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Japan, although a small country, is identified as perhaps the only civilization composed of just one nation. In spite of its many encounters with axial civilizations Japan has somehow preserved a unique sense of self. This enduring quality lends an air of mystery to Japanese culture that continues to draw the fascination of many. Such curiosity about the nature of Japan and its people has prompted the publication of many books that contribute to the academic genre known as “Nipponjinron.” This book makes a distinctly new contribution as a theological anthropology of Japaneseness by paying careful attention to the religious sensibilities that undergird Japanese behavior. The author draws on numerous seminal works of Nipponjinron to build a sturdy philosophical and historical platform. Through concrete examples, classic literature, historical analysis, and religious reflection, the author carefully and skillfully illuminates a new path to understanding Japaneseness by drawing the reader’s attention to the lifeblood of Japanese behavior, “maternal-filial affection.”
As Japan enters the 21st century with a new emperor, this title continues to be an indispensable guide through often enigmatic and historical idiosyncrasies of Japanese culture and politics that are often confusing to the outsider. This title includes information on the latest social developments, customs, rituals, business culture, medicine and arts.
Can traditional Japanese life concepts—like loyalty, harmony, meticulousness—make sense in Western societies? This little book offers readers a provocative tour through seventy-six core life concepts that are at the foundation of Japanese behavior, belief, and beauty. Japaneseness will be of particular interest to students of ethics and humanism as well as those living, working, or traveling in Japan. And it raises an intriguing question: Can traditional Japanese values—like loyalty, meticulousness, sensitivity, reverence, hierarchy, trust, and harmony—make sense in modern Western societies? You are encouraged to think about how Japanese virtues can cultivate inner strength, mindfulness, and long-lasting relationships at your own homes and workplaces.
Can traditional Japanese life concepts—like loyalty, harmony, meticulousness—make sense in Western societies? This little book offers readers a provocative tour through seventy-six core life concepts that are at the foundation of Japanese behavior, belief, and beauty. Japaneseness will be of particular interest to students of ethics and humanism as well as those living, working, or traveling in Japan. And it raises an intriguing question: Can traditional Japanese values—like loyalty, meticulousness, sensitivity, reverence, hierarchy, trust, and harmony—make sense in modern Western societies? You are encouraged to think about how Japanese virtues can cultivate inner strength, mindfulness, and long-lasting relationships at your own homes and workplaces.
Fully updated, revised and expanded, this is a welcome new edition of this bestselling book providing a clear, accessible and readable introduction to Japanese society.
In this book, Yuko Kawai departs from the common conception of Japan as an ethnically homogenous nation. A Transnational Critique of Japaneseness: Cultural Nationalism, Racism, and Multiculturalism in Japan investigates the construction of Japaneseness from a transnational perspective, examining ways to make Japanese nationhood more inclusive. Kawai analyzes a variety of communicational practices during the first two decades of the twenty-first century while situating Japaneseness in its longer historical transformation from the late nineteenth century. Kawai focuses on governmental and popular ideas of Japaneseness in light of local, global, historical, and contemporary contexts as well as in relation to a diverse array of Others in both Asia and the West.
First published in 1989. This volume has emerged from the International Colloquium on the Comparative Study of Japanese Society. Held at Noosa Heads in Queensland from 29 January to 6 February 1982, the colloquium brought together participants from eight countries to discuss about thirty papers. The participants came with a common sense of dissatisfaction with the 'group model' or 'consensus-oriented theories' as a means of understanding Japanese society. The papers and discussion focused on alternative approaches for conceptualizing Japanese society and on methodological issues in the comparative study of Japanese society.
This book offers insightful analysis of cultural representation in Japanese cinema of the early 21st century. The impact of transnational production practices on films such as Dolls (2002), Sukiyaki Western Django (2007), Tetsuo: The Bullet Man (2009), and 13 Assassins (2010) is considered through textual and empirical analysis. The author discusses contradictory forms of cultural representation – cultural concealment and cultural performance – and their relationship to both changing practices in the Japanese film industry and the global film market. Case studies take into account popular genres such as J Horror and jidaigeki period films, as well as the work of renowned filmmakers Takeshi Kitano, Takashi Miike, Shinya Tsukamoto and Kiyoshi Kurosawa.
Focus: Music in Contemporary Japan explores a diversity of musics performed in Japan today, ranging from folk song to classical music, the songs of geisha to the screaming of underground rock, with a specific look at the increasingly popular world of taiko (ensemble drumming). Discussion of contemporary musical practice is situated within broader frames of musical and sociopolitical history, processes of globalization and cosmopolitanism, and the continued search for Japanese identity through artistic expression. It explores how the Japanese have long negotiated cultural identity through musical practice in three parts: Part I, "Japanese Music and Culture," provides an overview of the key characteristics of Japanese culture that inform musical performance, such as the attitude towards the natural environment, changes in ruling powers, dominant religious forms, and historical processes of cultural exchange. Part II, "Sounding Japan," describes the elements that distinguish traditional Japanese music and then explores how music has changed in the modern era under the influence of Western music and ideology. Part III, "Focusing In: Identity, Meaning and Japanese Drumming in Kyoto," is based on fieldwork with musicians and explores the position of Japanese drumming within Kyoto. It focuses on four case studies that paint a vivid picture of each respective site, the music that is practiced, and the pedagogy and creative processes of each group. The downloadable resources include examples of Japanese music that illustrate specific elements and key genres introduced in the text. A companion website includes additional audio-visual sources discussed in detail in the text. Jennifer Milioto Matsue is an Associate Professor at Union College and specializes in modern Japanese music and culture.
This book sets out to uncover and discuss the curricular, pedagogical as well as cultural-political issues relating to ideological contradictions inherent in the adoption of English as medium of instruction in Japanese education. Situating the Japanese adoption of EMI in contradicting discourses of outward globalization and inward Japaneseness, the book critiques the current trend, in which EMI merely serves as an ornamental and promotional function rather than a robust educational intervention.