them to an interpretation and drawing a summary conclusion, placing the work and its topics within the context of its modern successors. A "critical" interpretation of Kant’s text reveals that he had something to say on many discussions that are said to have originated after his death. Reducing his argumentation to its central tenets, it can be made stronger and applicable to current problems. Kant’s eventual concern, however, even when writing theoretical philosophy, lay with the practical. Elaborating this concern and its connection to Kant’s theoretical philosophy is a prime tenet of this book.
Though he is a pivotal thinker in Adorno's intellectual world, the closest Adorno came to an extended discussion of Kant are two lecture courses. This volume contains his lectures from the course on the Critique of Pure Reason.
The Critique of Pure Reason is one of the most influential works in the history of philosophy and marks a turning point and the beginning of modern philosophy. Also referred to as Kant's "first critique," it was followed by the Critique of Practical Reason and by the Critique of Judgment. In the preface to the first edition, Kant explains what he means by a critique of pure reason: "I do not mean by this a critique of books and systems, but of the faculty of reason in general, in respect of all knowledge after which it may strive independently of all experience." Immanuel Kant (1724-1804) was a German philosopher, who, according to the Stanford Encyclopedia of Philosophy is "the central figure of modern philosophy." Kant argued that fundamental concepts of the human mind structure human experience, that reason is the source of morality, that aesthetics arises from a faculty of disinterested judgment, that space and time are forms of our understanding, and that the world as it is "in-itself" is unknowable. Kant took himself to have effected a Copernican revolution in philosophy, akin to Copernicus' reversal of the age-old belief that the sun revolved around the earth.
Philosophy.