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Chilean writer José Donoso is one of a handful of authors inevitably mentioned in relationship to the 'boom' in Spanish American literature during the 1960s and 1970s. His name is frequently linked with those of other Latin writers such as García Márquez, Vargas Llosa, Fuentes, Rulfo, and Cortázar. Like his contemporaries, Donoso blends the physical and the psychological in his fiction. The perceptions of his characters are constantly changing. For Donoso, 'reality' is a state of mind always subject to the imagination, and nothing is stable.
This haunting jungle of a novel has been hailed as "a masterpiece" by Luis Bunuel and "one of the great novels not only of Spanish America, but of our time" by Carlos Fuentes. The story of the last member of the aristocratic Azcoitia family, a monstrous mutation protected from the knowledge of his deformity by being surrounded with other freaks as companions, The Obscene Bird of Night is a triumph of imaginative, visionary writing. Its luxuriance, fecundity, horror, and energy will not soon fade from the reader's mind -- Back cover
Curfew takes place during one twenty-four hour period in January 1985. Matilde Neruda, widow of the Nobel Prize-winning poet, has just passed away, and various factions are rallying to turn the event to their advantage: for Pinochet's junta, it represents a chance to assert political authority, while for the intellectuals who had basked in the Nerudas' light, it is an opportunity to grab the spoils of the estate. Against this backdrop of complex, often conflicting motivations, Donoso weaves a portrait of a society struggling to fashion a daily existence for itself, and of an intelligentsia vainly attempting to salvage the remnants of glory days long gone by. But Curfew is also a story of the tragic love between Judit Torre, an upper-middle-class radical who wants to escape her bitter past; and Mañntilde;ungo Vera, a native son returning after a successful career as a European pop singer. In the zone between documentary-like realism and grotesque absurdity, Joséeacute; Donoso evokes the suffocating atmosphere of a country under dictatorship, and its quietly devastating effect on the actions of those who live there.
This anthology of critical essays seeks to fill a void which exists in the psycho-social study of Jose Donoso's works. It includes articles such as: Literature as an Exploration of Self; El obsceno p jaro de la noche and the role of the Narrator Agent; and El jarden de al lado: Rewriting the Boom.
A Chilean writer named Julio and his wife, Gloria, are at a low point in their lives. Constantly bickering, the pair are beset by worries about money, their writing, and their son (who may or may not be plying the oldest profession in Marrakesh). When Julio's boyhood best friend, now a famous artist, lends the couple his luxurious Madrid apartment for the summer, it is an escape for both - but in particular for Julio, who fantasizes about the garden next door and the erotic life of the lovely young aristocratic woman who inhabits it. But Julio's life - and career - unravel In Madrid: he is rebuffed by a famous literary agent, Nuria Monclus, who detests him and his novel; his son's friend from Marrakesh moves in and causes havoc; and Gloria begins to drink. In the face of pitiless adversity, Julio's talent inexorably begins to fade. The garden next door, however, is also Gloria, who has been doing some creating of her own. It is this twist that transforms Donoso's brilliant satire of the writer's life into something even greater: a carefully crafted and bitteily comic meditation on gardens, deceit, and the nature of a writer's muse.
A reprint of the powerful novel by Chilean writers, José Donoso.
"At the center of The Lizard's Tale is Antonio Muñoz-Roa, a prominent painter whose circumstances bear a striking resemblance to Donoso's own when he wrote the novel. Hiding in his Barcelona apartment, obsessed with the ruins of his past, Muñoz-Roa relates the story of his flight to the small town of Dors with Luisa, his cousin, lover, and benefactor, after his scandalous defection from the 'Informalist' movement (an ironic reference to a contemporary Catalan art movement and possibly also a veiled allusion to the boom)."--P. [2] of jacket.
These striking novellas are the witty crystalizations of Jose Donoso's concerns over a lifetime of writing. In them he poses many of the questions raised by his fellow Latin American writers, Fuentes, Garcia Marquez, and Vargas Llosa. Taratuta is a mystery story in which a writer tries to track a slippery Russian revolutionary in history and in life. Still Life with Pipe shows the comeuppance of an ambitious man when he meets true art and can't escape its grasp.
This text examines the multiple narrative perspectives Donoso presents and traces a transformation in Donoso's works from complex stage performance to political forum.