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Understanding Jill McCorkle introduces readers to the novels and short story collections of Jill McCorkle's growing canon. Since 1984 McCorkle has written five novels and two books of short stories, entering the publishing world, as one reviewer noted, with the literary equivalent of a rebel yell. Filling the gap of critical study on McCorkle, Barbara Bennett analyzes the widely read and admired output of this prolific southern woman writer. Bennett identifies and discusses the diverse characters, thematic concerns and keen sense of language that distinguish McCorkle's work.
A collection of short stories, including "Monkeys," in which a widow holds on to her husband's beloved spider monkey as well as his darkest secrets, takes readers back to the author's fictional hometown of Fulton, North Carolina.
In the course of this wide-ranging, richly detailed novel, every kind of human problem finds its way to the doorstep of Quee Purdy, a tireless entrepreneur for whom love and sex are the "hot commodities" in which she deals. McCorkle's extraordinary storytelling skills allow her to juggle at least six parallel stories in a novel about playing God. And she does it divinely.
This Angel on My Chest is a collection of unconventionally linked stories, each about a different young woman whose husband dies suddenly and unexpectedly. Ranging from traditional stories to lists, a quiz, a YouTube link, and even a lecture about creative writing, the stories grasp to put into words the ways in which we all cope with unspeakable loss. Based on the author's own experience of losing her husband at age thirty-seven, this book explores the resulting grief, fury, and bewilderment, mirroring the obsessive nature of grieving. The stories examine the universal issues we face at a time of loss, as well as the specific concerns of a young widow: support groups, in-laws, insurance money, dating, and remarriage. This Angel on My Chest ultimately asks, how is it possible to move forward with life while "till death do you part" rings in your ears—and, how is it possible not to?
Some of us understand place in terms of family and community, landscape, or even the weather. For others, the idea of place becomes more distinct and particular: the sound of someone humming while washing dishes, the musical cadence of a mountain accent, the smell of a tobacco field under the hot Piedmont sun. Some of North Carolina's finest writers ruminate on the meaning of place in this collection of twenty-one original essays, untangling North Carolina's influence on their work, exploring how the idea of place resonates with North Carolinians, and illuminating why the state itself plays such a significant role in its own literature. Authors from every region of North Carolina are represented, from the Appalachians and the Piedmont to the Outer Banks and places in between. Amazing Place showcases a mix of familiar favorites and newer voices, expressing in their own words how North Carolina shapes the literature of its people. Contributors include Rosecrans Baldwin, Will Blythe, Belle Boggs, Fred Chappell, Jan DeBlieu, Pamela Duncan, Clyde Edgerton, Ben Fountain, Marianne Gingher, Judy Goldman, Stephanie Elizondo Griest, Randall Kenan, Jill McCorkle, Michael McFee, Lydia Millet, Robert Morgan, Jenny Offill, Michael Parker, Bland Simpson, Lee Smith, Wells Tower, and Monique Truong.
Long Story Short: Flash Fiction by Sixty-five of North Carolina s Finest Writers"
Food Matters explores questions about the seemingly simple concept of food: What is the purpose of food: sustenance, pleasure, health? What political, social, and cultural forces affect our food choices? What does it mean to eat ethically? How does our food system contribute to the climate crisis, and how can we make changes in our eating habits and in food production to protect the planet? What problems and possibilities will influence what the future of food? Readings by a range of essayists, scientists, journalists, farmers, activists, and ordinary citizens take up these questions and more. Questions and assignments for each selection provide a range of activities for students. The Bedford Spotlight Reader Series is an exciting line of single-theme readers, each reflecting Bedford’s trademark care and quality. An editorial board of a dozen compositionists at schools with courses focusing on specific themes assists in the development of the series. Each reader collects thoughtfully chosen selections sufficient for an entire writing course—about 35 pieces—to allow instructors to provide carefully developed, high-quality instruction at an affordable price. Bedford Spotlight Readers are designed to help students from all majors make sustained inquiries from multiple perspectives, opening up topics such as gender, happiness, intelligence, language, music, science and technology, subcultures, and sustainability to critical analysis. The readers are flexibly arranged in thematic chapters, with each chapter focusing in depth on a different facet of the central topic. Instructor support at macmillanlearning.com includes sample syllabi and additional teaching resources.
Fourteen short stories by St. Louis author Margaret Hermes. Winner of the Doris Bakwin Award for Writing by a Woman, selected by Jill McCorkle.
"What is it about the relationship between fathers and daughters that provokes so much exquisite tenderness, satisfying communion, longing for more, idealization from both ends, followed often if not inevitably by disappointment, hurt, and the need to understand and forgive, or to finger the guilt of not understanding and loving enough?" writes Phillip Lopate, in his introduction to Every Father's Daughter, a collection of 25 personal essays by women writers writing about their fathers. The editor, Margaret McMullan, is herself a distinguished novelist and educator. About half of these essays were written by invitation for this anthology; others were selected by Ms. McMullan and her associate, Philip Lopate, who provides an introduction. The contributors include many well-known writers--Alice Munro, Jayne Anne Phillips, Alexandra Styron, Ann Hood, Bobbie Ann Mason, Maxine Hong Kingston, among others--as well as writers less well-known but no less cogent, inventive, perceptive, lacerating, questioning, or loving of their fathers.
V.1 contains nearly 6000 entries that provide a bibliography of interpretations for short stories published between 1989 and 1990.